EARLIER this year, new music act 2 Tricky Project released perhaps the wedding anthem of the year with their great debut single Marry You.
The English-language number with a Bollywood vibe is the first step in the music journey for the duo, acclaimed songwriter/producer Niall Flynn and broadcaster/composer Malook
Singh, who teamed up 25 years after their first meeting as assistant sound engineers working for the legendary Trevor Horn.
They teamed up with singer Manuka and percussionist Guzby Music for the single Marry You, which has a wonderful clay animation music video.
Eastern Eye caught up with 2 Tricky Project to find out more.
What inspired the 2 Tricky Project name?
The name had to be fun, happy and cheeky as it had to represent our characters and the concept of making fusion music happier and more commercial.
What led you towards the single Marry You?
Marry You was originally going to be just a straight pop song, but we felt it would be good to have a Bollywood vibe and that it could be a song to break down barriers. We felt it
could embrace diversity, so it’s a song for every wedding and could be a wedding
anthem for the future.
Tell us a little more about the song?
Marry You lyrically is a song about most aspects of a marriage. It’s about a couple who, after many years of being together, want to get married. The verses reflect on the joys
and sorrows of a marriage, but in a positive way.
How did you cross paths with Manuka?
We had been looking for a singer and by chance, Malook had seen Manuka performing
in a restaurant with just a guitar, straight from the heart, to a multicultural audience from all walks of life. Manuka was singing both English and Indian songs. Her voice was amazing.
What was the biggest challenge of putting the song together?
By far the biggest challenge was the number of tracks it had once the mixing started. There were 57 backing vocal parts, nine lead vocal parts and the rest were drums, percussion, bass and music, totalling 101 tracks to mix. That was a big challenge. It took 17 mixes over 30 days to get the track right.
Who are you hoping connects with the song?
We hope that Marry You represents the way society and culture is now. Bollywood is enjoyed by millions, yet only understood lyrically if you speak Hindi. Marry You has English lyrics, so the Bollywood experience can be enjoyed by everyone. The track could be a wedding anthem for mixed marriages and equally for any marriage with a Bollywood theme.
What can we expect next from you?
2 Tricky Project and Manuka are putting together a band for some shows. We are also working on few other tracks, which are currently being written. Manuka will be featured on a couple of tracks, but other songs will feature new singers too. We believe there are other talented singers like Manuka out there, who need to be heard. We want to find singers who are passionate about music, writing and performing.
Finally, why should we pick up Marry You?
It is a song for life. It’s diverse in all aspects, including the music and video. It brings people of all backgrounds together by having English lyrics on a Bollywood groove. It makes you smile and want to be happy and of course, it makes you want to get married too.
Marry You is out now. Visit Instagram, Twitter and Facebook: @2trickyproject
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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