ACTRESS Anushka Sharma has been testing herself with a wide array of roles in recent years and continues that trend with a challenging role in this month’s big Bollywood release Sui Dhaaga: Made In India.
She stars opposite Varun Dhawan in the uplifting drama about dreaming big and battling against the odds to achieve that.
caught up with Anushka to find out more about the film, her amazing social work and more.
You have become very unpredictable with your choices. How are you selecting the projects you are doing?
I’m always looking out for different stories and different characters. For an actor it’s very important to constantly keep reinventing yourself so you show a different side of yourself to your audience, because that’s the only way you will be able to sustain their interest and faith in you. I think experimenting with roles in films is very important – it is reaching out to your audience in the best way possible, of course.
It seems like you are happiest when you are out of your comfort zone?
Actually that’s very true and a good observation. I am happiest when I play a character who is very different from my own personality. I feel like I can really express myself. And when I say myself, I mean myself as an actor too. My real personality – I’m very quiet actually, I don’t really have a very strong personality in that sense, so I feel like when
I have a different character to play, I can really put my all in there. I think it’s very boring to be yourself on screen – it’s a lot of fun when you’re able to be someone else.
But is it true that you thought Sui Dhaaga was too challenging even for you?
Yes, it is true that it was challenging for me because it was a film in which I was playing
a character who was totally different from who I am as a person. And I had to really understand that her instincts were very different from my own, so I could not
rely on my own instincts as a person. I had to have different thoughts and different instincts for her, which were unique to her. And to get those, and to inculcate that faculty inside me. I had to really understand this person and where she came from, her aspirations and her situation. That is something I had to work on, and hopefully I have been able to do it.
What did you most like about the project?
What I liked was the creative process. Sharat [Katariya] was a good director to have worked with and Varun [Dhawan] was a very engaging co-actor. And I think the entire team in terms of the producers, editors, lyricist and everybody, were really those who believed in this film. So I think these reasons have been interesting for me.
Tell us about the story and your character?
The character I play in Sui Dhaaga comes from a low-middle class family. She was married off when she was much younger, she’s not very educated and is busy with her work in her house, just running the house and everything.
But she really doesn’t feel like she has ever been able to express herself or her opinions, other than in matters of the housework and all that. In the larger scheme of things in the home, she hasn’t mattered. She’s a woman who has a mind of her own and through the film, she and other people discover that about herself – that she has a personality
which is unique and strong, and a mind that is active and opinionated.
But her way of expression was going to be very different from perhaps women like me, who are more privileged and have been given way more opportunities. I think that it was what was interesting to me about playing this character.
What was the biggest challenge of this role?
Like I said, I was playing someone who was so different from me in terms of her instincts, behaviour and personality, so I could not rely on my own instincts as a person, because that would not be true to the character.
What was the biggest thing that being part of this movie taught you?
This film has really taught me how it doesn’t matter where you come from, it’s where you want to go. If you persevere in doing something, and if it comes from a good place, then you will succeed in life. These are the things that have stuck with me.
Is it fair to say this is an emotional film?
Yes, it is definitely an emotional film. But at the same time the emotion is not, you know, soppy. It’s very uplifting somehow. And I think it’s something that everyone will be able to connect to.
So who are you hoping connects with the film?
I think it’s a very wide-ranging film and I do think that it can reach out to as many people as it should. It’s a universal film because the concept is so universal and everybody will be able to relate to it. It’s a family film, so I think we are reaching out to any and everybody.
You must be happy with the incredible response the trailer has received?
Yes, we are very excited and very happy. The trailer has got a good response and people have really understood the film for what it is. So I’m very pleased about how it has been received.
This film does impart an important message, but what social causes are closest to your heart?
Well, anything to do with children, education, and women empowerment are things I feel very strongly about. But apart from these causes, I have been very actively and forcefully working towards animal rights and animal welfare, because I think that is something that requires attention.
There is a huge section of people who are not compassionate enough to animals because they do not see them as important as a human life. So creating awareness and talking about that seems like a very important thing for me to do. We all understand that in terms of being part of the environment and part of Mother nature, no one life is more important
than the other, and when one thing is not taken care of, it adversely affects everybody. This is something that I always try to speak about.
