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Ajay Devgn & Kajol to reunite for a Pradeep Sarkar directorial?

Ajay Devgn and Kajol are seen as one of the perfect couples in Bollywood. In the time when people are falling in love on Facebook and break-ups are happening on WhatsApp, this power couple has been together for close to two decades and still give us serious relationship goals.

While we keep seeing various pictures of the couple on social media every now and then, we have been waiting to see them together on the silver screen since really long. The couple was last seen in the 2010 live action-animated action comedy movie Toonpur Ka Super Hero. Since then they haven't done any film together.


But if latest reports are to be believed, the duo might make a comeback with a film to be directed by Pradeep Sarkar. Touted to be a slice-of-life affair, the film was earlier said to be directed by ad filmmaker Raj Sarthi. However, things didn't work out with him and the directorial baton was then passed on to Pradeep Sarkar.

When asked about the same, Ajay confirmed a daily, "Things didn't work out with Raj Sarthi and now Pradeep Sarkar will be directing that film with me and Kajol in it."

Meanwhile, Ajay is busy promoting his next Baadshaho, which is slated to release on 1st September. The actor will then move on to shoot Raid and then Taanaji The Unsung Warrior.

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Raghav Juyal says Bollywood has lost the magic of its biggest comedy icon

Raghav Juyal believes Hindi cinema has drifted away

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Raghav Juyal says Bollywood has lost the magic of its biggest comedy icon

Highlights

  • Raghav Juyal believes Bollywood no longer makes the kind of comedies popularised by Govinda
  • The actor says Bhai Tera Star Hai is his attempt to bring audiences back to light-hearted cinema
  • He also reflects on how Kill changed the industry's perception of him

Raghav Juyal believes Hindi cinema has drifted away from the family entertainers that once made stars like Govinda box-office favourites.

Speaking about his latest release, Bhai Tera Star Hai, the actor said comedy has become an overlooked genre at a time when audiences could benefit from films that simply make them laugh.

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