Babar Azam hit a majestic 90 but Pakistan's long streak of series wins came to an end in the second Twenty20 international against South Africa at the Wanderers Stadium on Sunday.
South Africa took a winning 2-0 lead in the three-match series with a dramatic seven-run win. Pakistan had not lost a T20 series since they were eliminated from the World T20 in India in March 2016.
Pakistan were on track to overhaul South Africa's 188 for three until Azam was out off the first ball of the 17th over. It started a collapse in which six wickets fell for 34 runs in four overs.
The contrast between the two innings was stark. South Africa started slowly but stand-in captain David Miller plundered an unbeaten 65 off 29 balls as the hosts scored 127 runs off the last ten overs, including 29 off the final over bowled by Usman Shinwari.
Pakistan scored rapidly at the start of their innings, with Azam hitting the first three balls off Beuran Hendricks for four. It was 70 for one at the end of the six-over power play –- 26 runs ahead of South Africa's total at the same stage.
Azam and Hussain Talat (59) put on 102 off 75 balls for the second wicket.
"We had the game but we couldn't finish it," said Pakistan captain Shoaib Malik.
The tempo of the game changed when Azam pulled a slower ball from Beuran Hendricks to deep midwicket after hitting 13 fours and a six in a 58-ball innings.
"We didn't start too well with the ball," said Miller, who was named man of the match. "We were too short and too wide but the bowlers pulled it back."
Although neither took a wicket, Miller praised left-arm spinner Tabraiz Shamsi and new fast bowler Lutho Sipamla for economical bowling in the middle overs before the late-innings collapse.
Miller, captaining South Africa for the first time because Faf du Plessis was rested for the last two matches of the series, hit five sixes and four fours in an explosive innings, which followed a similarly aggressive 45 off 27 balls by Rassie van der Dussen, who hit four sixes.
South Africa made a relatively sedate start on an unusually slow, dry Wanderers pitch. Left-arm spinner Imad Wasim, who opened the bowling, took one for nine in four overs. He bowled a maiden to new opening batsman Janneman Malan, who had an otherwise promising innings of 33 off 31 balls.
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.