Birth is a painting by Goa-born artist Francis Newton Souza that was sold for a record price of Rupees 26.90 Crore at a Christie's auction in New York in 2015. Birth is considered one of the most important paintings of the Goa-born artist's career and was included in his first solo show at Gallery One in London. Souza was a founding member of the Progressive Artists' Group of Bombay and was the first post-independence Indian artist to achieve high recognition in the West.
2. Painting - Untitled
Artist - Vasudeo S Gaitonde
Price: Rs. 23.70 Crore
An untitled painting by Vasudeo Gaitonde was sold for Rs. 23.70 Crore in an auction by Christie’s art gallery in the year 2013. The painting, bearing his signature in Hindi, went to a private collector from the US. He was regarded as one of India's foremost abstract painters.
3. Painting - Figure on a Rickshaw
Artist: Tyeb Mehta
Price: Rupees 19.78 Crore
An untitled painting by Tyeb Mehta, a key member of the Bombay Progressive Artist's group was sold for Rs. 19.78 Crore at a Christie’s auction in London in the year 2011. The untitled work depicts a human figure reclining on a hand-pulled rickshaw in blocks of greys, reds and saffron. Tyeb Mehta was born on 26 July 1925 in Kapadvanj, a town of Kheda district, the Indian state of Gujarat.
4. Painting - Saurashtra
Artist - Syed Haider Raza
Price – Rupees 16.42 Crore
Saurashtra, a painting by Syed Haider Raza was sold for Rupees 16.42 Crore at a Christie's in London in the year 2010. In 1983, he painted Saurashtra that depicts the beauty of the Gujarati coastal landscape. He was awarded the Padma Shri and Fellowship of the Lalit Kala Akademi in 1981, Padma Bhushan in 2007, Padma Vibhushan in 2013 and Commandeur de la Legion d'honneur (France).
5. Painting - Untitled (Self Portrait)
Artist: Amrita Sher Gil
Price: Rs. 18.28 Crore
A self-portrait by Amrita Sher-Gil was sold for Rs. 18.28 Crore in an auction by Sotheby’s in New York in the year 2015 setting a new record for the artist who is considered the greatest female painter of India. Sher-Gil is considered an important woman painter of 20th-century India, whose legacy stands on a level with that of the pioneers of Bengal Renaissance.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.