From chicken tikka masala to "colourful" Bollywood movies, reigning Miss World Karolina Bielawska has a list of things that she loves about India and would like to explore during the month-long competition for the 71st Miss World to be hosted here later this year.
The Polish model, who calls herself a fan of Indian non-vegetarian delicacies, said while India with its world-class hospitality, makes for an "amazing host" for the Miss World competition 2023, visiting it on a diet is not "helpful".
"I am a huge fan of tikka masala, and also love butter chicken. It is not very helpful to be on a diet when you are in India because your food is absolutely delicious and I love spices. I love spicy food," the 24-year-old told PTI in an interview.
Touted to be the 'most travelled' Miss World, Bielawska hopes to "discover" India as much as possible during her month-long stay for the competition later this year.
Bielawska, who recently shared her pictures wearing a pastel green lehenga by Falguni and Shane Peacock on social media, now wants to don a saree.
"That was the first time I wore like a traditional Indian clothing and I would love to wear a saree one day as well. I am looking forward to it," Her preferred travel destinations include a must-visit tourist place like Agra and the little-explored Manipur for its natural beauty. She also wants to revisit Mumbai and Goa.
"I would love to go to Manipur and Agra to see Taj (Mahal) and discover Goa a little bit more. So there are many places ... Also Mumbai, I think there is so much more to see. We were there very quickly, very briefly. So, I hope that during this one-month festival we would be able to discover as much as possible," she added.
The Polish beauty queen is also a fan of Bollywood movies, which she catches up on during her travels.
Bielawska said given a chance, she would love to star in a Hindi film.
The Miss World said she could see herself doing the dancing in "colorful" Bollywood movies.
"The most known to me is Priyanka Chopra because she was Miss World. In Poland, we don't have that much access. However, whenever I catch a flight, I always see Bollywood movies, and what I love the most about them is that they have so much passion in them.
"The dances, the culture are so vibrant and colourful. I know Aishwarya is an amazing star as well and I would see myself doing it," said the Polish beauty queen.
Calling Miss India World Sini Shetty, who'll represent India in the much-anticipated competition, a "wonderful" lady, Bielawska said she'll keep her "fingers crossed" for each and every "brilliant women" participating in the competition -- even though her heart is in Poland.
"Each one of them is unique, they have their gifts and talents and it is not easy to choose... It is not the pretty face that wins but the genuine heart and hard work that the girls are putting into it," she added.
Bielawska is the second Polish woman to win the coveted title. Aneta Kreglicka had won the beauty pageant back in 1989 for her country.
India, which has won the prestigious title six times, is hosting the pageant after nearly three decades. The last time it hosted the title was in 1996.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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