Veteran actor Zeenat Aman on Friday said the late Dev Anand was "completely wrong" in assuming that she had an "inter-personal relationship" with cinema icon Raj Kapoor.
In his autobiography Romancing With Life (2007), Dev Anand had written about how he fell in love with Aman after they co-starred in the 1971 movie “Hare Rama Hare Krishna” but then Kapoor, who had offered her "Satyam Shivam Sundaram", had grown close to her.
At the ABP Ideas Of India 2023 summit, Aman said Anand might have tweaked certain things in his autobiography about her and Kapoor’s relationship.
"With all due respect, at times while we are narrating an incident or an anecdote, we put some bits to make it interesting. I don’t know what Dev sahab’s perspective was but whatever was his perspective, it was completely wrong. Now, I will write about this in my book (autobiography). I admire Dev sahab, I respect him but this was not correct,” the 71-year-old actor said.
Aman said the reason to meet the late legendary Raj Kapoor was that he had signed her for “Satyam Shivam Sundaram”.
“I would meet him as his about-to-be heroine. We never had any interpersonal relationship ever, nor during that time, or before or after, never. He was passionate about his work. I was passionate about my work. Also, he never asked me, ‘why you didn’t wear white?’. Whenever I meet him, be it on a set or at a function, and you can see the old photographs as well, I have never worn white when I met him,” she added.
Asha Parekh, who too was present at the Summit said, she is hoping Aman, who is a great writer, would pen down her autobiography soon.
The two seasoned actors also spoke about marriage.
Parekh said she is happy that she did not get married.
“Marriages are made in heaven. If it has to happen, it will but if it is not meant to happen, it will not happen. Maybe it was not written in my destiny and I think I am very happy it didn’t happen., I think you all will agree with it.”
Aman said it is tough for a woman, especially a female actor in the industry to have a successful married life. She also said women stars often make a lot of sacrifices for their personal life.
“It is better not to be married than to have a bad marriage. And many people would not know that an actor works very hard to make their marriage work.
"These girls (referring to married actresses) make so many sacrifices, people who are not in the limelight may not do it. They get married because they want to be married. I know quite a lot of girls put up with a lot of things that most girls would not put up with,” she said.
Zeenat was earlier married to actor Sanjay Khan, and then she tied the knot with actor Mazhar Khan, who died in 1998.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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