You will be starting an animal shelter soon?
I have announced that I’m going to be starting a shelter very soon. I have already got the land for it, and the shelter is being built to take care of animals, sort of like a rehab for old animals, those that have retired from work, and of course for any animals we can help and take care of, and provide medical assistance to.
Today what inspires you most?
I think what inspires me the most is when I see some act of goodness around me, which happens naturally and organically, and is not forced and fake. I think also somewhere where I see people just enjoying their work, whatever it may be, taking pride in the work they are doing, and doing it with a lot of fun and happiness. That really inspires me,
and I really appreciate such people.
Your production house has done a great variety of movies, but what can we expect next?
We will carry on doing a lot more interesting work – the idea is to always create more content and tell different stories. We will also be doing some very interesting work in
the digital space, so that is a big announcement we will be making soon.
You have achieved a lot, but do you have any great unfulfilled cinematic ambitions like a dream role?
I don’t have any ambitions actually in terms of dream roles, but my ambition is basically
that I want to be living in the moment and seeing the scripts that are coming to me and then deciding what excites me, like how Sui Dhaaga excited me when I read it. So
I think I just try to react to the moment.
How much have you enjoyed the whole process of having a fashion label?
I have really enjoyed it. I’m really happy with the way the brand is doing also and the faith that we are instilling in our customers. It’s getting bigger, our collections are available now in most places and on more platforms, and I believe that is a really good sign for us. It is all very exciting and also very encouraging.
What can we expect next from you in terms of projects?
The next film I’ll be doing it Zero. It is going to come out very soon, so that’s the next
release that I will have. And other than that, like I said before, announcements will
be made shortly.
Finally, why should we watch Sui Dhaaga?
You should watch it because it’s a good film.
Sui Dhaaga: Made In India is in cinemas next Friday (28).
DR ZEUS’S GLOBAL VIEW
THE hotly anticipated Dr Zeus album Global Injection will be released later this month and has a number of big-name guest appearances on there.
The ace British music producer (above) has been working hard on the songs and early indications are it will be the best album of 2018.
Zeus told me: “I have been lucky to release a number of albums and feel blessed
they have been loved, but this is my best yet and it’s been a long time coming. I have worked really hard on the album and am proud of every single track. Thanks to all those who worked on the album, including the amazing vocalists who helped realise my vision.”
UDAY LIGHTS UP TWITTER
ACTOR turned producer Uday Chopra recently wrote a post on social media asking for India to legalise marijuana and gave various reasons, before stating that he doesn’t use the drug himself. He was told off by the Mumbai police for his tweet and was also not surprisingly trolled, with one person suggesting he needed something to forget that despite getting so many gold-plated opportunities in life, he still hasn’t been able to make a mark.
SONAM SHARES STORIES
ACTRESS Sonam Kapooor recently revealed tantalising details about her husband Anand Ahuja, including saying he doesn’t have much of an imagination in bed and that he had initially tried to set her up with one of his friends.
She also revealed how he proposed, saying: “We were in New York and one day when he was biking and I was walking alongside, I was being a brat, having a crappy day. I was complaining about how there was no good person in New York. He got off, got down on one knee and asked if I wanted to marry him.”
ABHISHEK AND HIS CHOICES
I HAD said previously that Abhishek Bachchan was right to refuse Paltan because it would be a disaster and opt for Manmarziyaan instead, which I predicted would get
much better reviews, but not generate huge numbers. I was right on all counts because Paltan flopped and Manmarziyaan received solid reviews, but not the blockbuster numbers the actor’s career so desperately needs. I hope Abhishek can find a commercial project worthy of his talent because the one thing that Manmarziyaan did show is that he is a fine actor.
FREIDA: IN A GOOD PLACE
SHE may have found global fame after the incredible success of 2008 Oscar winning
film Slumdog Millionaire, but Freida Pinto recently confessed that she felt lost for a long time because she was just doing whatever work came her way and lacked confidence.
But she took a break and has now returned emotionally stronger.
