When Aamir Khan, one of the most popular Indian cine-stars across the world, walked into the room at his Carter Road residence in Mumbai, he was nearly unrecognizable. The actor looked much younger than what he did when I met him a couple of months ago at the same place, in the same room.
Khan is presently busy promoting his high-profile film Thugs of Hindostan, bankrolled by Yash Raj Films. Also starring megastar Amitabh Bachchan, Katrina Kaif and Fatima Sana Shaikh in principal roles, the Vijay Krishna Acharya directorial is set in 1795 and sees Aamir in the role of a thug who can go to any length to prove his faithfulness to the expanding British East India Company. The superstar, dubbed 'Mr. Perfectionist' says Firangi, his character in the film, has been the toughest role of his career.
Ahead of the release of the big-ticket extravaganza, I got to sit down with the actor for a freewheeling chat. In this exclusive interview for Eastern Eye, Aamir Khan insightfully talked about Thugs of Hindostan, what it was like to work with Amitabh Bachchan for the first time ever, and why he will never, ever, do a movie if his character in it does not excite him. Excerpts...
Aamir, you are looking much younger today...
(Smiles) In Thugs of Hindostan, I was very much in shape. But after my shooting gets over, I tend to relax a bit. But after Diwali, I will start focusing more on fitness because during festive season you just cannot control your diet.
You know, I went to Shah Rukh Khan’s Diwali party the other day. There also was everybody saying I was looking younger. They were asking me what I was doing to get fit. Actually, I have shaved off my long hair and beard which I had sported for Thugs of Hindostan. Maybe because of that I am looking this younger (laughs).
Do you miss the look which you sported for Thugs of Hindostan?
Yes, I do. I really liked the look, actually. For the kind of character I am playing in the movie, it was bang on. Avan (hairstylist) picked the right hairstyle for me.
Strangely, when we were planning the look for the film, I had very short hair; I was shooting for Dangal (2016) at that time. So Avan showed me some references and Victor (Director Vijay Krishna Acharya) and I liked one of the references. The character had curly hair. Avan said ‘you let your hair grow out. Once they are long, I will perm it and make it curly’. I said okay. Surprisingly, my hair grew out curly only. I did not know how it happened. I have never had curly hair in my life. Not only me but all of us were shocked. I didn’t have to do anything; it’s my natural hair which you see in the film.
Generally, you prefer to release your films around Christmas, but Thugs of Hindostan is going to be the first film in last 22 years which will hit the silver screen on Diwali, after Raja Hindustani (1996)? So how does it feel to come back to Diwali after 22 years?
Well, since it is after Raja Hindustani, I am feeling quite good. That was a lucky one. Yeah, I am excited. Let’s see how people like the film.
Thugs of Hindostan is releasing this week. How are you feeling right now – nervous or excited?
Both. You know, two years have gone into making this film. So I hope people like the film. I am happy because I feel it’s an ideal release for Diwali. It’s not a film with a good social message. It’s a film that you can enjoy and have a good time watching. It has action. It has got a very big scale and canvas. Amit Ji (Amitabh Bachchan) and I are coming together for the first time.
You are working with Amitabh Bachchan for the first time in your career. How was the experience?
It was really very amazing. Twice it did not work out in the past, but the third time we were lucky. I was very excited to work with him and, at the same time, very nervous also. I didn’t know how it would be working with him. Would I not be able to perform properly in front of him? The first shot that we did together was the one where we are shuttling with each other. That’s in the trailer also. So that was the first shot. I was very nervous while doing it, but it went off alright. And then I got a little comfortable with him.
Amit Ji is a very warm and generous person, you know. He makes you feel comfortable. He is very easy to work with. He has got a very dry sense of humour. So you don’t know whether he is joking or is serious. You don’t know whether you should laugh or keep quiet. It takes a little time for you to understand whether he is joking or is saying something serious.
What does Thug mean to you?
