The rise of Punjabi cinema continues with newly released film Yaara Ve, which has a star cast including Gagan Kokri and Monica Gill.
The 1947 Punjab-set drama revolves around the bond between three inseparable friends just before the onset of India-Pakistan partition.
Rakesh Mehta has written and directed the Punjabi musical, which has a range of emotions.
Eastern Eye caught up with the talented filmmaker to talk about cinema and Yaara Ve.
What first connected you to cinema?
Cinema has been a big passion since my childhood. I remember the first time I saw The Godfather and got so fascinated by its screenplay, and every character of the film. This was my first connection with cinema and that bond has grown stronger with every passing year since then.
Tell us, how do you look back on your journey as a filmmaker?
I am quite satisfied with the journey so far, considering I don’t have any background here in the industry, but I am choosing to look ahead and my focus right now is on Yaara Ve.
What led you towards Yaara Ve?
It all started with the stories I heard from my grandparents about the partition that took place in 1947 and how it changed millions of relationships, including those that were intact and free from any religious disagreements since ages. From there, the story of three friends evolved.
Tell us about the film?
This film talks about the close friendship among three individuals who were living in great harmony prior to the partition and how it eventually affected them.
Who are you hoping connects to this film?
It is ultimately for everyone who believes in humanity.
What was the biggest challenge you faced?
I think it was to create a period of 1947 without compromising the wide-angle shots and still making it look convincing.
What is your favourite moment in the movie?
There is a scene where a young boy brings a bicycle and then how this simple mode of transport creates ripples within the village.
What are your future hopes for the fast-growing Punjabi film industry?
I see a great future with a lot of young talent emerging with fresh perspectives. The industry will continue to grow, so the future is very bright.
What kind of movies do you enjoy watching?
I just enjoy anything logical and cinematic.
Why do you love cinema?
I love how cinema can convert fascinating tales into something engaging, entertaining and enthralling onto celluloid for everyone to appreciate.
Why should we watch Yaara Ve?
It’ll take the audience back in the era of true friendship and harmony. It will take you in the world of true friendship and sacrifices.
Everyone is saying it: Diane Keaton is gone. They will list her Oscars and her famous films. Honestly, the real Diane Keaton? She was a wild mash-up of quirks and charm; totally stubborn, totally magnetic, just all over the map in the best way. Off camera, she basically wrote the handbook on being unapologetically yourself. No filter, no apologies. And honestly? She could make you laugh until you forgot what was bothering you. Very few people could do that. That is something special.
Diane Keaton never followed the rules and that’s why Hollywood will miss her forever Getty Images
Remembering the parts of her that stuck with us
1. Annie Hall — the role that reshaped comedy
Not just a funny film. Annie Hall changed how women in comedies could be messy, smart, and real. Her Oscar felt like validation for everyone who had ever been both awkward and brilliant in the same breath.
2. The nudity clause she would not touch
Even as an unknown in the Broadway cast of Hair, she had a line. They offered extra cash to do the famous nude scene. She turned it down. Principle over pay, right from the start.
3. The Christmas single nobody saw coming
3.At 78, she released a song. First Christmas. Not for a movie. Not a joke. Just a sudden, late-life urge to put a song out into the world.
4. The wardrobe — menswear that became signature
Keaton made ties and waistcoats a kind of armour. She was photographed in hats and wide trousers for decades. Style was not a costume for her; it was character. People still imitate that look, and that is saying something.
5. Comedy with bite — First Wives Club and more
She could be gentle one moment and sharp the next. In The First Wives Club, she carried the ensemble effortlessly, landing jokes while letting you feel the heartbreak beneath. Friends who worked with her spoke about her warmth and how raw she stayed about life.
6. A filmmaker and photographer, not just an actor
She directed, she photographed doors and empty shops, she wrote. She loved the weird corners of life. That curiosity kept her working and kept her interesting.
7. Motherhood, chosen late and chosen fiercely
She adopted Dexter and Duke and spoke about motherhood being humbling. She was not pressured by conventional timelines. She made her own map.
8. The last practical act
Months before she died, she listed her Los Angeles home. A quiet, practical move. No drama. It feels now like a final piece of business, a woman tidying her own affairs with clear-eyed calm.
9. The sudden end — close circle, private last months
Friends say her health declined suddenly and privately in recent months. She kept a small circle towards the end and was funny right up until the end, a friend told reporters.
10. Tributes that say it plain — “trail of fairy dust”
Stars poured out words: Goldie Hawn, Bette Midler, Ben Stiller, Jane Fonda, all struck by how singular she was. They kept mentioning the same thing: original, kind, funny, utterly herself.
Diane Keaton’s legacy in film comedy and fashion left a mark no one else could touchGetty Images
So, that is the list.
We will watch her films again, of course. We will notice the hats, laugh at the delivery, and be surprised by the sudden stab of feeling in a small, silent scene. But more than that, there is a tiny, stubborn thing she did: she made permission. Permission to be odd, to age, to keep making mistakes and still stand centre screen. That is the part of her that outlives the headlines. That is the stuff that does not fade when the credits roll.
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