Filmmaker Alankrita Shrivastava is set to direct a film on the late Pakistani social media star Qandeel Baloch, the makers announced on Tuesday.
Producers Vikas Sharma and Sunny Khanna, along with Shrivastava have acquired the rights to the book "The Sensational Life and Death of Qandeel Baloch" by Pakistani journalist Sanam Maher and published by Aleph.
Fouzia Azeem, better known by her stage name Qandeel Baloch, was a model, actress, social media celebrity, and activist. She rose to prominence due to her videos on social networks discussing her daily routine, her rights as a Pakistani woman, and various controversial issues. She was strangled to death by her brother Muhammad Waseem.
Shrivastava, whose film credits include Lipstick Under My Burkha, Dolly Kitty Aur Woh ChamakteSitare, and web series like Made in Heaven and Bombay Begums, said she was always fascinated by Baloch's life story.
"When Qandeel Baloch was murdered in Pakistan in 2016, I was shaken up. It was a heinous honour killing. I couldn't stop thinking about her. I started watching Qandeel's videos repeatedly, and I was fascinated. She was so charming and full of life. A poor girl from a small village, who worked her way up to being provocatively famous. She was just 26 when she was killed. And ironically, it's only after her death that she has been reclaimed as a feminist," the director said in a statement.
This film is an ode to the courageous spirit of Baloch, she added. "It will chronicle her sensational and astonishing rise to fame. I hope to piece together the memories of the rebellious, funny, and vulnerable young girl, whose life was cut short because she shimmered too bright. The film will celebrate her spunk and lust for life by telling her story without judgment, hopefully, the way she would have liked to tell it," Shrivastava said.
Sharma and Khanna said this movie is an opportunity for them to tell a unique story on female agency and systemic gender violence.
Sharma, who has produced films like Qarib Qarib Single and Dobaara among others, said the story of Baloch deserves to be told by the right filmmaker and he is happy to have collaborated with Shrivastava for the upcoming feature.
"Qandeel's story needs to be told by a sensitive filmmaker who is passionate about women's stories. Alankrita is just the filmmaker for it. And not just because she is an award-winning feminist filmmaker, but because she has so much empathy for her characters. She tells their stories with candour and warmth," the producer said.
Sharing similar sentiments, Khanna said the world needs to know about Baloch. "Qandeel Baloch's story is important and relevant. Even today women often continue to be at risk when they dare to express their individuality and challenge the status quo. I believe the world needs to watch stories like this. And I'm looking forward to the journey of this film," Khanna, whose co-production credits include Why Cheat India? and Bheja Fry 2, said.
The cast and other key details of the yet-to-be-titled film are not known yet.
Raj almost wasn’t Indian, Tom Cruise was the idea.
The title? Kirron Kher just threw it out there.
Pigeon scene: Totally SRK winging it. Kajol freaked a little.
Mehendi Laga Ke Rakhna got added last minute. Can you imagine?
Maratha Mandir. Playing. Every day. Since 1995. Fans love it.
You might think you’ve seen it all in DDLJ. Raj, Simran, the songs, yes, we all know them. But there’s a lot behind the camera that most people have no clue about. Some of it was luck. Some of it Shah Rukh Khan just winging it. And some… well, Aditya Chopra being a little crazy. Here’s the stuff nobody really tells you.
How Dilwale Dulhania Le Jayenge became a Bollywood legend: 10 untold stories Youtube Screengrab
1. Raj almost had a totally different face
Aditya Chopra literally imagined an American guy and an Indian girl and had Tom Cruise in mind. But then his dad, Yash Chopra, stepped in and said, “Nope, Indian boy.” And then the story completely changed. Suddenly, it wasn’t Hollywood, but NRIs, family, love, and all the cultural stuff that actually hits you in the gut.
2. Kirron Kher named the film
That long, unforgettable title? Shah Rukh Khan thought it was clunky. But the rookie director, Aditya, heard it from Kirron Kher and went with his gut. And yes, she got a credit in the opening titles.
3. Script written in a month
Three years of thinking, then all of a sudden, the final script was done in three or four weeks. Can you imagine? The blueprint for the biggest romantic film of the ’90s, completed in less than a month.
4. Accidental magic
That pigeon-feeding scene with Amrish Puri? Totally improvised by Shah Rukh. Even Kajol’s shocked face in Ruk Ja O Dil Deewane was not planned. Aditya kept it a secret to get a real reaction. And it worked big time. Fans don’t even know half the story behind that moment.
5. Director hiding in a car
During the Zurich car ride, Aditya wasn’t just lurking behind the camera. No. He was lying flat in the back of the red convertible, flat out of frame, watching every move. Can you imagine lying like that for hours? Wild.
6. Raj’s leather jacket wasn’t a costume
Raj’s iconic leather jacket? The one every guy copied? Uday Chopra just bought it from a Harley shop in California and cost 400 bucks. Not a big fancy wardrobe magic, it was just a cool jacket he found.
7. Mehendi Laga Ke Rakhnaalmost didn’t happen
That wedding song everyone hums? Almost didn’t exist. It got added at the very last second, borrowed from another Yash Raj project. Imagine weddings without it!
8. Kajol’s towel moment
Kajol wasn’t a fan of that towel scene. She seriously didn’t want to shoot it, but the director insisted. And that white skirt in the song? The director said it looked frumpy. Manish Malhotra, the designer, had to take scissors and cut it shorter on the spot.
9. Shah Rukh’s prophecy
After reading the script, Shah Rukh told Yash Chopra: “This will define my stardom.” And he nailed it. Spot on.
10. The first “making of” documentary
Before YouTube, before making-of reels, they aired a half-hour documentary on Doordarshan.
Chaudhary Baldev Singh Dilwale Dulhania Le Jayenge Shah Rukh Khan Kajol www.easterneye.biz
24*7- for 365 days
And then there's Maratha Mandir. This old theater in Mumbai. It's still showing the film. Every. Single. Day. For 30 years. Tickets are 50 rupees. Fans go to watch it like a ritual, some book the gallery for birthdays or anniversaries. People even fly in from abroad. Iconic, right?
30 years later, Raj and Simran are on stage in Come Fall in Love – The DDLJ Musical in Manchester. 18 original English songs. Same story. Same magic. New audience. And people are loving it.
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