Skip to content
Search

Latest Stories

Zoya Hussain confirmed for Battle Of Buxar

After making her smashing debut with Anurag Kashyap's critically acclaimed film Mukkabaaz, actress Zoya Hussain has now bagged her second Hindi movie. Tentatively titled Battle Of Buxar, the film will see Hussain romancing Omkara actor Saif Ali Khan.

Earlier, R. Madhavan was also a part of the film. However, the actor had to opt out of the project at the last moment due to his bad health. After Madhavan put his papers down, the makers approached well-known TV and film actor Manav Biz to play the parallel lead in the movie, who readily agreed to come onboard.


Filmmaker Aanand L Rai, who is bankrolling the film under Colour Yellow Productions, is quite happy about Hussain and Vij being part of his next. “It is an absolute delight to have Zoya Hussain and Manav Vij onboard for this film. Both are commendable actors and have a strong grasp over the core of their characters. Their approach towards prep work says it all,” he said in a statement.

Battle Of Buxar will be directed by Navdeep Singh. He last directed the Anushka Sharma starrer NH10.

More For You

5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

Keep ReadingShow less