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Yami Gautam ecstatic as audience loves her performance in Bhoot Police

Yami Gautam ecstatic as audience loves her performance in Bhoot Police

Actress Yami Gautam is on cloud nine as her performance in the recently released film Bhoot Police has received terrific responses from various quarters. Ever since the release of the film, her fans have been writing positively about her performance on social media. After receiving tons of messages from fans, the actress shared why getting responses from the audience matters so much to her.

Gautam, whose filmography includes several notable films as Vicky Donor (2012), Uri: The Surgical Strike (2019), Bala (2019), plays the character of Maya, owner of a tea factory in the horror comedy. In addition to her, the film also features Saif Ali Khan, Arjun Kapoor, and Jacqueline Fernandez in significant roles.


Sharing her excitement, Gautam tells a newswire, “It is for the first time that I have tried something like horror-comedy. It was a new and refreshing experience for me. I am delighted to know that the audience has loved my performance. It motivates me to expand myself as an artist even more.”

Meanwhile, Gautam has a couple of more exciting projects in her bag, including Dasvi, A Thursday and Lost. Out of the three, A Thursday is a digital film produced by RSVP Movies’ Ronnie Screwvala specially for streaming media giant Netflix. While filming for all three projects is almost over, the makers are yet to announce their official release dates. We can expect some announcements in weeks to come.

Keep visiting this space over and again for more updates and reveals from the glitzy world of entertainment.

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Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
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  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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