ZAHEER ABBAS KHAN ON CREATING MENTAL HEALTH AWARENESS THROUGH HIS SONG
FEARLESS independent artists such as Zaheer Abbas Khan are delivering the most inventive songs in British Asian music.
With his new release Allah Jalashan, he has tackled the subject of mental health on a commercial song that fuses rock with classic music. It is the latest step in a journey for the hardworking London based singer and songwriter who believes art can make a positive change.
Eastern Eye caught up with Zaheer Abbas Khan to talk about the new song and the healing power of music.
Tell us about your new song?
My song Allah Jalashan is a fusion of rock and classical vocals. It’s a traditional composition describing how the remembrance of God brings peace to the mind. I wanted to do something different and create a concept that highlights modern day troubles, and uses spirituality and mindfulness as a main tool to combat mental health issues.
Who are you hoping connects with the song?
As it’s a fusion song, I am aiming to appeal to younger and older generations alike. There is an added layer of raising awareness on mental health issues and technology addiction through the video. My aim is for audiences to have an insight into individuals that suffer from mental health issues, as this problem is often brushed under the carpet in the Asian community.
How important is this issue?
It’s an important issue as in this day and age, we are constantly scrolling down our phones and ignoring the world around us. This makes us miserable and has a negative effect on our minds. Studies show that due to overstimulation of the brain, the mental capacity of humans to focus and concentrate is decreasing and depression is on the rise. It’s about time we address this and look at ways to encourage each other to be more mindful around our state of mind.
Do you think music can heal?
Absolutely. Music can have a profound effect on human behaviour. I have seen this first hand when studying Indian classical music. I was fortunate to study various different ragas that could severely alter moods and transport an individual in a completely different realm. This song is based on raag bhairav, which is an early morning raag and used to glorify God and invoke spirituality.
What music dominates your own playlist?
A huge variety of Asian music. I like to listen to pure classical music, Bollywood songs, qawwalis, ghazals, Sufi etc. It all depends on what mood I am in.
What can we expect from you for the rest of year?
After this song, I am due to release another Sufi song Ishq Ibadat, which is an indie-style genre. I will then look to release a soft romantic song at the back end of this year.
What inspires you as an artist?
I like to listen to and watch people who have made a significant difference to the world in their time here. One of them is my icon Muhammad Ali. He is a real life hero who fought adversity, but never gave up on his principles and achieved all that he wanted. This serves as a reminder to myself that no matter how hard life gets, you have to keep on going. I also like to spend time with nature whenever I can to help connect my inner self with the pure outer surroundings. I spent some time in the summer practising by the seashore and the experience was exceptional.
If you could learn something new in music what would it be?
I have always been very fond of the sitar. It is a beautiful instrument and I have been fascinated by its ability to mimic the movements of a human voice. I am amazed at how moving a string in a specific way can create such a beautiful sound.
Why should we pick up your new song Allah Jalashan?
You should pick it up because it is modern, as well as traditional. It is different and highlights a very important issue in the modern day. It demonstrates that through mindfulness and spirituality, we can set ourselves free from our troubles.
Why do you love music?
I love music because of the joy it brings to the whole world. In reality, all of sound is music; every frequency is music. There is rhythm within us through our heartbeat and melody through our voice box. We are all walking instruments and this is what I love about music; that it’s within all of us.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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