DANISH-PAKISTANI BAND ON THEIR MUSICAL JOURNEY AND LATEST ALBUM
by ASJAD NAZIR
GREAT song releases find the hallowed middle ground between artistic, commercial and meaningful music.
Acclaimed Danish-Pakistani rock band Rocqawali have done that with their newly released third album Kalam, which has taken sounds rooted in over 800 years of Sufi tradition and combined them with explosive contemporary beats. By blending contrasting musical worlds and traditions, the fabulous four-member band have created tracks with universal appeal, including for those who don’t understand the lyrics and can feel the music.
Rocqawali, who have roots in Copenhagen (Denmark) and Faisalabad (Pakistan), started with a friendship between lead singer Ejaz Sher Ali and guitarist Jonas Stampe, who was a student of Ejaz’s father Ustad Sher Ali. They later connected with drummer Stephan Grabowski, who had the idea of mixing qawwali with rock ’n’ roll, and guitarist Tin Soheili to form theband. Eastern Eye caught up with the talented band members to talk about their journey so far, the new album and future plans.
What inspired the band’s name?
Qawwali and rock pivoting together is Rocqawali.
How do you look back on your journey as a band?
It has been a true adventure. We have toured in Pakistan, Russia and Scandinavia for the past six years. We have been, and still are, students of the qawwali tradition. But at the same time, we push the genre forward into new unchartered territory. So, it’s both a deeply musical, spiritual and a personal mental journey that we share. We have also reached more than 100 million people all over Asia through our extensive performances on huge TV and radio shows in Pakistan since 2014. And not many artists outside the really big-league mainstream in the west can claim that. So, this too is a true adventure for us.
What led you all towards the new album Kalam?
All bands need to record new stuff and evolve. We do too. And we found out something important for us this time: The whole idea behind Sufi is to try to get into a ‘zone’ where you get in contact with something way bigger than yourself and your ego. And that is just difficult to do with an outside producer because they will always want to go back and redo what you just played, but with all their personal instructions on top of it. And in that moment, you leave the ‘now’ zone.
What do you mean?
The zone where you don’t think, but just are in the moment and play with your heart. So our ambition this time was to perform, while being the creators and spectators at the very same time – simply to be in the ‘now’, while recording, just with the given Raga line of notes and lyrics.
Tell us about the album?
The album is an expression of who we are right now. Next year, we are hopefully somewhere else. Apart from the great qawwali masters, The Beatles are our idols. They evolved in such a way over just seven years, that even today it’s hard to understand. They were also the first real band. If we can achieve just a tiny fraction of what they did, we will be very happy. Not that we sound at all like the Beatles, mind you.
How does this compare to your previous two albums?
Our first album, we did in just two days. Our second, we did with Mark Howard, who has worked with Bob Dylan, Nusrat Fateh Ali Khan and U2, to mention just a few. But our new album is a mix of our DIY style on the first album and the more mature experiences we had with Mark on the second one. Then again, our third album here is completely something else.
Who are you hoping connects with the songs on the album?
Every man and woman with a heart and a soul. Apart from that, it would be great if some experienced promoter took us up in the UK, Australia, Canada, France and Spain.
What was the greatest challenge of putting together these songs?
Time, as always. Being four members who live in three geographical different places on two continents does provide some logistical headache now and then. So, we have quite a limited time window most of the time.
What is the next plan this year?
We hope to tour Scandinavia and perhaps, Australia. Maybe UK? Let’s see. In the fall, we will probably go to Pakistan and tour again.
How much does performing live mean to you and what has been the most memorable one?
Performing live is what this band is all about. The most memorable performance we have had up till now has to be the one at the big Coke Studio Festival in Pakistan in 2017. We hadn’t performed together after our longest break ever of a year and a half. But we still had to go on without rehearsing first, as there was no opportunity for that before the show. We even had a complete new bass player with us. Still, we went on and just took it all home in front of a 30,000 strong joyous and cheering audience.
