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Akshay, Kareena, Diljit and Kiara to star in Karan Johar’s next Good News

A couple of days ago, we had reported a story stating that superstar Akshay Kumar and Kareena Kapoor Khan were in talks with filmmaker Karan Johar to topline his next production venture. Today, the makers officially announced the project along with revealing its title.

Also starring Punjabi singer-actor Diljit Dosanjh and Kiara Advani in pivotal roles, Dharma Productions’ next is titled Good News. Last seen together in the Sabbir Khan-directed romcom Kambakkht Ishq (2009), Akshay Kumar and Kareena Kapoor Khan reteam after a massive gap of almost a decade.


Good News will be helmed by debutant Raj Mehta, who has previously assisted Karan Johar’s protégé Shashank Khaitan on such successful films as Humpty Sharma Ki Dulhania (2014) and Badrinath Ki Dulhania (2017).

According to reports, the movie is set to mount the shooting floor later this year. It will be co-produced by Dharma Productions in association with Akshay Kumar’s Cape Of Good Films.

Good News will roll into cinemas on July 19, 2019.

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Priyanka Chopra goes blood-soaked and brutal in Prime Video’s ‘The Bluff’ first look

The visuals show her mid-attack against co-star Karl Urban

Instagram/ priyankachopra

Priyanka Chopra goes blood-soaked and brutal in Prime Video’s ‘The Bluff’ first look

Highlights

  • First look reveals Priyanka Chopra as feared pirate Bloody Mary
  • R-rated action thriller streams on Prime Video from 25 February
  • Nick Jonas praises her performance after reveal
  • Film marks Chopra’s reunion with the Russo Brothers

First look sets a brutal tone

Priyanka Chopra has revealed the first glimpse of her upcoming Prime Video film The Bluff, introducing audiences to her most ferocious screen persona yet. Shared on Instagram on Wednesday, the images present Chopra as Bloody Mary, charging headlong into battle in a grim, violence-heavy pirate world.

The visuals show her mid-attack against co-star Karl Urban, weapon raised, framed by a harsh coastal setting. In another still, her character appears smeared with blood and grime, gripping a conch shell like a knuckle weapon, reinforcing the film’s raw, no-holds-barred approach.

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