Skip to content
Search

Latest Stories

After Bigg Boss 11, Luv Tyagi heads to Splitsvilla

He entered the controversial reality show Bigg Boss 11 as a commoner but, by the time, he finished his journey in the glass-walled house, he was a celebrity. There is no need to guess who are we talking about. It's none other than Luv Tyagi.

The aspiring actor, who most of the housemates thought was inactive and hence undeserving to be in the house, surprised one and all by being in the Top 5 of Bigg Boss 11. Apart from that, he also managed to clock a huge fan following in the outer world.


Thought Luv could not make it to the finals, he has successfully arrested the attention of the right people. The latest we hear that he has just bagged the next season of MTV's popular show Splistvilla.

Reportedly, Viacom 18 was quite keen to continue their association with Luv and hence the makers decided to rope in him for Splitsvilla, considering his massive popularity among females might be beneficial for the upcoming season of the show.

Splitsvilla is expected to mount floors in the month of March and till then, Luv cannot sign any other project.

More For You

5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

Keep ReadingShow less