At the beginning of this month, Warner Bros. decided to scrap a number of high-profile projects, including the much-awaited Batgirl. While fans are still busy requesting the studio to reconsider its decision, a leading publication reports that funeral screenings of Batgirl will be taking place soon for a select group of insiders who will be able to see the film on the Warner Bros. lot.
The publication reports that people who have worked on the film will be able to attend funeral screenings. Those types of screenings are held before the film is locked away in a vault for good.
Starring Leslie Grace in the titular role, along with J.K. Simmons, Brendan Fraser, and Ivory Aquino, who would’ve been the DC Extended Universe’s (DCEU) first trans character on-screen, the DC film was helmed by Adil El Arbi and Bilall Fallah, the makers behind Disney+ series Ms. Marvel.
Reacting to the news of the film getting shelved, Grace had written on Instagram, "On the heels of the recent news about our movie 'Batgirl,' I am proud of the love, hard work, and intention all of our incredible cast and tireless crew put into this film over seven months in Scotland."
"I feel blessed to have worked among absolute greats and forged relationships for a lifetime in the process!"
El Arbi and Fallah also released a joint statement via social media which read: "We are saddened and shocked by the news. We still can't believe it. As directors, it is critical that our work be shown to audiences, and while the film was far from finished, we wish that fans all over the world would have had the opportunity to see and embrace the final films themselves. Maybe one day they will Insha/Allah."
"Our amazing cast and crew did a tremendous job and worked so hard to bring Batgirl to life," they added. "We are forever grateful to have been part of that team. It was a dream to work with such fantastic actors like Michael Keaton, J.K. Simmons, Brendan Fraser, Jacob Scipio, Corey Johnson, Rebecca Front, and especially the great Leslie Grace, who portrayed Batgirl with so much passion, dedication, and humanity."
Shot on a lavish budget, the film was complete and was set to be released via HBO Max sometime this year, but was ultimately shelved as part of a tax write-down.
The news came after Warner Media., the parent company of HBO, merged with Discovery, Inc., to create Warner Bros. Discovery this year, with David Zaslav as CEO.
“The decision to not release Batgirl reflects our leadership’s strategic shift as it relates to the DC universe and HBO Max,” a Warner Bros. Discovery spokesperson released in a statement. “Leslie Grace is an incredibly talented actor and this decision is not a reflection of her performance. We are incredibly grateful to the filmmakers of Batgirl and Scoob! Holiday Haunt and their respective casts and we hope to collaborate with everyone again in the near future.”
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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