Eastern Eye caught up with the popular newcomer to discuss her actionpacked start and future hopes
By Asjad NazirOct 05, 2023
ANUSHA MISHRA has had a laughterfilled beginning to her career.
She followed up a delightful debut playing the title character in the hit TV comedy series Tera Kya HogaAlia with an impactful appearance in her first film Dream Girl 2 recently, which also put smiles on audiences' faces.
With the new TV comedy Builders and a fast-increasing number of people noticing her immense talent, the loveable Indian actress is someone you will be hearing a lot more about.
Eastern Eye caught up with the popular newcomer to discuss her actionpacked start and future hopes.
How do you reflect on your show Tera Kya Hoga Alia?
It was one of the best opportunities and experiences of my life, which aligned itself at the perfect time. Getting to learn the nitty-gritty of acting while working on such a huge debut project was the best thing to ever happen to me. I’m grateful to Dharampal Thakur sir, Vipul Shah sir, Kedar Shinde sir and all my directors and co-actors for being my teachers.
What was your most memorable moment working on Tera Kya Hoga Alia?
Each memory is imprinted in my mind, so it’s difficult to choose. A favourite moment was completing my very first one-shot scene, without mistakes and everyone clapped to cheer me on. This was from the very first episode of Tera Kya Hoga Alia, directed by Kedar sir.
What did you learn during that journey?
I learnt grace from my on-set family. I learnt kindness and pure joy through the smallest actions from the amazing crew. I learnt that I am capable of much more than I believed about myself.
How did you feel making your Bollywood debut with Dream Girl 2?
Dream Girl 2 was a dream come true. Honestly, I didn’t think I’d get the chance to be alongside legends, whom I’d been watching since I was a child. Not only did they all make me feel so welcome, but also taught me so much. Seema (Pahwa) ma’am, Paresh (Rawal) sir, Rajpal (Yadav) sir, Asrani sir, Annu (Kapoor) sir – I’ve been watching them forever. I’m so grateful to the universe for allowing me this opportunity.
How did you feel making your film debut with such a project?
Raaj (Shaandilyaa) sir and his impeccable writing, direction and razor sharp wit completely transformed this experience for me. I was so anxious, but sir and everyone else made the shoot days so fun and lovely. I couldn’t have asked for more from my debut. Plus Ayushmann (Khurrana), Ananya (Panday), Manoj (Joshi) and Abhishek Banerjee! Like, that’s a star cast right there.
Are you happiest doing comedy?
It’s a complete fluke, but both my debut projects, Tera Kya Hoga Alia and Dream Girl 2 were comedies. And my next project with TVF called Builders is a comedy too. So maybe it’s a genre that’s allowing me chances to learn and improve. I hope I can make people laugh more and more. Although I’d love to explore other genres too.
Would you agree that comedy is the hardest genre to perfect?
(Laughs) As someone whose jokes are almost never appreciated in her personal life, I would completely agree with that. My friends whack me when I crack a bad joke. But to be able to nail a punchline, ensure the entire scene goes smoothly and you’re on mark is quite a task. You also have to make sure the director is satisfied and the writer is happy with the delivery, while the director of photography is laughing behind the camera. Didn’t someone say ‘comedy is serious business’? Ensuring all these factors are met and the audience is laughing when they see it, I do believe it is tricky, but also very rewarding.
What is the plan going forward and do you have a dream role?
Moving forward I have a new web series Builders by TVF. It’s a comedy and I hope people will like us. I don’t have a dream role as such but I do want to be the hero in a film; definitely action and comedy together.
Who would you love to work with?
Working with (producer/director) Sanjay Leela Bhansali sir has been a dream since I watched (his film) Black. That has only been reinforced over the course of two decades. I also love Anurag Kashyap sir’s cinema and Zoya Akhtar ma’am’s worlds. I hope I get an opportunity to work with them.
Tell us something about you that not many people know?
Before I began acting, I was actually a digital marketer specialising in entertainment. I was a creative supervisor and copywriter. In my off time, I always go back to it.
If you could master something new, what would it be?
I would love to master a few languages and dance forms. Dancing is the love language with myself; it’s how I let loose while also enjoying the brilliance of music. So, I’d love to learn bachata, salsa and dancehall. Languages? Because I absolutely love reading and listening to music. So, more languages mean more books, more songs and also more dancing (laughs).
What inspired you as an actress?
I don’t have one single entity who has inspired me. I find the most magical people, movies, shows and actors make me want to be more.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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