What inspires you as a band?
Mehr Ali Sher Ali Khan, Nusrat Fateh Ali Khan, Abida Parveen, The Beatles, Led Zeppelin and Daniel Lanois. Plus, all the open hearted people who are fearless and willing to evolve.
What keeps you connected and together as a band?
Our brotherhood and our devotion to this music we all love.
Who would you as a band love to collaborate with?
Massive Attack, Robert Plant, Rahat Fateh Ali Khan, Tinariwen and Daniel Lanois. That’s at least some of them.
Why should we pick up the new album?
Despite the fact that qawwali is a nearly 1,000-year-old genre, it has stayed timeless, so is our music. Rocqawali’s music is timeless, and it does not really sound as anything else out there. And because this music, our music, may touch your soul in a new way.
Ed Sheeran’s latest single, Sapphire, is out now, and it marks a new chapter in his musical journey. With the Indian rhythms, rich storytelling, and unexpected star power, Sapphire is a big cross-cultural leap for the British singer-songwriter.
A musical journey through India with Arijit and SRK in the spotlight
Bringing together the soulful voice of Arijit Singh, choreography by Bollywood icon Farah Khan, and a surprise appearance by Shah Rukh Khan, the song celebrates global connection. Recorded during Sheeran’s visit to India earlier this year, Sapphire captures the spirit of collaboration and joy. From a sitar-laced melody to Arijit's vocals, the track has the feel of a summer anthem rooted in shared sounds and stories.
Shah Rukh Khan makes a special appearance in the Sapphire music video
The music video, directed by Liam Pethick, traces Sheeran’s journey across India, starting on a rooftop at sunrise and winding through beaches, bustling markets, and backlot film sets. There is even a stop at A.R. Rahman’s music school, where he jams with young musicians. One standout moment was a studio session with Arijit and a bike ride around his hometown.
In his own words, Ed says, " Sapphire was the first track that really gave me direction for the album. I finished it in Goa with some amazing Indian musicians. Getting Arijit on board was the missing puzzle piece. We even recorded a Punjabi version that drops soon; it’s one of my favourites on the record."
Ed Sheeran and Arijit Singh in India
New album Play coming this September and live shows sell out instantly
Sapphire is part of Sheeran’s upcoming album Play, releasing on 12 September 2025. After closing the Mathematics era, this album sees him experimenting with sounds from India and Iran.
In other exciting news, Sheeran’s homecoming gigs in Ipswich, his first UK headline shows since 2023, sold out immediately. Taking place at Portman Road Stadium in July, the three-night run will feature guests like Tori Kelly, James Blunt, and Busted. A portion of ticket sales will go to The Live Trust, a new fund aimed at supporting grassroots music professionals.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.
Badshah reacts to backlash over controversial Dua Lipa comment
Rapper Badshah found himself in hot water after a social media post about global pop sensation Dua Lipa. What started as a simple tweet, her name with a heart emoji, quickly spiralled into chaos when a fan asked if they were collaborating. Badshah's response? "I'd rather make babies with her bro."
Badshah's viral response to the comment under his tweet Twitter Screengrab
The backlash was instant. Critics called the remark objectifying and disrespectful, forcing Badshah to clarify. Trying to douse the fire, he later posted, "I think one of the most beautiful compliments you can give a woman you really admire is to wish for her to mother your children. Meri soch nahi, tumhari soch saamne aayi hai." But the clarification didn't sit well with many, who criticised him for doubling down rather than acknowledging the issue. "Since when did that qualify as a compliment?" one user wrote, while others called it tone-deaf and entitled.
— (@)
Honey Singh joins the fray with a sarcastic jab
As the debate raged on, Badshah's longtime rival, Honey Singh, couldn't resist chiming in. Reacting to the rapper's explanation on Instagram, Singh dropped a sarcastic "Genius 😂👏👏," clearly mocking the justification. Fans caught the dig immediately, with some laughing at the not-so-subtle jab between the two, who've had a rocky relationship for years.