She said: “Today, I’m sure I don’t feel lost anymore. I can accept my flaws and speak my mind. And I am the happiest that I have been.”
Freida will now hopefully choose better projects worthy of her talent and perhaps take advice from her ex-boyfriend Dev Patel, who is making great professional choices.
RANI MAKES RETURNDoctor Who acclaimed actress Archie Panjabi added to her diverse body of work by playing the iconic villain Rani in the recently concluded series of Doctor Who. She reprised the role originally portrayed by Kate O’Mara decades ago. Unfortunately, the series – available on BBC iPlayer – has been plagued by problems and suffered plummeting ratings, largely due to poor storylines. As a result, Archie and fellow cast member Varada Sethu are unlikely to return in future episodes.
Doctor Who
SINDOOR SHOW
Although many interpreted Aishwarya Rai Bachchan wearing sindoor at the recent Cannes Film Festival as a nod to India’s strike on Pakistan, it may have held a more personal meaning. After months of speculation about a possible split from Abhishek Bachchan, the gesture appeared to reaffirm that her marriage remains strong. It followed her recent Instagram post sharing a happy photo with her husband and daughter.
Aishwarya Rai Bachchan
DEY’S LONDON DATE
Brilliant Indian bassist Mohini Dey will deliver one of this summer’s standout concerts at the world-famous Ronnie Scott’s Jazz Club in London on July 9. She has been unstoppable in recent years – releasing an acclaimed self-titled album in 2023 and collaborating with music legends such as Zakir Hussain, Quincy Jones and AR Rahman, as well as touring North America with Willow Smith. The only female bassist in MusicRadar’s Top 10 Bassists of the 21st Century, she promises a unique musical experience.
Mohini Dey
SHIVALI CASTS A SPELL
After being one of the leading lights of devotional music, Shivali launched a bold new chapter in her artistic journey with the sold-out one-woman show Queen of Wands in London last month. This powerful solo performance brought her spoken word album to life through a dynamic blend of music, poetry, storytelling, immersive visuals and diverse themes. The British talent received a standing ovation for the thought-provoking and relatable show. Shivali said: “The experience was sublime, a different kind of feeling. I discovered I’m allegedly a comedian. It was one woman, but I had the backing of a team that rivals Michael Jordan’s Chicago Bulls. We are just starting conversations to take the show forward – and New York might be the first stop. More will be revealed soon.”
Queen of Wands
DISAPPEARING TV DRAMAS
While most people in India can cope with Pakistani celebrity social media accounts disappearing, the inability to watch drama serials from across the border has not gone down as well. The ongoing conflict has led to streaming platforms and YouTube channels blocking access to episodes of hit Pakistani dramas like Kabhi Main Kabhi Tum.
Although tech-savvy viewers have found ways around the restrictions, others are being forced to seek alternative shows to binge-watch.
Kabhi Main Kabhi Tum
DUD-LOOKING HISTORICAL
Riteish Deshmukh has unveiled the first-look poster of his passion project Raja Shivaji, which he is writing, directing, starring in, and releasing in multiple languages.
Unfortunately for him, the historical drama – based on the life of Maratha warrior Chhatrapati Shivaji Maharaj – features a line-up of past their-prime co-stars that audiences no longer seem interested in, including Sanjay Dutt, Abhishek Bachchan, Fardeen Khan, Genelia Deshmukh and Bhagyashree.
Deshmukh’s inexperience as a filmmaker will only add to the challenges Raja Shivaji faces ahead of its scheduled release on May 1, 2026. The only stone-cold certainty is that – like several recent Bollywood films about historical rulers – it will probably distort facts and lean heavily into jingoism.
Raja Shivaj
JINXED KAIF SISTER
After more than a decade of trying – and failing – to find her footing in Bollywood, it may be time for Isabelle Kaif to read the room. Her 2022 film Time To Dance vanished without a trace, and just as she was supposed to get a long-delayed ‘break’ with the clumsily titled Suswagatam Khushamdeed, that too disappeared. A lack of interest led to the film being quietly pulled from a recent cinema release without explanation. Perhaps the producers finally realised they were throwing good money after bad. Being Katrina Kaif’s younger sister might have opened a few doors for Isabelle, but it clearly has not been enough to turn her into a star. It may be time for her to reconsider her career path entirely – whether that means working behind the scenes or stepping away from Hindi cinema altogether. At the very least, she needs to make smarter choices and find better people to advise her.
