The talented newcomer discusses her time on Shubh Laabh – Aapkey Ghar Mein, future hopes, inspirations, passions away from work and what she would love to master
By Eastern EyeAug 11, 2023
AFTER a few winning appearances on television, Afreen Alvi announced herself with a terrific turn on popular drama serial Shubh Laabh – Aapkey Ghar Mein. The talented actress showed off her impressive range with a multi-layered performance and is now looking forward to taking on bigger challenges in future.
Eastern Eye caught up with the talented newcomer to discuss her time on the hit series, future hopes, inspirations, passions away from work and what she would love to master.
What first connected you to acting?
I always thought acting would be a great medium to gain recognition and fame. I have also been good at showing emotions, so it was a perfect fit. For me acting is about that emotional touch and connecting to a character.
How would you describe the experience of working on Shubh Labh - Aapkey Ghar Mein?
It was amazing. I made a second family there. In terms of the people working on the show and the whole set-up, it was filled with positivity. We used to work and laugh at the same time. It was a lot of fun and very fulfilling.
Why do you think Shubh Laabh - Aapkey Ghar Mein was loved?
We Indians are family people and very emotional. In Shubh Laabh we showed an Indian family filled with emotions and humour. It was a family orientated show, which is something audiences love.
What can we expect next from you?
I’m expecting a new show with good characters. I would love to do any character, whether it’s positive or negative. I just want to do great work that challenges me on a good channel, whether it is a lead or negative lead. That works for me.
Do you have a dream role that you want to play?
Yes, I do have a dream role. I want to play a princess role in a Disney movie. That beautiful character would be my dream role.
Other than that, I really want to do a romantic role. Who would you love to work with?
I would love to work with good and talented people. I want to work with Deepika Padukone, Shah Rukh Khan, and good TV actors. I would love to work with everybody who is related to TV – they all are inspiring for me.
What do you enjoy watching as an audience?
I love to watch romantic comedies, and sometimes horror. I love fantasy stories. Ultimately, I love watching everything, depending on my mood.
What are your big passions away from work?
I’m very passionate about styling, designing, drawing, and cooking. I cook really nice Indian food. I know how to make a variety of dishes really well. I’m a very good cook. (Laughs) I say very good, but in relative terms I mean good.
If you could master something new, what would it be?
Actually, I’m good at dancing, but want to master that. I want to learn every style of dancing like Kathak, freestyle, belly dancing and more. What inspires you? Actually, positivity inspires me. When people see me on screen, feel proud, say I’m a nice person and they want to be like me, it inspires me a lot. People who give positive vibes also inspire me.
What inspires you?
Actually, positivity inspires me. When people see me on screen, feel proud, say I’m a nice person and they want to be like me, it inspires me a lot. People who give positive vibes also inspire me.
Aryan Khan makes his directorial debut with Netflix series
The Ba**ds of Bollywood trailer teases starry cameos, including Shah Rukh Khan
Bobby Deol, Lakshya and Sahher Bambba headline the cast
Series premieres worldwide on 18 September
The much-awaited The Ba**ds of Bollywood trailer has finally dropped, marking Aryan Khan’s official entry into the industry as a director. Released by Netflix, the series takes viewers deep into the glamour and chaos of Bollywood, with a fresh satirical spin. Featuring a special cameo by Shah Rukh Khan, it highlights both the allure and the darker realities of the industry, promising a bold new narrative.
The Bads of Bollywood trailer lands with bold humour drama and unexpected industry jabs Netflix Screengrab
What is The Ba**ds of Bollywood about?
The seven-episode series follows Aasmaan Singh, played by newcomer Lakshya, an ambitious outsider determined to make it big in Hindi cinema. With the support of his best friend Parvaiz (Raghav Juyal), his sharp-tongued manager Sanya (Anya Singh), and his close-knit family, Aasmaan sets out to conquer the film world.