Well, Thug is a person who is out there to loot you, though our film is not a period drama about loot and all. A lot of people have written it is based on some book and all. It’s not. It’s entirely fiction. It’s an entirely fictional story set in that period. It’s an action-adventure film. So it’s not period or historical. It’s like a Manmohan Desai film, let me put it that way.
There are many people who say the film reminds them of the Dilip Kumar and Manoj Kumar starrer Kranti (1981). What do you have to say about that?
No, it’s not as serious as that film was. My film doesn’t have that much of patriotism in it. In Thugs of Hindostan, we are talking about the freedom of a particular rajwada (kingdom) where these people live, which is a fictitious place like Lagaan (2001). So it’s a fictitious kingdom that the British have taken over. At that time, The East India Company was taking over kingdoms one by one. So, in the film, we show that they have not got the whole India yet. They were in the process of acquiring the whole country. They take over this place called Raunakpur, so the people of that kingdom talk about their own azaadi (freedom). We are not talking about India.
Do you think Thugs of Hindostan will click with both set of the audiences – classes as well as masses?
Yeah, I hope so. It’s a pretty universal film. It’s actually a very children-friendly film. It really is. There is no blood and all. Action is there, but it’s very enjoyable. Serious action is not there. So it’s a family film.
You generally don’t repeat your directors. But in the last decade, four of your films are with two directors – 3 Idiots (2009) and PK (2014) with Rajkumar Hirani and Dhoom 3 (2013) and Thugs of Hindostan with Vijay Krishna Acharya. Any particular reason?
Yeah, I didn’t notice that. You are right. It just happened. I don’t think I planned it that way. It just happened that Raju (Rajkumar Hirani) and Victor (Vijay Krishna Acharya) both came up with stories which I liked a lot. In this film, the character of Firangi Malla is creatively so attractive that I just had to play it. It’s a very well written part. Victor has written some beautiful lines.
Suppose it was not a well-written part, even then you would have done it just to work with Amitabh Bachchan?
No. I wouldn’t have, because I have to be excited by the material first. I would have looked for something else to work with Mr. Bachchan, but I wouldn’t have done the film if it didn’t have a well-written part for me.
Thugs of Hindostan is slated to release on 8th November, 2018.
After a smash-hit UK debut, India’s most-watched crowd-work comedy duo is back – and this time, they’re armed with an even wilder new show. Abishek and Nirmal: The Great Indian Positivity House invites audiences into a bizarre world where you can anonymously confess your darkest deeds and most questionable opinions.
Staged at Soho Theatre in London from July 21–25, the show will then head to the Edinburgh Fringe in August. It promises their signature fast-paced crowd work and razor-sharp improvisation. With no two shows ever the same, they aim to make every night unrepeatable and unforgettable. Eastern Eye caught up with the dynamic duo to talk about comedy chemistry, on-stage secrets and their biggest influences.
What made you two want to team up?
Abishek: We come from similar backgrounds, consume similar content, and laugh at each other’s jokes. A middle-class upbringing, a love for theatre, and a shared passion for the same kind of humour brought us together.
Did you both expect to become such a successful double act?
Nirmal: It struck me early on during touring. Initially, we’d do 20 minutes each and then come together for the final 20, which audiences really enjoyed. We soon realised our on-stage chemistry worked. We’re also both very physical with our humour and play off each other well. (No innuendo intended.)
What’s been your most memorable moment as a duo?
Nirmal: After every show, we’d go out with some audience members and ask them to show us around their city. I think our last day at Edinburgh Fringe was epic – we were up till 4 am dancing, drinking pints, with a flight back to India at 8 am. Total chaos. Abishek: Touring internationally will always be a core memory. I’ll never forget our first show in Dubai – it felt so surreal. We genuinely felt taller than the Burj Khalifa that day!
How would you describe your brand of comedy?
Abishek: We do a lot of crowd work and improv. Our biggest strength is our physical comedy, combined with (self-proclaimed) impeccable chemistry on stage.
