POPULAR ACTOR NAKUUL MEHTA GETS ROMANTIC ON HIS RETURN
by ASJAD NAZIR
FANS have been waiting for small screen superstar Nakuul Mehta to return to television ever since his smash-hit drama Ishqbaaaz ended and he obliged them with newly released web series Never Kiss Your Best Friend.
The award-winning actor plays the lead role in the 10-episode adaptation of a best-selling book, which was shot at various locations across London.
He stars opposite Anya Singh in the ZEE5 serial set across two different time periods, which revolves around two best friends and life challenges that affect the strong bond they have.
The romantic serial adds to an impressive body of work done by the popular Indian actor, and he was in good spirits when Eastern Eye caught up with him to find out more.
What was the best thing about taking a break after Ishqbaaaz ended?
I have always felt that it’s extremely important for actors to constantly reinvent, learn and evolve. Ishqbaaaz was a phenomenal experience for me. It was on air for nearly three years and I felt that by the end of it as an artist, I was spent, and it was important that I went back, took time off, lived a bit and came back with new energy – also give audiences enough time to breathe and want to see me instead of coming back straight away.
What did you do during the break?
The best part was that I could do a lot of travelling, which is one of my passions. I did 12 trips last year. I did a theatre residential programme and learned a lot. I worked on a short film with Anurag Kashyap and hosted a show with some of my favourite cricketers. I did things that I thought really helped me evolve. I had fun and worked with new creators.
What did you like about Never Kiss Your Best Friend?
I have been looking at digital content for a while now. In 2016, when the web had not exploded like it has in India now, I had produced, written and acted in my first web show I Don’t Watch TV. After that, I started shooting for Ishqbaaaz, so when Never Kiss Your Best Friend came to me my first reaction was, another love story. But when I read it, I realised the vibe of the show is different from any other romantic show I could have done. It is extremely relatable, talks your language and is real, which got me thinking that is the kind of content I have wanted to do.
Tell us about the story and character you play?
The character I play is Sumer Singh Dhillon. He is a regular college kid, who has issues such as dealing with the expectations of society, parents and oneself. His best friend is Tanie Brar. It’s about how they support each other through life’s ups and downs, including different relationships, until their own relationship goes through a crack. It’s set between two time lines, including in the present when they meet years later, how life is awkward and how they deal with it. How friendship plays a part in either bringing them together or not.
How does this web series compare to the book?
The fact that it is based on a book which is a bestseller and read by so many people gives me confidence that already people have enjoyed the story. It has been taken from the book, but adapted for a series so a lot of things are the same and a lot of things have been changed.
What was the greatest challenge of playing this character?
Sometimes when you are playing a young character, I feel it is important to get the vibe and that to me was a real challenge. Also, shooting in a city like London helped. It is such a happy place during Christmas. It’s an artsy place and an open, liberal society. I think all of that really adds to the vibe of the show.
Do you have a favourite moment in the web series?
Well, there are lots. We shot for about 40 days all across London. It was absolutely beautiful. There were a couple of songs we shot that were gorgeous. There was one song where we were shooting the soccer portion. (Laughs) It was just a lot of young kids on the soccer field and none of them listening to the director, which was fun.
Do you have any memories from the shooting of the web series?
Anya (Singh) and I were at Somerset House and supposed to shoot a skating scene, but it got cancelled. The crew left and we were also asked to leave, but we were so engrossed, we chose to not hear them and continued skating, which was an enjoyable experience for us.
It seems like a story most will relate to. Did you?
One hundred per cent. In fact, the show has just dropped on ZEE5 and 99 per cent of messages I have been receiving are about how relatable it is. Anyone who has had a best friend growing up would relate to it. I think, in a sense, it is the DNA of the show.
What was the experience of shooting for it in the UK?
It was incredible. London is one of my favourite cities in the world. Every other time it is work or tourism, but this time to be there for an extended period of time was wonderful. Also, with a rom-com, there is no better time than Christmas, to add credence and spirit into it.
How does working in a web series compare to a TV serial that has many more episodes?
The last two serials I have done were Ishqbaaaz and Pyaar Ka Dard Hai Meetha Meetha Pyaara Pyaara. One was more than 750 episodes and the other was more than 650 episodes, but Never Kiss Your Best Friend is just 10. After a point, fatigue sets in when you are doing television. It is impossible to maintain that level of consistency in that level of work; human minds are not made for that. Also, as artists, you cannot have such regimented routines, hence I feel with working on a web show you are going at the same intensity, but for shorter spurts of time. I felt that I could add far more value, and continue to feel refreshed while doing it.
What is the plan going forward?
The plan is to not give into the comfortable and not doing what people will tell you is something you must do, so the plan is to have no plan. The plan is to find new roles and challenging opportunities, and evolve.
Today, what inspires you as an actor?
I look at myself not just as an actor on set, but as a co-creator and collaborator. Recently, Tom Hanks had made that speech about three things an actor must do, which is learn your lines, be on time and come with a bag full of ideas. It is a philosophy I have had always – that if I am on set, I am not there to just deliver lines, but I am also there to help the director, writer and cameraman do the scenes in the best possible way.