However, the path is far from easy. Aasmaan crosses paths with superstar Ajay Talvar played by Bobby Deol, who becomes his biggest rival when Aasmaan is cast opposite Ajay’s daughter, Karishma (Sahher Bambba). Power struggles, politics, and egos collide, creating a narrative that reflects both the dreams and pitfalls of Bollywood.
Apart from Lakshya and Bobby Deol, the show features Mona Singh, Manoj Pahwa, Vijayant Kohli, and Raghav Juyal in pivotal roles. The Ba**ds of Bollywood also boasts an impressive line-up of celebrity cameos. Viewers can spot Ranveer Singh, Sara Ali Khan, Karan Johar, Disha Patani, and SS Rajamouli, along with rapper Badshah.
The highlight of the trailer remains Shah Rukh Khan’s appearance, where his character is mistakenly referred to as rapper Badshah, leading to a humorous exchange. His cameo, produced under Gauri Khan’s Red Chillies Entertainment, adds to the anticipation surrounding the series.
When will The Ba**ds of Bollywood release on Netflix?
The series will stream globally on 18 September exclusively on Netflix. With its sharp one-liners, self-aware humour, and over-the-top Bollywood drama, it has already generated massive buzz online. The timing of the release, close to the festive season, is expected to draw large audiences across India and the UK.
The project represents Aryan Khan’s long-awaited creative debut, years after speculation about whether he would act or direct. By choosing to step behind the camera rather than in front of it, he has carved out his own space in the industry while still carrying forward the Red Chillies Entertainment legacy.
The soundtrack, produced in collaboration with T-Series, features compositions by Shashwat Sachdev with guest tracks by Anirudh Ravichander. The first single, Badli Si Hawa Hai sung by Arijit Singh and Amira Gill, has already gained traction on streaming platforms. Another track, Tu Pehli Tu Aakhri, also showcases Arijit Singh’s vocals, adding emotional depth to the narrative.
Music has always been central to Bollywood storytelling, and Aryan Khan’s series appears to embrace that tradition while adding a modern twist.
Aryan Khan’s choice of subject matter is bold. Rather than a conventional launchpad, The Ba**ds of Bollywood presents a satirical, behind-the-scenes look at the industry that made his family a household name. By tackling themes of nepotism, politics, and ambition, the series resonates with ongoing debates within Bollywood.
For fans, the chance to see Shah Rukh Khan in a cameo under his son’s direction adds an extra layer of excitement. For critics, Aryan Khan’s decision to focus on direction reflects a desire to carve his own identity, setting him apart from the expected path of acting.
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Rashmika Mandanna’s five biggest films of 2025 and why her Gond warrior role is the boldest yet
Rashmika Mandanna has steadily built her place as one of the most loved stars in Indian cinema. From the breezy charm of Geetha Govindam to the emotional depth of Animal, and more recently with blockbuster turns in Pushpa: The Rise, she has managed to win audiences across languages and industries. Now, she is heading into what looks like one of the busiest and most exciting phases of her career, with films that span genres and styles.
Rashmika Mandanna’s five biggest films of 2025 and why her Gond warrior role is the boldest yet Getty Images
Here is a look at what is coming up for Rashmika:
Thama : Part of the Maddock Horror-Comedy Universe, this supernatural rom-com has Rashmika playing Tadaka, opposite Ayushmann Khurrana and Nawazuddin Siddiqui. Directed by Aditya Sarpotdar, the film mixes mythology with humour and is slated for a Diwali 2025 release.
Thama brings Rashmika into the Maddock Horror Comedy Universe with Ayushmann KhurranaInstagram/maddockfilms
Mysaa : In a complete shift from her usual roles, Rashmika steps into the shoes of a Gond warrior. With tribal aesthetics, oxidised jewellery, fierce body language, and a bold new look, this action-thriller is already creating chatter after its first visuals dropped. Rashmika herself has called the role “a version of me I had never met before.”
