DANISH-PAKISTANI BAND ON THEIR MUSICAL JOURNEY AND LATEST ALBUM
by ASJAD NAZIR
GREAT song releases find the hallowed middle ground between artistic, commercial and meaningful music.
Acclaimed Danish-Pakistani rock band Rocqawali have done that with their newly released third album Kalam, which has taken sounds rooted in over 800 years of Sufi tradition and combined them with explosive contemporary beats. By blending contrasting musical worlds and traditions, the fabulous four-member band have created tracks with universal appeal, including for those who don’t understand the lyrics and can feel the music.
Rocqawali, who have roots in Copenhagen (Denmark) and Faisalabad (Pakistan), started with a friendship between lead singer Ejaz Sher Ali and guitarist Jonas Stampe, who was a student of Ejaz’s father Ustad Sher Ali. They later connected with drummer Stephan Grabowski, who had the idea of mixing qawwali with rock ’n’ roll, and guitarist Tin Soheili to form theband. Eastern Eye caught up with the talented band members to talk about their journey so far, the new album and future plans.
What inspired the band’s name?
Qawwali and rock pivoting together is Rocqawali.
How do you look back on your journey as a band?
It has been a true adventure. We have toured in Pakistan, Russia and Scandinavia for the past six years. We have been, and still are, students of the qawwali tradition. But at the same time, we push the genre forward into new unchartered territory. So, it’s both a deeply musical, spiritual and a personal mental journey that we share. We have also reached more than 100 million people all over Asia through our extensive performances on huge TV and radio shows in Pakistan since 2014. And not many artists outside the really big-league mainstream in the west can claim that. So, this too is a true adventure for us.
What led you all towards the new album Kalam?
All bands need to record new stuff and evolve. We do too. And we found out something important for us this time: The whole idea behind Sufi is to try to get into a ‘zone’ where you get in contact with something way bigger than yourself and your ego. And that is just difficult to do with an outside producer because they will always want to go back and redo what you just played, but with all their personal instructions on top of it. And in that moment, you leave the ‘now’ zone.
What do you mean?
The zone where you don’t think, but just are in the moment and play with your heart. So our ambition this time was to perform, while being the creators and spectators at the very same time – simply to be in the ‘now’, while recording, just with the given Raga line of notes and lyrics.
Tell us about the album?
The album is an expression of who we are right now. Next year, we are hopefully somewhere else. Apart from the great qawwali masters, The Beatles are our idols. They evolved in such a way over just seven years, that even today it’s hard to understand. They were also the first real band. If we can achieve just a tiny fraction of what they did, we will be very happy. Not that we sound at all like the Beatles, mind you.
How does this compare to your previous two albums?
Our first album, we did in just two days. Our second, we did with Mark Howard, who has worked with Bob Dylan, Nusrat Fateh Ali Khan and U2, to mention just a few. But our new album is a mix of our DIY style on the first album and the more mature experiences we had with Mark on the second one. Then again, our third album here is completely something else.
Who are you hoping connects with the songs on the album?
Every man and woman with a heart and a soul. Apart from that, it would be great if some experienced promoter took us up in the UK, Australia, Canada, France and Spain.
What was the greatest challenge of putting together these songs?
Time, as always. Being four members who live in three geographical different places on two continents does provide some logistical headache now and then. So, we have quite a limited time window most of the time.
What is the next plan this year?
We hope to tour Scandinavia and perhaps, Australia. Maybe UK? Let’s see. In the fall, we will probably go to Pakistan and tour again.
How much does performing live mean to you and what has been the most memorable one?
Performing live is what this band is all about. The most memorable performance we have had up till now has to be the one at the big Coke Studio Festival in Pakistan in 2017. We hadn’t performed together after our longest break ever of a year and a half. But we still had to go on without rehearsing first, as there was no opportunity for that before the show. We even had a complete new bass player with us. Still, we went on and just took it all home in front of a 30,000 strong joyous and cheering audience.
What inspires you as a band?
Mehr Ali Sher Ali Khan, Nusrat Fateh Ali Khan, Abida Parveen, The Beatles, Led Zeppelin and Daniel Lanois. Plus, all the open hearted people who are fearless and willing to evolve.
What keeps you connected and together as a band?
Our brotherhood and our devotion to this music we all love.
Who would you as a band love to collaborate with?
Massive Attack, Robert Plant, Rahat Fateh Ali Khan, Tinariwen and Daniel Lanois. That’s at least some of them.
Why should we pick up the new album?
Despite the fact that qawwali is a nearly 1,000-year-old genre, it has stayed timeless, so is our music. Rocqawali’s music is timeless, and it does not really sound as anything else out there. And because this music, our music, may touch your soul in a new way.
Visit www.rocqawali.com
Rahul’s casual dismissal of that controversy has added fuel to the fire
Rahul Bhatt sparks controversy over 'insensitive' remarks about sisters Alia and Pooja Bhatt
Rahul Bhatt, fitness trainer and son of veteran filmmaker Mahesh Bhatt, has found himself at the centre of a social media storm following controversial remarks about his half-sister, Alia Bhatt. In a recent interview, Rahul drew comparisons between Alia and their older sister Pooja Bhatt, calling the latter more talented, attractive, and principled.
The comments, which many have labelled inappropriate and insensitive, have sparked widespread criticism online. During the interview, Rahul stated, “In my opinion, she (Alia) is not even half of what my real sister Pooja is. Not in talent, not in looks, not in terms of being sexy. In front of my sister, she is ‘paani kam chai’ (watery tea). Amongst the siblings, the most talented and the most moralistic is Pooja.”
Social media users reacted strongly, questioning why Rahul would compare his sisters in such personal terms. Several users were particularly disturbed by his reference to their appearance and sex appeal, pointing out that such comparisons within a family cross boundaries of propriety. One comment read, “This is disturbing. Why talk about your sisters like that? It’s not just weird, it’s wrong.” Another post said, “There’s nothing respectful about comparing your siblings’ attractiveness in public.”
The backlash also reignited conversation around a decades-old controversy involving Mahesh Bhatt and Pooja Bhatt. Rahul was asked about the infamous 1990s magazine cover where the father-daughter duo shared a kiss, which had stirred public outrage at the time. Dismissing the criticism, Rahul said, “It doesn’t make any difference. It’s like water off a duck’s back. We know the truth, and we’ve seen everything since childhood.”
Rahul’s casual dismissal of that controversy has added fuel to the fire, with critics saying it reflects a broader issue of the Bhatt family being insensitive to public perception and boundaries. Many users questioned the need for bringing up old incidents in a bid to defend new and equally questionable statements.
As of now, neither Alia Bhatt nor Pooja Bhatt has issued any public response to Rahul’s remarks. Both actors, known for their significant contributions to Indian cinema, have typically kept family matters private despite living in the public eye.
This episode has also sparked debate over the role of public figures in maintaining respect when discussing family matters in the media. Observers say such comments, especially when involving women’s appearance and personal qualities, reinforce problematic attitudes and fuel unnecessary controversies.
While Rahul Bhatt is not as prominent in the entertainment industry as his father or sisters, his comments have made headlines and placed the Bhatt family in the spotlight for reasons beyond their creative work. For many, this serves as a reminder that public platforms come with responsibility, and that family ties should not be trivialised or dissected for attention or comparison.
The backlash is unlikely to subside soon, especially as fans and followers of Alia and Pooja continue to express disappointment over the way the situation has unfolded. Whether or not Rahul chooses to clarify or apologise remains to be seen.