What drew you to interactive comedy?
Nirmal: I love stand-up, but it takes a year or two to build a solid hour. Audience-interactive shows let us flex our improv muscles and keep it fresh every night. We never ran out of shows this way. And repeat audience could enjoy our shows too. It’s liberating – we get to respond to the exact moment we’re in. And we love being surprised by the crowd.
What’s the biggest challenge of interactive comedy?
Abishek: You never know how a joke will land. You have to read the room well and only prolong an interaction if the person is clearly enjoying it.
With no two shows ever the sameInstagram/ theabishekkumar
How much of your routine is planned in advance?
Nirmal: The beginning, middle, end, and format are always set. But that’s it. We’ve built our shows on the road, so we keep adding and experimenting with new bits.
What’s the secret to great improvisation?
Abishek: Ride the scene’s energy – no matter how dumb the premise sounds. Go with the flow. BS with full conviction!
How do you stay in sync on stage?
Nirmal: It’s muscle memory at this point. I know when he’ll take a punchline or jump in, and he knows when I’ll interrupt. It’s built over time by doing this again and again.
What has performing in the UK been like?
Abishek: Amazing. We’ve toured the UK multiple times now, and every visit feels like coming home, thanks to the huge Indian diaspora.
How do UK audiences compare to those in India?
Nirmal: I love our international audiences – they come for a sense of familiarity. They’re away from home, and our references, language, and vibe create that comfort. For at least an hour and a half, it feels like home.
The beginning, middle, end, and format are always setInstagram/ theabishekkumar
Do you have creative differences – and how do you manage them?
Abishek: We do, but we don’t shy away from tough conversations. We’re brutally honest with our feedback and open to change. That’s the healthy part of this duo.
Tell us an embarrassing secret about each other.
Nirmal: When Abishek is sleep-deprived, he goes full chaos mode – like an elephant about to mate. He starts doing sixth-grade-level pranks on everyone around. This is a 30-year-old man. Abishek: Nirmal has to poop before every show. The moment the announcement plays, he’s off to the loo.
Who are your comedy heroes?
Abishek: Robin Williams, Russell Peters, Jim Carrey, Adam Sandler, Ricky Gervais... and Indian legends like Nagesh and Crazy Mohan, who’ve had a huge influence on me. Nirmal: Kanan Gill, Rahul Subramanian, Kenny Sebastian, Hasan Minhaj, Aziz Ansari and Dave Chappelle.
Why should people come to your London shows?
Nirmal: To feel like you’re in South India for a whole hour. It’s better than the North. (I say this in jest.) I could have said I’m joking, but I had to say jest, didn’t I? It is a nice word though.
Abishek & Nirmal: The Great Indian Positivity House at Soho Theatre in central London from July 21-25. www.sohotheatre.com
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Grenfell Uncovered, Netflix’s new feature-length documentary about the 2017 Grenfell Tower disaster, has been widely praised by reviewers and early viewers for its serious and emotionally resonant portrayal of one of the UK’s worst modern tragedies.
Directed by Olaide Sadiq, the film retraces the events leading up to the fire that claimed 72 lives and sparked a national reckoning over building safety, housing policy, and corporate responsibility.
Reviewers highlight structured storytelling and emotional impact
Critics have noted that while the film does not introduce new findings beyond what was already published in the 2024 final report of the Grenfell Inquiry, it succeeds in conveying the scale and depth of the disaster to a global audience. Several reviewers praised the documentary’s editing, with The Guardian calling the timeline “agonisingly well-paced” and noting its ability to balance personal accounts with broader systemic failings.
The film weaves together the first 999 call, testimony from bereaved families, and a detailed exploration of decisions made by companies and public authorities. Reviewers have drawn attention to how the documentary contrasts human loss with what the inquiry called a “merry-go-round of buck-passing” by corporations and officials.