Rashmika Mandanna’s fierce Gond warrior look from Mysaa is already sparking conversation online
Pushpa 3: The Rampage : Rashmika returns as Srivalli alongside Allu Arjun in the next chapter of Sukumar’s mega action franchise. With the first two instalments becoming nationwide blockbusters, expectations for this one could not be higher.
Rashmika returns as Srivalli in Pushpa 3 The Rampage alongside Allu Arjun
Rainbow : This romantic drama, directed by Shantharuban, pairs her with Dev Mohan. Tipped to be a soulful, emotional story, the film is drawing attention for its unique narrative style.
Rashmika explores a soulful romantic drama in Rainbow opposite Dev Mohan
Animal Park : The sequel to Animal reunites Rashmika with Ranbir Kapoor as Geetanjali, continuing one of the most talked-about on-screen relationships in recent times.
The sequel to Animal reunites Rashmika with Ranbir Kapoor as Geetanjali, continuing one of the most talked-about on-screen relationships in recent times
From supernatural comedy to gritty tribal drama and from blockbuster franchises to heartfelt romances, Rashmika’s slate for 2025 shows just how versatile she is willing to be. And if her track record is anything to go by, she is set to remain right at the centre of pan-India cinema’s spotlight.
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Kalyani Priyadarshan’s Chandra embraces Kerala folklore with superhero strength in Lokah Chapter 1 Chandra
Malayalam cinema’s first female superhero film blends tradition and modernity
Costume design by Melwy J. and Archana Akhil Rao praised for authenticity
Colour symbolism, especially red, drives character arcs and mythology
Costumes used as narrative devices rather than just visual styling
Lokah Chapter 1: Chandra has redefined how superhero cinema can be told in India. The Malayalam blockbuster, directed by Dominic Arun and produced by Dulquer Salmaan, does far more than just dress the characters; the costumes are a fundamental part of the film's narrative engine. Led by designers Melwy J. and Archana Akhil Rao, the costumes merge Kerala’s deep-rooted folklore with sleek contemporary aesthetics, giving India’s newest cinematic hero an identity that is both culturally authentic and powerfully modern.
Kalyani Priyadarshan’s Chandra embraces Kerala folklore with superhero strength in Lokah Chapter 1 Chandra Instagram/lokahofficial
How do Kalyani Priyadarshan's costumes tell a story?
From her first appearance, Chandra’s clothing communicates her mysterious nature and emotional state. Unlike the spandex or armour of Western superhero films, Chandra’s costumes draw from Kerala’s cultural heritage. Her everyday look in Bengaluru is minimal; dark jackets, boots, and layered outfits that reflect her need to stay unnoticed. Yet even here, the recurring maroon-red jacket hints at her hidden supernatural roots.
When she transforms into the yakshi-inspired protector, her wardrobe fuses red-bordered garments reminiscent of Kerala folk costumes with combat-ready gear. Importantly, the design avoids the sexualisation often associated with female superheroes, focusing instead on strength and cultural identity.
Kerala traditions inspire a superhero identity that breaks stereotypes in Indian cinemaInstagram/dqswayfarerfilms
Why is the colour red so important in Lokah Chapter 1: Chandra ?
The film uses colour as a deliberate storytelling tool, with red as its dominant motif. For Chandra, red symbolises her supernatural identity, appearing in her jackets, her striking hair streak, and even in the neon smoke of her powers.
In Kerala folklore, red is tied to the yakshi legend, carrying meanings of danger, fertility, and divine energy. The designers used a palette of maroons, crimsons, and earthy browns to ground the character in the cultural soil of Kerala, ensuring the colour choice feels organic to the story’s setting rather than just a generic superhero trope.
Supporting characters are given distinct palettes too. Sunny is framed in earthy yellows and greens to show his grounded reality, while antagonist Nachiyappa shifts from rigid police greys to sickly greens as he descends into corruption.
Red dominates Chandra’s costume symbolising power and mythology in India’s bold new superhero filmInstagram/kalyanipriyadarshan
How were the costumes designed for action scenes?