Suswagatam Khushamdeed
COPYWOOD KHAN
Promotions for Sitare Zameen Par are in full swing ahead of its release on June 20. Lead star and producer Aamir Khan will be hoping Bollywood audiences avoid watching the Spanish original Campeones, which his comedy-drama is a remake of. That 2018 film – along with its 2023 American remake Champions – is available on streaming platforms.
Social media users have already begun drawing comparisons between the original and scenes from the trailer, which could make it harder for June’s big Bollywood release to succeed. This does not bode well for Khan, who has a lot riding on his not-so-original film after two major failures – Thugs of Hindostan and Laal Singh Chaddha.
Sitare Zameen Par
ARIJIT SET FOR STADIUM SHOW.
Tickets are now available for Arijit Singh’s upcoming concert at Tottenham Hotspur Stadium on September 5. This landmark event will be the biggest show ever headlined by a South Asian artist outside India – a testament to the singer’s global appeal.
The unassuming star is looking forward to returning to London. He said: “I’m just an ordinary person who happens to sing, and I’m incredibly humbled that I have the opportunity to share my songs and perform in London again. If that means I make history, then I will be very blessed.
“It makes me happy when the world sings my songs with me, and my London fans are the absolute best.” This milestone adds to Arijit’s remarkable list of achievements, including being the most followed artist on Spotify and featuring on Ed Sheeran’s forthcoming single Sapphire. It also marks a major moment for show organisers TCO Group and Vijay Bhola’s Rock On Music.
Arijit Singh
SNEHA SHANKAR IS JUST SENSATIONAL
I was really impressed with Indian Idol 15 finalist Sneha Shankar after watching her make her UK stage debut. The gifted 19-year-old has incredible versatility – ranging from the raw power of Sufi sensation Jyoti Nooran to the gentle finesse of Bollywood music queen Shreya Ghoshal. Although she did not win the reality TV show, her multi-layered vocals could turn her into a future superstar, if paired with the right songs. It is no surprise she secured a lucrative contract with India’s biggest record label, T-Series. She is destined for greatness.
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Priya Mulji with participants at a Thailand retreat
I turned 43 recently, and it was the best birthday of my life. Special for so many reasons. For the first time since my twenties, I spent my birthday abroad. (In case you were wondering – Phuket, Thailand.)
Last year, I impulsively booked myself onto my friend Urvashi’s mind, body and soul expansion experience. Since then, life has taken some unexpected turns – including being made redundant from my day job – so this trip could not have come at a better time.
Before leaving, I was apprehensive. I had never been to East Asia. Would I like it? Would I get on with the other women? Should I really be going on a two-week trip without a job? What vaccinations would I need? Would the street food give me Delhi belly?
I need not have worried. Within the first day, all my fears melted away. The group of women on the trip were inspiring – each there for her own reasons – and across the week, I connected with them in unique and beautiful ways.
We ranged in age from 37 to 53. Some of us were single, others married with grown-up children. Some were high-flying execs, others unemployed.
But there was no sense of hierarchy – no “I’m better than you.” Just acceptance.
It was a trip of firsts. I got up at 5.30am on my birthday to do a four-kilometre mountain hike to see the Big Buddha. I got in a kayak and floated in the middle of the ocean, despite being a terrible swimmer. I took a Thai cooking class and finally learned how to make some of my favourite dishes.
But the biggest lesson from this impactful trip was this: it is so important to find people who bring good energy, who listen without judgment. Surround yourself with those who offer wisdom and support, not force their opinions on you. Who remind you that you are respected. That you are loved.
For anyone feeling lost, unloved, or unsure of how to navigate life, know that your tribe might be out there, waiting to meet you in the most unexpected of places. I found a new sisterhood in just one week. So take a chance. Step out of your comfort zone. Do something you never imagined doing.
