Megastar Amitabh Bachchan, who is undergoing treatment for coronavirus at a hospital in Mumbai, has opened up about the mental health struggles COVID-19 patients face under isolation in order to curb the spread of the disease.
The 77-year-old actor and his son, actor Abhishek Bachchan were admitted to the isolation ward of Nanavati Hospital on July 11 after they tested positive for the virus.
In his blog on Saturday, Amitabh said the mental condition brought upon by the disease takes a toll on the patient as one is kept away from human contact.
"The mental state sparks from the stark reality that the COVID patient, put in hospitalised isolation, never gets to see another human for weeks. There are the nurses and the doctors on visit and medicine care but they ever appear in PPE units," the screen icon wrote.
He said one doesn't get to know the faces behind the Personal Protective Equipment (PPE) as the healthcare workers take extreme precautions and deliver "what is prescribed and leave".
"Longer stay has the fear of contamination. The doctor under whose guidance the care and mapping and reports are governed by, never ever comes near you to give a hand of assurance, a personal detail of the treatment in the close proximity of an assurance."
The communication is virtual, Amitabh said, which is the best way under the current situation, but is still "impersonal".
The actor, who occasionally updates his fans on social media about his health, said the stigma of having been COVID-19 positive is something which a patient may wrestle with once the institutional isolation is over.
"Does it have an effect psychologically mentally? Psychologists say it does. Patients after release are tempered, they are given to consultation with professional mind talkers.
"They are afraid to be in public for fear or apprehension of being treated differently, treated as one that has carried the disease, a pariah syndrome. Driving them into deeper depression and in the loneliness that they have just come out of," he noted.
Highlighting his own state, Amitabh wrote he sings to keep himself entertained in the loneliness.
"In the darkness of the night and the shiver of the cold room, I sing .. eyes shut in attempted sleep .. there is no one about or around .. and the freedom to be able to do that will extend I know if in the Will of the Almighty there is release," he said.
On Thursday, the Bollywood veteran dismissed reports that he has tested negative for coronavirus and called the piece of news "an incorrigible lie".
Amitabh's daughter-in-law, actor Aishwarya Rai Bachchan, 46, and his eight-year-old granddaughter Aaradhya Bachchan also tested positive for COVID-19 and were shifted to Nanavati last week.
The tally of coronavirus cases in Maharashtra rose to 3,66,368 with 9,251 new patients being reported on Saturday, according to State Health department.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.