Badshah had previously expressed a desire to end their feud, but Singh's latest comment suggests the tension isn't fading anytime soon. Meanwhile, the rapper continues to make headlines, whether for his dramatic weight loss, rumoured romance with Tara Sutaria, or this latest controversy. One thing's clear: Badshah knows how to stay in the spotlight, but not always for the right reasons.
Keep ReadingShow less
Anurag Kashyap reacts sharply to Ted Sarandos’ remarks on Sacred Games
Anurag Kashyap is known for being outspoken, and this weekend he made headlines again, this time taking aim at Netflix’s top boss Ted Sarandos. The filmmaker lashed out after Sarandos questioned the streaming platform’s early approach in India, particularly their decision to kick things off with Kashyap’s gritty crime drama Sacred Games in 2018.
During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.
Kashyap takes aim at Netflix’s shift to mass-market content
Kashyap’s reference wasn’t just casual; it came at a time when Netflix India has partnered with Balaji Telefilms, led by Ektaa Kapoor, best known for her highly successful daily soaps like Kyunki Saas Bhi Kabhi Bahu Thi. The filmmaker’s post read: “He should have started with Saas Bahu… he would have done well. Which he is doing now. I always knew tech guys are dumb when it comes to storytelling, but @tedsarandos is the definition of dumb is what I didn’t know.”
The post sparked debate online, with even singer-actor Lisa Mishra chiming in to support Kashyap, saying that everything on OTT today is “derivative… specifically of Sacred Games.”
Kapoor, without naming Kashyap, responded via Instagram by accusing unnamed artists of being classist. She defended soap operas, claiming they gave a voice to Indian women and were even studied by international researchers. Her post ended with a call for inclusivity and “graciousness.”
Ekta Kapoor's story Instagram screengrab/ektakapoor
A clash of content ideologies in India’s OTT landscape
Sacred Games, co-directed by Kashyap and Vikramaditya Motwane and starring Saif Ali Khan and Nawazuddin Siddiqui, was a landmark moment for Indian streaming content. Though it didn’t continue past two seasons, it opened doors for darker, more experimental storytelling in Indian OTT.
Sarandos’ comments appear to suggest that while Sacred Games earned critical acclaim, it may not have been the right commercial launchpad for Netflix in India. Kashyap, however, sees the platform’s current pivot toward formula-driven programming as a step backward.
Ted Sarandos talks about Sacred Games for Netflix IndiaGetty Images
This very public disagreement brings to light a bigger conversation in the entertainment industry, between art that challenges and content that simply sells.
Keep ReadingShow less
Fans react as Billie and Nat’s long-rumoured romance takes centre stage
Billie Eilish appears to have confirmed her latest romance in the most cinematic way possible, with a champagne-fuelled kiss on a sunny balcony in Venice. The singer was spotted with actor and musician Nat Wolff, and the intimate moment has fans convinced that the long-rumoured pair are now officially a couple.
In photos circulating online, the Chihiro singer and Wolff are seen locking lips while casually dressed in matching grey T-shirts, enjoying champagne and sunshine in one of the world’s most romantic cities.
— (@)
A long-rumoured connection comes into focus
While this is the first clear public display from the duo, Eilish and Wolff’s bond goes back a while. They worked together on her music video Chihiro, which she directed. Around the same time, Nat and his brother Alex opened for her during the North American leg of her Hit Me Hard and Soft tour in 2024.
Fans first started speculating about their closeness earlier this year when the two were seen leaving the iHeart Music Awards together and later on a night out in New York City. Although both had previously described their friendship as platonic, there seemed to be more under the surface.
Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
Still, their recent public outing in Venice may signal a quiet shift in that. Whether or not they’ll speak out, the photos seem to say plenty.
Keep ReadingShow less
The cast of Maybe Happy Ending celebrates their big night at the Tony Awards
South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.
From Seoul to Broadway: A story born in two languages
Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.
Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.