I will leave you with the words of Usha, who was on the trip: “We are all devis in our own way.” I dedicate this column to Jaymini, Leena, Nina, Usha, Iram and Rinku – for helping me in ways they may never fully understand.
And to my darling Urvashi, thank you for bringing us all together. You created magic. You gave me the best birthday gift I could ever have asked for.
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Britain faces challenges in changing attitudes around diversity
IT HAS been five years since the biggest anti-racism protests in a generation – but how far did they have a lasting legacy?
The protests across America after the murder of George Floyd spread to Britain too. There was no central organisation, nor a manifesto of demands, as students and sixth formers took to the streets.
This was the time of the Covid pandemic in which two-thirds of NHS staff who had tragically lost their lives were ethnic minorities. But placards declaring “racism is the real pandemic” risked mixing metaphors to deadly effect. So the Covid context reinforced a generational divide.
The UK protests of 2020 were a cross-ethnic movement primarily of black, Asian and white young people – though there were many older armchair supporters. Indeed, a third of ethnic minority Britons felt they had participated, primarily by voicing online support.
The Black British are four per cent of the population, compared to 13 per cent in America – about a quarter of visible minorities in the UK. Most of the larger British Asian group felt supportive of the anti-racism protests too. Cricketer Azeem Rafiq felt it was why his challenge to racism in Yorkshire cricket finally cut through.
The protests mobilised – and polarised. Online arguments were especially heated, but offline conversations could be more thoughtful. Quite a few people were in listening mode that summer.
Britain is not America was the core point for those critical of the protests – yet I found those who took part often quick to acknowledge that. America’s gun problem gave racism in policing a different intensity of urgent threat. But too much focus on transatlantic differences could underpin complacency about real challenges to face up to in Britain too.
Once the statue of Edward Colston was pulled down in Bristol on June 7, history and statues became a central theme. A year later, ahead of Euro 2021, footballers taking the knee became the symbolic focal point.
Boris Johnson’s government commissioned a review of ethnic disparities, but the Sewell report generated a starkly polarised debate with its optimistic counter-narrative about Britain leading the world.
The argument was about language – what it meant to be ‘institutionally racist’ – with the report’s incremental proposals on issues such as curriculum reform, policing data and online hatred barely discussed.
As the pattern of opportunities and outcomes on race in Britain becomes more complex than ever, the politics seems ever more binary. The Tories chose three more leaders – our first Asian prime minister, who preferred that not to be noticed too much; and the party’s first black British leader, a vocal critic of all things ‘woke’.
In opposition, Sir Keir Starmer declared the protests a ‘defining moment’ and issued an awkward photograph of himself taking the knee in his office alongside his deputy leaders.
Efforts to weaponise that image against him fell rather flat.
Labour pledged a new race equality act but tried to say as little as it could about race. The party had an electoral strategy of taking ethnic minorities for granted – a product of its exclusive geographical focus on the people and places who were not already Labour.
Shedding minority votes on both its left and right flank complicated the party’s nascent thinking about whether or how to respond.
In government, the party was reluctant to draw attention to its legislative pledge. It is now consulting on those measures so quietly that very few people have noticed.
Beyond one strong Starmer passage about last summer’s racist riots at the Labour conference, no leading voice in this government has found an appetite or voice to make a substantial argument about race, opportunity or identity in Britain today.
The anti-racism protests galvanised but polarised. It is the identity politics of Donald Trump which set America’s agenda now – ironically taking affirmative action to absurd lengths, but only for deeply unqualified Trump loyalists. Because Britain is not America, most people would reject emulating the Trump effort to repeal any mention of diversity or inclusion here.
But finding forward momentum is more challenging.
Those suspicious of the sincerity of corporate declarations of support for the Black Lives Matter movement felt vindicated by their flipping as the political weather changed.
UK corporations are often seeking to continue work on inclusion while side-stepping polarised political controversies. National charities lag behind the public and private sector.
That patchy response may explain why one institutional legacy of the protests is the effort of high-profile black Britons, such as Lewis Hamilton, Raheem Sterling and Stormzy, to create their own foundations.