A paramount concern for the design team was functionality. The costume team conducted extensive research into tribal adornments, textiles, and folklore before modernising them for a superhero narrative. Fabrics had to work for stunts choreographed by action director Yannick Ben, including wire sequences and martial arts choreography, so flexibility was built into every piece.
Collaboration with the VFX team also mattered. Red threads, fabrics, and jewellery were designed to blend seamlessly with CGI, especially in transformation sequences where supernatural energy is heightened by colour and costume details.
Action-ready costumes in Lokah Chapter 1 Chandra balance cultural authenticity with modern stunt demandsInstagram/lokahofficial
Who designed the costumes for Lokah Chapter 1 ?
The overall costume vision was led by Melwy J., who is known for his work on the Malayalam superhero film Minnal Murali. He was joined by acclaimed designer Archana Akhil Rao, who collaborated specifically on crafting key looks for Kalyani Priyadarshan’s character. Their collaborative process involved extensive research into traditional Kerala attire and tribal adornments, which they then reinterpreted through a modern, functional lens to meet the demands of the action-heavy screenplay.
What impact could Lokah have on Indian superhero films?
The transformative costume design in Lokah Chapter 1: Chandra has been hailed as a benchmark for the genre, proving that culturally-rooted aesthetics can define a superhero's identity just as powerfully as Western-inspired spandex. By rooting its design language in Kerala culture while also catering to modern cinematic sensibilities, the film offers a fresh template for Indian superheroes.
The costumes are not merely an accessory but a foundational element of the film's world-building, setting a new, sophisticated template for how regional Indian cinema can visually claim the global superhero narrative without sacrificing its unique cultural soul.
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Laura Whitmore investigates the chilling reality of teenage killers in Britain
Laura Whitmore explores shocking cases of teenage killers in her new true crime series.
Series highlights disturbing crimes including Dexter copycat murders and fatal rejection rage incidents.
Whitmore issues a stark warning to parents about social media and teenage behaviour.
Crime+Investigation series premieres 8 September at 9pm.
Laura Whitmore is set to return to screens with her chilling new documentary, Laura Whitmore on Britain’s Killer Teens, tackling the dark world of teenage murderers. The Crime+Investigation series explores why some teenagers commit horrific crimes, with real-life testimonies from victims’ families and insights from forensic experts. Ahead of the premiere, Whitmore has shared a sobering warning for parents navigating social media and teenage influences.
Laura Whitmore investigates the chilling reality of teenage killers in Britain Instagram/thewhitmore
Why Laura Whitmore on Britain’s Killer Teens is a must watch
Each of the five episodes of Laura Whitmore on Britain’s Killer Teens focuses on a separate, shocking case. From a Dexter-inspired killer to teenagers driven by rejection rage, the series goes beyond sensational headlines to examine the factors behind these crimes. Experts and investigators provide forensic analysis, while family members recount personal experiences, offering a rare and harrowing look into these tragedies.
Unlike typical true crime shows, Whitmore highlights the victims’ voices as much as the perpetrators’ actions. She explains: “It angers me how long some families wait for justice, living with curtains drawn while perpetrators remain unnamed.” By emphasising closure and the human cost of teenage violence, the series aims to educate viewers about the legal system and the real-life consequences of these crimes.
Whitmore, a mother herself, stresses the importance of guiding children through today’s social media-driven world. She warns that platforms like TikTok can influence teenage behaviour, and parents must equip their children with the tools to make responsible choices. “At some point you have to let your children grow up, but it’s crucial to provide them with the right guidance,” she said.
Among the gripping stories is that of Brian Blackwell, an 18-year-old from a privileged background who murdered his parents before going on holiday with his girlfriend. Other cases include a young girl fatally stabbed by her ex-partner and incidents where rejection led teenagers to commit unthinkable acts. Each episode dissects motives, backgrounds, and investigative processes, creating a sobering and informative viewing experience.