Tell us more…
It might mean working with junior artists on set and trying to get their act right. It might also mean adding to the writing process, helping co-actors or choreographing, taking care of action sequences, being part of the process and not just working out of the actor’s hat; that inspires me – the entire process to building a scene.
Why should we all tune into Never Kiss Your Best Friend?
It’s a fun show. With all the violence, sex, action there is on the web and TV, this is a show which is relatable, speaks your language and is an easy breezy watch.
Never Kiss Your Best Friend is available now on www.zee5.
South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.
From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.
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BBC Three documentary uncovers new details in Kim Kardashian Paris robbery case
Nearly ten years after Kim Kardashian was robbed at gunpoint in a Paris hotel, the story is being revisited in a new documentary coming to BBC Three and iPlayer. Titled The Kim Kardashian Diamond Heist, the film digs into one of the most talked-about celebrity crimes of the last decade, offering fresh access and unheard accounts from those closely involved in the case.
Kim Kardashian Paris robbery case revisited in new BBC Three documentaryGetty Images
New voices and untold moments from the night that shocked the world
The 45-minute documentary features first-hand interviews with close family friends, French police officers, and journalists who followed the robbery from day one. It takes viewers back to that October 2016 night, when Kardashian was tied up and robbed of jewellery worth millions of pounds inside her private apartment at a luxury hotel during Paris Fashion Week.
The film doesn’t stop at the crime itself. It moves forward to recent developments, including the court case in which Kim finally came face-to-face with her assailants last month. Eight people were found guilty, nearly a decade after the robbery made global headlines.
Kim Kardashian 2016 diamond heist case brought eight people to justice nearly a decade after the robberyGetty Images
Beyond gossip: A look at the cost of digital fame
This BBC Three documentary goes beyond the headlines and Instagram timelines. It examines the role of social media in the robbery, where public posts may have tipped off the thieves, and the emotional fallout Kim faced in the aftermath.
Nasfim Haque, Head of Content at BBC Three, says the film “cuts through the noise and looks at the real-life consequences of being so visible in the digital age.” Firecracker Films, the production company behind the documentary, also hopes the film helps viewers understand how the case was solved and the emotional cost behind the glamour.
Kim Kardashian arrives at the Assize Court for the trial Getty Images
Directed by Ben Bryant and produced by Jessica Sartenaer, The Kim Kardashian Diamond Heist will be available on BBC Three and BBC iPlayer later this month. Executive producers include Jes Wilkins and Sam Emmery, and the documentary will be distributed globally by Passion Distribution.
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The Pyramid Stage awaits Sir Rod Stewart’s return after more than two decades
Sir Rod Stewart has called off a series of concerts in the US as he recovers from a bout of flu, just weeks before his anticipated set at Glastonbury Festival. The 80-year-old singer, who was due to perform six shows across Nevada and California in early June, announced that four have been cancelled and two will be rescheduled.
Sharing the update on Instagram, Rod apologised to fans and expressed his frustration at having to take a break. “I’m devastated and sincerely sorry,” he wrote. “I’ll be back on stage and will see you soon.” The cancelled dates include multiple shows in Las Vegas and Stateline, Nevada, while the California concerts will now take place in September.
Despite the setback, Stewart’s headline appearance at Glastonbury is still very much on. He’s set to take over the festival’s famous Legends slot on Sunday, 29 June, more than two decades since he last played the Pyramid Stage in 2002. At the time, he performed alongside Coldplay and Stereophonics, but this time he’ll return as the oldest artist ever to headline the Legends slot.
Speaking on The Peter Crouch Podcast, Stewart revealed he was only allocated 75 minutes for his Glastonbury set but has requested an extra 15. “I play for over two hours every night, 90 minutes is nothing,” he said. He also shared that Rolling Stones guitarist Ronnie Wood, his former bandmate from Faces, will join him for part of the show, making it a mini-reunion.
Cancelled ShowsInstagram/sirrodstewart
Slowing down but not stopping
Though Stewart has hinted that this might be his final major tour, he’s not ready to retire just yet. “This will be the end of big world tours, but I’m not hanging up the mic,” he said. Instead, he’s eyeing more intimate venues for future performances, possibly exploring a swing or Great American Songbook setlist.
Rod Stewart set to reunite with Ronnie Wood at GlastonburyGetty Images
Rod has faced several health issues this year, including strep throat and a recent round of vocal rest. Still, he seems determined to power through Glastonbury with his charm and energy. With hits like Maggie May and Da Ya Think I’m Sexy, fans can expect a career-spanning set worthy of the Sunday slot.
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Deepika Padukone joins Allu Arjun in Atlee pan India epic AA22xA6
Deepika Padukone has officially signed on as the female lead in Atlee’s highly anticipated film with Allu Arjun, tentatively titled AA22xA6. The announcement has come after her controversial exit from Spirit, directed by Sandeep Reddy Vanga, making this casting a major talking point in film circles and among fans.
The film’s production house, Sun Pictures, introduced Deepika with a video of her training for what appears to be a fierce action role. Concept sketches depict her as a warrior queen, leaping into battle with a massive axe. The video includes scenes of her practising fight choreography in a motion-capture suit and even riding a CGI horse while wielding a weapon.