Five years on, the legacy can be hard to discern. The core message of the anti-racism protests in Britain was that the progress we have made on race has not met the rising expectations of the next generation.
It will take more confidence among institutions of political, economic and cultural power about how to act as well as talk about race and inclusion – or those rising expectations risk remaining frustratingly unmet.
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
Hollywood actor Kumail Nanjiani has returned to his stand-up comedy roots with a major tour of his show Doing This Again. He is set to perform at Union Chapel in London on September 20. Once the tour concludes, the stand-up special will stream on a major platform. The multi-talented star also has several upcoming projects, including roles in the high-profile films Ella McCay, The Wrong Girls and Driver’s Ed.
Kumail Nanjiani
DYNAMIC DRESS
Unlike most Indian celebrities who wear expensive designer gowns on the Cannes red carpet, Simran Balar Jain chose to do things differently. The social media influencer wore a striking outfit featuring a symbolic silhouette of one woman lifting another. Her hand-sculpted gold metal corset, made from recycled materials, conveyed a powerful message of collective empowerment and sisterhood. She also shared engaging behind-the-scenes vlogs from the film festival.
Simran Balar Jain
SOCIAL MEDIA SPOILER
The Sixth Sense (1999), directed by M. Night Shyamalan, was a spectacular success thanks to its unexpected twist ending. If the film were released today, it would not have had the same impact – social media users would have quickly given away the big surprise. Bollywood comedy Housefull 5, like many modern-day murder mystery films, is likely to face a similar problem when it is released next Friday (6).
Within hours, social media users, vloggers and influencers will reveal the identity of the murderer, which will undermine one of the film’s main selling points
Mumtaz
STREAMING SITE STINKER
It is utterly tragic to see how Netflix has become a dumping ground for substandard Indian content. Whether it is acquiring disastrous box office failures or greenlighting dreadful original productions, the clueless streaming platform seems to attract horrid Indian projects. A prime example is the recently premiered series The Royals, which is shockingly poor. The cringeworthy drama, headlined by Bhumi Pednekar and Ishaan Khatter, is best avoided.
Five years from now
BAD BOLLYWOOD IDEA
Instead of using their platform to call for peace, most celebrities in India and Pakistan have either remained silent or acted as cheerleaders for bombings that have claimed lives on both sides of the border. Some C-listers in both countries have even used the ongoing conflict to generate cheap publicity. Perhaps the worst response has come from those already looking to cash in on what is ultimately a human tragedy. Bollywood producers and stars rushed to register the title Operation Sindoor and now plan to profit from a film named after India’s missile strike on Pakistan. If past films are any indication, the conflict will likely be exaggerated on screen, featuring caricatured villains and misinformation – further inflaming tensions rather than promoting understanding.
Janhvi Kapoor
PHALKE FILM BIOPIC
The dream team of actor Aamir Khan and filmmaker Rajkumar Hirani will reunite – after record-breaking hits PK and 3 Idiots – for a biopic on the father of Indian cinema, Dadasaheb Phalke. The film will trace his journey towards making India’s first feature film, Raja Harishchandra, in 1913. Meanwhile, acclaimed director SS Rajamouli is planning a separate film on the same subject, with superstar NTR Jr in the lead role. This follows the 2009 award-winning Marathi film Harishchandrachi Factory, which was India’s official entry for the Academy Awards.
Dadasaheb Phalke
HOLLYWOOD BUBBLE BURST
For Indian celebrities, it often seems that anything made in America is labelled a Hollywood project – even when it has no connection to a major studio. That is why reports of Kangana Ranaut making her “Hollywood debut” with the forthcoming film Blessed Be the Evil are rather absurd. A closer look reveals that it is an independent production, co-written and directed by the relatively inexperienced Anurag Rudra. Ranaut will reportedly star alongside a couple of Z-listers in this psychological horror drama. The only genuinely entertaining aspect of this film might be watching the clueless individuals bankrolling it eventually discover just how notoriously difficult Kangana is to work with. That is why I predict this project will either be shelved or flop badly — if it ever gets completed at all.