Laura Whitmore on Britain’s Killer Teens airs Monday 8 September at 9pm on Crime+Investigation, offering a deep dive into the tragic and disturbing realities of teenage crime in the UK.
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7 moments that absolutely broke the Internet at the 2025 VMAs
Mariah Carey finally gets her long-overdue Video Vanguard Award and calls out MTV mid-speech.
Sabrina Carpenter turns her performance into a bold protest for trans rights, leaving the crowd stunned.
Lady Gaga ditches the venue for Madison Square Garden mid-night, sparking memes about her double life.
Ariana Grande’s on-stage struggle with her mic height and tiptoe stance becomes instant internet comedy.
Rosé makes K-pop history with a solo win, while Doja Cat’s lipstick-eating moment keeps TikTok in a chokehold.
Last night felt like pop culture grabbed us by the shoulders, shook us, and screamed, “STILL HERE, AND STILL MATTERS.” The VMAs were back, and they barged in like a loud cousin who knows the aux belongs to them. For three hours, pop culture felt alive again.
If you missed it, here’s what everyone is still talking about.
1. Ariana Grande and Lady Gaga’s sister act
Two women who once symbolised rivalry ended up dancing side by side. Ariana Grande and Lady Gaga hugged it out in the audience and celebrated each other’s wins, Ariana for Brighter Days Ahead and Gaga for Artist of the Year. Online, fans immediately branded them “sisters.” When Gaga won big and Ariana jumped up, beaming, it was the win we all needed.
2. Sabrina Carpenter crashes through the floor — and the noise
Sabrina literally rose out of a manhole surrounded by drag queens holding “Protect Trans Rights” signs. The crowd roared. Later, clutching her Best Album award, she dropped the line: “The world is your f**in’ oyster” and Ariana Grande shot to her feet in a standing ovation. That’s the kind of moment that defines an era. It was pop music with a spine.
Only Gaga. ONLY GAGA. Wins Artist of the Year, cracks a joke about having to get to Madison Square Garden, and literally dips out to perform a sold-out arena show. Her performance was pre-taped from MSG because the VMAs crowd was too small. One fan summed it up best: “Only Lady Gaga can leave an award show for a bigger crowd.” Icon behaviour.
She opened the show by teleporting us directly to a 1989 high school pep rally. Neon, Kenny G on the sax, the whole thing. It was ridiculous and perfect, and you couldn't look away. You saw Ariana in the crowd losing her mind to it and knew exactly how she felt. It was pure, unadulterated fun. No deeper meaning. Just vibes. And sometimes, that’s everything.
Mariah Carey, after forty years of hits, finally won her first VMA. The fact that she had never won a VMA before felt like a crime. Last night, we finally got to right that wrong. The look on her face, the weight of the moment, it was historic! Mariah looked down at the Moonperson, laughed, and said, “What were you waiting for?” The internet had been asking the same thing for hours. It was a long-overdue victory for a legend who has given us everything.
Summer Walker dressed as Pamela Anderson circa 1999. Ariana Grande channelled Audrey Hepburn in custom Fendi. Seeing Jessica Simpson back after 20 years felt like welcoming an old friend home. The carpet was less about new looks than ghosts of VMA past. Instagram feeds looked like a timeline collapsing in real time.
Yes, Gaga and Ariana dominated. But it was the unexpected wins that kept people talking. Rosé scored her first solo Moonperson with Apt. Megan Moroney walked away with the VMAs’ first-ever country award. Meanwhile, Billie Eilish and Kendrick Lamar went home without wins. Love it or hate it, the show proved the VMAs still know how to rattle expectations.
So, what are we left with this morning? A hangover from the glitter bomb!
It wasn't a perfect show. It was better than that. It was human. It was protest signs and friendship hugs, legends getting their flowers, and a superstar literally running out the door to sing for her real fans. Exactly what the VMAs are supposed to be.