10 Nights was developed through Graeae Theatre Company’s Write To Play programme and was originally co-produced by Graeae and Tamasha, in association with the Bush Theatre in 2021.
Phizzical Productions has announced the UK tour of Shahid Iqbal Khan's Olivier-nominated play, 10 Nights!
Audiences will get to experience one man's spiritual journey of self-discovery after he decides to participate in Iʿtikāf - the Islamic practice of staying in a mosque and fasting for the last ten nights of Ramadan. This moving and funny production will tell Yasser’s story in English, with Urdu and Arabic references, as well as being creatively captioned.
10 Nights was developed through Graeae Theatre Company's Write To Play programme and was originally co-produced by Graeae and Tamasha, in association with the Bush Theatre in 2021. Telling a warm story of forgiveness and acceptance, 10 Nights will have audiences embark on a spiritual sleepover, contemplating faith, friendships, and the future.
Writer, Shahid Iqbal Khan comments, “I am really thrilled that 10 Nights is coming back in a brand-new production with a fantastic team on board. As a South Asian playwright, it's a very rare privilege to see one of your plays get another lease of life. I am excited and curious to see what audience members will draw from it this time around. Years later, as I revisit the play, I am struck by how the play presents a visibly Muslim space and has no qualms about holding back. In a world where Islam is often greeted with suspicion, where Muslims are subject to surveillance and intimidation, it is no small thing to have a play that takes us into the heart of a mosque and allows the place to just be - I can't wait to share this play with audiences beyond London!”
Phizzical Productions’ Director Sâmir Bhamra comments, “Our company, Phizzical Productions, recently celebrated our 20th birthday. We marked this milestone by engaging with and consulting British Asian actors about the work they were being offered. We were dismayed to learn that a majority of arts continued to perpetuate demonising stereotypes: British Asians playing Muslim terrorists, asylum seekers, sexual predators, or oppressors. We observed how anyone who challenged this narrative is silenced with relentless trolling and prejudice. 10 Nights is a step towards changing that narrative. It is an uplifting play set in a mosque during the holiest of Islamic months. It shows the delicate balance between faith and the realities of modern life. We are telling it so that tomorrow's stories will present the myriad of humanising dimensions that British Asians have.”
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of his love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
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