An event-filled journey which Arjun Kapoor began with Yash Raj Films’ Ishaqzaade (2011) has crossed several milestones over the years. Today, Kapoor is one of the most sought-after actors from the current crop and boasts of some interesting projects in his pocket. His latest film Namaste England, helmed by Vipul Amrutlal Shah, is currently running in cinemas. Besides him, the movie also features his first co-star Parineeti Chopra as the female. Before Namaste Landon hit screens on 18th October, our Mumbai correspondent, Mohnish Singh, sat down with Arjun Kapoor at a Mumbai hotel and tried to find out how his relationship with the audience has evolved over the years, what he feels about his co-star Parineeti Chopra, and what, according to him, makes or breaks a film. Excerpts...
After Ishaqzaade, you and Parineeti Chopra are teaming up again for Namaste England. What difference have you noticed personally in Parineeti since your debut film?
When I met Parineeti Chopra for the first time, she was living life at the moment. She had just done Ladies vs Ricky Bahl (2011) and then she immediately shot Ishaqzaade with me, so she didn't even get what was happening to her, she was just going in a flow. Then her life changed when both those films released. And now when I meet her today, I see a woman who sees this (acting) as her life. Earlier, this was one aspect of her life that she was trying, so she was relaxed about it. Today there is a focus, there are maturity and awareness, there is an understanding, but inherently she is the same person in that sense. I really appreciate that about her that she has not taken the success for granted because this profession is a rarity.
What do you think of her as an actor?
Well, she was a very good actor even before. She has obviously honed her skills. Everybody does over the period of time. But to her merit, she has never been a reference actor. You will see Parineeti's acting and will never say she acts like this person. She has always been a fresh talent. She didn't grow up watching films, so that gives you a new perspective and I think she reinvigorated that time and time again and done all sorts of films, but you will never see Parineeti being bad in a film and that's commendable.
Do you believe your relationship with the audience has improved over the years?
Because I am human I feel there is a better connection if you are true to yourself and the people around you. The day I start behaving fake, there will be a disconnect and the audience can figure that out. That’s the one thing I live and die for. I have never been fake and I do not feel I am not human. I think I am the most vulnerable person in the world.
When did you realize you have evolved as an actor?
Everybody told me not to do Ki And Ka (2016) and a lot of big people who saw it said it would not work, but I felt that my impulse and instinct were always right. People said that the heroine was married. All the actors in the main cast had previously delivered a flop. I was an action hero, then how I would make food? Nobody will see it and it’s not going to work. But I somewhere believed that in Hindustan, women want to have a supportive husband and these were the two topics that the film spoke of. Maybe I was 3 years ahead in conversation at that point. It wasn't a well-reviewed film, it wasn't loved by the reviewers, but it did very well and it opened at an unprecedented number for a film which the industry looked down upon. That day, I realised that I think like an audience member and I get to do something that most people don't. You have a moment in life where you back yourself when nobody backs you, this was that moment.
Have you ever felt you were lacking somewhere in the early years of your career?
No, I have never felt that. See, bad for me would have to be that I am disinterested, I didn't get the character, I didn't perform, I didn't help the scene, I didn't put in the effort and I, in fact, took away from a scene or a film and I didn't understand what was going on in the film. And I was blank and dead. It takes a lot to be that bad. You can be better but that also depends on a lot of factors. When you are seeing a scene, you do not see all the takes. I might have done the scene in many ways. The director makes an inherent choice to keep certain things.
What do you think makes or breaks a film?
When a film works, it’s because of everybody. When a film doesn’t work, that is also on everybody. So, performance also has a lot of factors to it. If you see a raw footage and you tell me the scene isn't good then I can understand you are talking about the performance, but when you see a film in totality, I have always known that I have gone and done what the director needed me to do and what I have understood from the writing.
What is your strength as an actor?
I can, of course, be better. I cannot deny that but I have never been blank on screen. I have never been somebody who has phoned it in. I have been sincere and honest. That doesn’t always translate, but that has too many factors.
Which performance of yours do you feel is the closest to you?
I think it is yet to come. I am very self-deprecating and I am genuinely somebody who is never happy, as you can see from my face. I definitely feel it would come soon. It’s a double-edged sword because I am content with my work, but I want more. This profession is as such where you can only be content for 7 seconds and then you suddenly realize what power you have that you can do so much more.
What are your plans for the future?
I want to do more because now the audience is evolving, the opportunities are tremendous. It is such a fertile time to go out and do more. I want to push the envelope. I want to have fun. I want to do all those things that I never thought I would reach this position to do. So, the ambition is to do a lot more.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.