Personal stories placed at the centre
The emotional core of Grenfell Uncovered, according to several reviews, lies in the personal testimony from those who lost loved ones. These are presented alongside findings about companies such as Arconic and Celotex, which the public inquiry found engaged in “systematic dishonesty” in relation to the cladding materials used on the tower.
Critics have said the film powerfully illustrates how profit motives, weak regulation, and political decisions intersect with devastating human consequences.
Praise for Netflix’s decision to commission the documentary
Media observers have commended Netflix for producing a one-off film on such a politically sensitive topic at a time when many streaming platforms are opting for safer, more commercial programming. Some called it a “rare act of public-interest filmmaking” and noted that, despite global trends favouring true crime and celebrity-driven content, Grenfell Uncovered focuses on accountability and justice.
- YouTubeYouTube / Netflix
Political figures featured in the film
The film includes an interview with former Prime Minister Theresa May, who addresses criticism of her response to the fire, particularly her decision not to meet survivors during her first visit to the site. Reviewers have pointed out that while May has previously expressed regret, the interview adds weight to the film’s broader themes of inaction by those in power.
Other institutions, including the Cameron government, the Royal Borough of Kensington and Chelsea, and the London Fire Brigade, are also examined in relation to their roles in the lead-up to and aftermath of the fire.
A reminder, not a revelation
While some reviewers noted that the documentary does not reveal much beyond what was already known, they argue that it is an important retelling for audiences who may not have followed the inquiry closely. In this context, critics say the film succeeds in its aim: to remind viewers of the tragedy’s preventability and the need for lasting change.
Grenfell Uncovered is currently available to stream on Netflix.
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Priyanka Chopra opens up about an on-set injury while filming Heads of State
Priyanka Chopra Jonas has opened up about a minor but shocking accident that occurred while filming her new action-comedy Heads of State, which premieres on Prime Video on 2 July. Appearing on The Tonight Show Starring Jimmy Fallon, the actor recalled how she injured her face during a high-intensity scene, losing a piece of her eyebrow in the process.
The incident took place during a rainy stunt scene that required her to fall and roll on the ground as the camera closed in. “The camera operator came in a little closer, I came in a little closer, and boom! The matte box hit me right here,” she said, pointing to her eyebrow. “It took out a chunk. I was lucky it didn’t take my eye.”
Despite the bleeding cut, Priyanka didn’t halt filming. Instead, she reached for surgical glue, patched herself up on set, and wrapped up the day’s shoot. “I didn’t want to come back and shoot in the rain again,” she joked.
In the film, Chopra plays Noel Bisset, a sharp MI6 agent pulled into chaos after a diplomatic mission unravels. She stars opposite John Cena and Idris Elba, who play the heads of state she’s tasked with protecting. The actor shared that her character does a fair amount of the heavy lifting when it comes to action, including hand-to-hand combat and stunts.
While discussing the film, Chopra also spoke about the off-screen dynamics with her co-stars. She revealed that Cena and Elba hadn’t met before the shoot, so she stepped in to ease the introductions. “I was like the buffer. I had to make sure we didn’t just start punching each other,” she laughed.
She also mentioned how the set was filled with laughter, banter, and plenty of pranks, most of them aimed at her. “I guess I was the easy target,” she admitted.
Directed by Ilya Naishuller, Heads of State features an ensemble cast including Paddy Considine, Carla Gugino, Jack Quaid, Stephen Root, and Sarah Niles. The film will be available in English, Hindi, Tamil, Telugu, Malayalam, and Kannada.
Up next, Chopra is set to appear in SSMB 29 with Mahesh Babu and The Bluff, where she plays a reformed pirate.
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Priyanka Chopra enjoys traditional Indian feast at Vikas Khanna’s NYC hotspot
Priyanka Chopra Jonas found a taste of home far from home this week. The global star, alongside her manager Anjula Acharia and friends, enjoyed a memorable meal at Michelin-starred chef Vikas Khanna's New York City restaurant, Bungalow.
