ActressAishwarya Rai Bachchan, an epitome of beauty and talent has on several occasions won the hearts of her fans with her glamorous look and amazing acting skills.
With Mani Ratnam's semi-biographical Tamil political drama Iruvar, the actress had an outstanding film debut in 1997. In the same year, her first Hindi film Aur Pyaar Ho Gaya was also released. Later, she acted in movies such as Hum Dil De Chuke Sanam, Devdas, Mohabbatein, and Dhoom 2, among others.
As the stunning actress turns a year older today, let us look at some of her remarkable performances.
Iruvar (1997)
Iruvar, Mani Ratnam's semi-biographical Tamil political drama, was an impressive celluloid debut for the actor. Few actors get to launch their careers with dual parts, but Rai Bachchan was an exception. She played the dual roles of Pushpavalli and Kalpana with seasoned delicacy, the latter being a fictionalised version of former politician and actor Jayalalithaa.
Devdas (2002)
Devdas, directed by Sanjay Leela Bhansali, is considered a classic film. Devdas Mukherjee (SRK)'s life takes a turn for the worst once his family stops him from marrying Paro (Aishwarya Rai). At the 48th Filmfare Awards, she won the Best Actress award for her remarkable performance.
Hum Dil De Chuke Sanam (1999)
The actor played Nandini, a young girl filled with liveliness and humour. She played the role with three shades, deep love for Sameer (Salman Khan), callousness for her spouse Vanraj (Ajay Devgn), and eventual regret for him. Rai infused the character with both charisma and maturity.
Guru (2007)
Rai played the wife of Abhishek Bachchan's character Guru, who was a bit of a renegade with a strong mind of her own. Aishwarya Rai played a tough lady who recognised her rights and refused to submit to patriarchal diktats in the drama set in the 1950s.
Ponniyin Selvan: I (2022)
Aishwarya Rai's mesmerizing beauty left everyone awestruck in this movie. In a film based on Kalki's epic saga of the Chola dynasty and the power struggle for the coveted throne, Aishwarya played Nandini, a character who is far more intelligent and calculative than any of the mighty kings and who knows how to use her beauty to her advantage.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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