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Zoya Hussain confirmed for Battle Of Buxar

After making her smashing debut with Anurag Kashyap's critically acclaimed film Mukkabaaz, actress Zoya Hussain has now bagged her second Hindi movie. Tentatively titled Battle Of Buxar, the film will see Hussain romancing Omkara actor Saif Ali Khan.

Earlier, R. Madhavan was also a part of the film. However, the actor had to opt out of the project at the last moment due to his bad health. After Madhavan put his papers down, the makers approached well-known TV and film actor Manav Biz to play the parallel lead in the movie, who readily agreed to come onboard.


Filmmaker Aanand L Rai, who is bankrolling the film under Colour Yellow Productions, is quite happy about Hussain and Vij being part of his next. “It is an absolute delight to have Zoya Hussain and Manav Vij onboard for this film. Both are commendable actors and have a strong grasp over the core of their characters. Their approach towards prep work says it all,” he said in a statement.

Battle Of Buxar will be directed by Navdeep Singh. He last directed the Anushka Sharma starrer NH10.

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Javed Akhtar

Javed Akhtar has pushed back against the growing tendency to categorise films as propaganda

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Javed Akhtar defends propaganda films, says ‘every story takes some stand’ as he praises 'Dhurandhar'

Highlights

  • Akhtar says every filmmaker has the right to express ideas through films
  • He challenges the way certain films are branded as propaganda
  • The veteran writer links storytelling to changing social values

A defence of creative intent over labels

Veteran lyricist and screenwriter Javed Akhtar has pushed back against the growing tendency to categorise films as propaganda, arguing that storytelling has always involved a point of view. Speaking to reporters on the sidelines of an event in Kolkata, where he received a special award from a jewellery brand, Akhtar said he does not subscribe to the way the term is currently used in public debate.

He cited his appreciation for Dhurandhar, noting that he preferred the first instalment to its sequel. For Akhtar, the issue lies less in the content of films and more in how audiences respond to differing perspectives.

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