Kangana Ranaut
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Diplomacy competes for attention in a crowded news cycle.European Council president Antonio Costa, Britain’s prime minister Keir Starmer and European Commission president Ursula von der Leyen with members of the Royal Navy in central London last Monday (19), during a summit aimed at resetting UK–EU ties
THERE is just too much news. The last month probably saw more than a year’s worth of events in more normal times – a new Pope in Rome, continued war in Ukraine, escalating conflict in Gaza, and the relief of India and Pakistan agreeing a ceasefire after a fortnight of conflict.
Domestic and global events that might once have dominated the news for a week can now come and go within hours. The biggest-ever fall in net migration – 2024’s figure half of 2023’s, according to Office for National Statistics data released last Thursday (22) – did not even get a brief mention on any of last Friday (23) morning’s newspaper front pages. It would have been a very different story if net migration had doubled, not halved, but falling immigration risks becoming something of a secret.
On the same evening as the UK-EU ‘reset’ summit, the UK government issued its strongest criticism of Israel in living memory. A joint statement with Canada and France described conditions in Gaza as ‘intolerable’, the language of Israeli ministers as ‘abhorrent’, and its expanded military operation as ‘egregious’. Germany did not join the trio, yet Chancellor Merz’s explanation that Germany would exercise more restraint in its criticism of Israel than others, for historical reasons – made his own calm but stark warning about breaching international humanitarian law more striking.
Israel had strong diplomatic support after the October 7 Hamas attack, but has never been this isolated. The administration of US president Donald Trump has not joined the public criticism, but is much cooler to Benjamin Netanyahu than in Trump’s first term, with sharp private clashes over diplomacy versus war with Iran.
Trump’s second term has turned the Oval Office into a reality politics show, giving the president the ‘main character’ energy he craves. He is at war with the courts and universities at home, last week seeking to ban all international students from Harvard.
America’s allies must second-guess his impulsive unilateralism on security and trade. The February clash with Ukraine’s president Volodymyr Zelensky sent shockwaves around the world. Trump is now frustrated that conceding so much to Russian president Vladimir Putin achieved nothing – except losing leverage. Repeating the trick last week, ambushing South African president Cyril Ramaphosa with fabricated footage of a racist conspiracy theory about the genocide of white farmers, had a weary familiarity. There was sympathy for Ramaphosa at home and abroad. Trump lacks any evident tariff strategy, simply hiking and suspending rates to maintain surprise. Business expects little stability while the Trump presidential gameshow runs.
Prime minister Sir Keir Starmer has the opposite instincts and personality to Trump, believing in a rules-based world order – both on principle and in Britain’s enlightened self-interest as a middle power. Starmer’s challenge is to show that cooperation can work – for security, trade and boats in the Channel too. Whitehall sees progress in a volatile world in the trade deal with India, mitigating some of Trump’s car tariffs at least, while prioritising the UK-EU reset.
The ‘Brexit betrayal’ headlines had little impact on public opinion, where there is broad pragmatic permission to pursue closer UK-EU ties within current ‘red line’ commitments – ruling out single market membership, at least this parliament, to avoid a return to Brexit trenches.
Despite fierce clashes at Westminster over the value and cost of the Chagos Treaty, that seemed one controversy too many for most people to process.
The Starmer government’s juggling of events saw its biggest domestic Uturn, heeding criticism of its plan to means-test the winter fuel allowance for pensioners.
The irony is that this became the government’s most famous decision because chancellor Rachel Reeves did not just include it in her first budget, but led with it as a symbol of ‘tough choices’ for fiscal responsibility. Backbench pressure to reduce child poverty by scrapping the twochild cap on welfare has been accepted too. These U-turns send the government back to the drawing board after its first year.
This summer and autumn, it must not only revise plans for spending and taxation, but also articulate a public narrative – a strategy that explains what the government’s choices amount to, and why. A comparative strength of populist insurgents is that they offer a simpler story about a complex world than their mainstream rivals.
News fatigue is rising across countries, according to Reuters Institute research conducted over the past decade. Around four in 10 people are avoiding the news – for a variety of reasons. If everything, everywhere, all at once remains the theme of politics and global affairs, the risk is more people will simply switch off.
Sunder Katwala
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.