Today, Pooja Hegde has established herself as one of the most sought-after actresses in Indian cinema. Not just in South cinema, but the actress is in huge demand in Bollywood as well. She is presently working on Cirkus, a Rohit Shetty directorial with Ranveer Singh and Jacqueline Fernandez. She will soon commence work on Sajid Nadiadwala’s next production Bhaijaan with Salman Khan.
There is no denying the fact that today Bollywood is ready to accept the talented actress with open arms, but the scene was completely different when she debuted in Hindi cinema with Ashutosh Gowariker’s Mohenjo Daro (2016) opposite none other than Hrithik Roshan. Critics heavily panned the film which eventually ended up putting a poor show at the box office.
Five years after the debacle of the big-budgeted historical drama, Hegde has opened about how she felt when her debut film in Bollywood did not work with the audience. “I always feel that when you are not a star kid, your first film becomes highly important and the fate of the film becomes even more important. People are watching your film like an audition in a way and judging if you can act or not and how is your screen presence. Based on that, you get the second film. When the film did not do well, it pulled me back a little bit, but I did not let that stop me from doing my work. I continued pushing forward, working in films down South,” she said in her recent interview.
She goes on to add that the dismal performance of Mohenjo Daro did set her back, but today she deals with failure differently. “It is constant self-talk that I have with myself and try not to get too bogged down by failures. I give myself only 15 minutes to cry about it – you can do whatever you have to, punch a pillow – but after 15 minutes, it is done. That’s something I follow religiously,” she says in conclusion.
Crafted from white gold and smothered in thousands of diamonds.
Carries a price tag that will make your eyes water – we are talking £1.6 million (approx. ₹16.6 crore).
She just wore a silver Manish Malhotra saree with those emerald earrings.
Nita Ambani arrived at Manish Malhotra's Diwali party and essentially broke fashion. Everyone else was present and looking great, but then there was her bag. That Hermès number is not something you see every day, or ever, really. It is the Sac Bijou, a thing so exclusive it makes a standard Birkin look common.
Nita Ambani stuns with Hermès Sac Bijou worth ₹17 crore at Diwali party Instagram/three.over.six/manishmalhotraworld and manishmalhotra05
What is special about the bag?
The Hermès Sac Bijou is only made three ever. Every detail was carefully conceived by Pierre Hardy back in 2012. With 3,025 diamonds weighing a total of 111 carats, its purpose is not to hold essentials. Instead, it transforms the wearer’s arm into a dazzling showcase.
Nita chose a razor sharp silver sequin saree from Manish Malhotra. There was no heavy embroidery, just clean lines and a great deal of sparkle to match the bag's feel. She then added those heart shaped Colombian emerald earrings, which were absolute units of gemstones, and a matching bracelet. The overall effect was pure casual flex. It was a statement, suggesting: "Oh, this old thing? Just a typical Tuesday night out."
But why does anyone care about a bag that is practically useless?
That is the whole point. It is not about utility; it is about spectacle. In the world of high fashion, this is the peak. It is a piece of art that you wear. The bag was not part of the outfit. It was the outfit. The entire ensemble felt like a massive understatement, which is remarkable to say.
No. Of course, you cannot. That is not the point. That is what makes it so brilliant. It is a power move. It is a conversation piece that instantly wins the conversation. When the value of your bag could buy an entire row of houses, it stops being an accessory. It becomes a landmark, like a statement of arrival without saying a word. And for an event like the Diwali bash, where everyone is trying to make a statement, that was hers. Game over.
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