The visual cues suggest a fantasy-meets-science-fiction world with Deepika at the centre of it. This will be her first screen outing with Allu Arjun and her second project with director Atlee after the 2023 hit Jawan. The makers are calling it a “magnum opus” and have brought on top international technicians, including VFX experts who have worked on Iron Man 2 and Transformers.
Hollywood-based creators involved in the project have publicly praised the film’s script. From creature designs to large-scale battle sequences, AA22xA6 will be one of Indian cinema’s biggest cross-industry collaborations yet.
Sun Pictures reveals the film logo with a teaser full of actionYoutube Screengrab/ Sun TV
Exiting Spirit, entering strength
Deepika’s casting comes soon after her exit from Spirit, which led to a social media stir. While Sandeep Reddy Vanga seemed to suggest she made unreasonable demands, sources close to the actor say she simply wanted an eight-hour workday, a choice influenced by her becoming a new mother.
Vanga’s cryptic posts online accused an actor of lacking commitment, but fans and industry insiders were quick to defend Deepika’s professionalism. Some even joked, “She doesn’t need Vanga,” applauding her for choosing stronger projects over toxic work environments. Replacing her in Spirit is Animal star Triptii Dimri.
Director Atlee guides Deepika through motion capture choreographyYoutube Screengrab/Sun TV
With AA22xA6, Deepika is not just stepping into a powerful role on screen, she’s also showing that leading women in the industry can call the shots without compromise.
Identical twins Croo and Sach have gained recognition in the fashion and digital space for their vibrant content, often shot in scenic locations. Heavily inspired by cinema, the ambitious Indian duo make bold style statements with their eye-catching outfits and have big plans ahead.
Eastern Eye asked the rising social media stars to share the 10 things that creatively inspire them most.
Rajesh Khanna’s acting and fashion: The legendary Hindi cinema icon has always been a huge inspiration for us. His romantic aura, unique walk, and killer fashion sense – especially those retro fits – influence a lot of our personal style. We love turning up in vintage clothes because they instantly bring out that old-school Bombay mafia gangster vibe we admire.
Dilip Kumar’s pure acting: There is a reason he is regarded as one of the greatest actors in Indian cinema. His raw, natural style is a masterclass for us. We study his expressions and pauses to craft emotion-driven reels. Whether we shoot dialogue-heavy content or silent dramatic clips, his influence is everywhere. He helps us elevate even the simplest concept into something powerful and deeply moving.
Amitabh Bachchan’s persona and vintage style: When the superstar burst onto the scene in the 1970s, his fierce screen presence redefined intensity – and that shapes how we approach high-energy, gritty reel content. We recreate cinematic moments with hard-hitting lines, commanding expressions and dramatic walk-ins. His blazer and sunglasses look and deep baritone also inspire how we style and deliver those punchy, “don’t mess with us” characters on Instagram.
Amitabh Bachchangetty images
The timeless beauty of Madhubala: Often hailed as the most beautiful star of Hindi cinema, Madhubala’s elegance influences how we frame our female leads. Soft lighting, dreamy close-ups and graceful movements – all come from her legacy. We use her timeless charm to blend vintage aesthetics with modern storytelling in our reels.
Madhuri Dixit’s 1990s glamour and dance: The dancing queen made a huge impact in her prime. The multi-talented star’s expressions and dance finesse have definitely inspired our rhythm-based reels. We blend Bollywood thumkas with glamorous visuals and fast cuts – always with her finesse in mind. Her 1990s colour palettes and glam styling also guide how we create fashion transitions in dance reels.
Ranveer Singh’s fashion and attitude: The unique actor’s over-the-top style and wild energy are our go-to when we want to break the internet. Loud outfits, bold moves and unexpected transitions – that is Ranveer’s zone. We love channelling his “no rules” attitude into our fashion-centric reels, adding an unapologetic flair to every frame we create.
Les Twins’ dance and fashion: The French duo – dancers, choreographers, producers, models and designers – have made an impact across multiple creative fields. They completely changed the way we view dance. Their precision, swag and effortless flow inspire us to choreograph sharp, clean and stylish reels. We also love their streetwear aesthetic – it has shaped how we dress, shoot and edit our content with a fresh, global urban vibe.
Ranbir Kapoorgetty images
Shah Rukh Khan’s struggle to stardom: The superstar’s journey really hits home for us. Coming from nothing and building an empire through passion, dedication and relentless hustle – that story is our biggest motivation. We see ourselves in that grind and share the same fire to prove something. Whenever we create reels or any kind of content, we channel his energy – starting small, thinking big and pouring our heart into everything. His romantic intensity, raw vulnerability and on-screen confidence push us to dream bigger and stay true to ourselves. He reminds us that the journey matters just as much as the destination.
Ranbir Kapoor’s acting: From the newer generation of actors, Ranbir inspires us with the way he fully becomes his character without ever overdoing it. There is a softness, depth and quiet strength in his performances that we try to bring into our creative reels. His expressions often speak louder than words, and that minimal, emotional style teaches us how to connect with the audience on a deeper level.