Honouring heritage and handicrafts over dinner
Khanna shared a touching glimpse into the evening on Instagram. He focused on the restaurant's beautifully adorned glass ceiling, explaining its deeper meaning. "Everyone asks why we decorate it daily when some might not notice," Khanna wrote. His reason was personal: "It’s not just for guests below, but for loved ones watching over us from above. Today, I adorned it especially for Malti Marie Chopra Jonas."
The gathering doubled as a tribute to the upcoming Rath Yatra festival and specifically honoured the skilled artisans of Sambalpur and Western Odisha. Videos showed Khanna tying traditional Sambalpuri handkerchiefs around Priyanka and Anjula's wrists as a meaningful cultural gesture. The rainy NYC backdrop added to the intimate atmosphere.
A satisfied star and return visits
The Indian feast clearly hit the spot. Priyanka reshared a video from Anjula showing Chef Khanna expertly serving dishes, captioning it simply: “Still in a food coma. You’re the best host, Vikas.” Pictures revealed a relaxed Priyanka dressed smartly in a black dress and matching blazer, posing happily with Khanna and her group. This was her second return trip to Bungalow; she previously dined there last year with her husband Nick Jonas, thanking Khanna then for "a taste of home."
While young daughter Malti Marie was mentioned in Khanna's heartfelt caption about the ceiling dedication, she wasn't visible in the shared photos or videos. Fans can next catch Priyanka on screen in the action film Heads of State, streaming on Prime Video 2nd July, where she stars alongside John Cena and Idris Elba.
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Katy Perry and Orlando Bloom clash over space flight as breakup rumours grow
Things seem rocky between long-time couple Katy Perry and Orlando Bloom, with new reports suggesting an argument about Perry’s recent space flight may have added fuel to an already burning fire.
The pop star, who joined an all-female crew for a Blue Origin flight in April, reportedly didn’t get the reaction she hoped for from Bloom. A source claims the actor called the trip “embarrassing” and “ridiculous” during a heated exchange, leaving Perry hurt and confused by the lack of support. Despite publicly backing her before the launch and even being photographed at the site, Bloom allegedly changed his tune behind closed doors.
This tension comes as Bloom prepares to attend Jeff Bezos and Lauren Sánchez’s wedding in Italy this month, but without Perry. The irony? Bezos’ company made Perry’s space journey possible. According to insiders, Perry is upset that Bloom is “insisting” on going to the wedding, especially since she considers the couple her friends, not his. Meanwhile, she’ll be away on her Lifetimes tour and unable to attend herself.
Katy Perry and Orlando Bloom’s space row highlights deeper riftGetty Images
Career struggles and solo appearances spark breakup rumours
While Perry’s upcoming absence from the Bezos wedding has been chalked up to work obligations, sources say there’s more beneath the surface. Reports claim that the singer’s recent career disappointments, particularly the underwhelming reception of her album *143*, have added pressure on the couple’s relationship. Though Bloom was said to be supportive during the aftermath, the stress allegedly caused a noticeable strain between them.
The pair, who got engaged in 2019 and share a four-year-old daughter named Daisy, have weathered storms before, including a brief split in 2017 and a postponed wedding due to the pandemic. But insiders now suggest the relationship may be nearing its end, with one source bluntly stating, “It’s over. They’re just waiting for her tour to wrap before making it official.”
Orlando Bloom slammed Katy Perry’s space flight during argument as insiders say split is imminentGetty Images
Adding to the speculation, Perry was recently spotted without her engagement ring in Melbourne, just days after performing the breakup anthem I’m Still Breathing onstage in Sydney. Her tour ends on 7 December, and many believe the couple might make an announcement soon after.
Neither Perry nor Bloom has commented publicly on the reported fallout. But if the talks are true, a love story that began in 2016 may quietly come to a close before the year does.