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Ajay Devgn: Nysa never talks about being an actress

Ajay Devgn and Kajol have been great parents to their kids Nysa Devgn and Yug Devgn. Nysa has headed to Singapore for her studies and Yug is seven years old. As many star kids are keen to become actors, while some are making their debut in Bollywood, Ajay was asked if his kids also aspire to become one. The actor revealed to a leading Indian daily, "My daughter is in the ninth grade, in Singapore right now. It was too early to let her go away, but she wanted to, and she is happy. She never talks about being an actress. Right now, she is contemplating law. My son is seven, really can't say anything about him."

Narrating about his first meeting with Kajol, Ajay said, “On a set. It's a very boring story. Actually, there is no story. I was the quiet one. She thought I was a snob. At first, we would hardly talk, but gradually started talking, and that's how it began."


Ajay added, "There was no proposal! We became friends, and then realized we are seeing each other. One day, we decided to get married. I didn't want to make a big issue out of my marriage. So, I came out of my bedroom, got married on my terrace, went back to my bedroom!"

On the professional front, Ajay Devgn will be next featured as Deputy Commissioner of Income Tax in his upcoming film Raid, which also stars Ileana D’Cruz. Helmed by Raj Kumar Gupta, Raid is scheduled to release on March 16, 2018.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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