A UNITED ARAB EMIRATES court has dismissed South Africa's request to extradite Atul and Rajesh Gupta, brothers who face charges of political corruption, but the Gulf state said on Friday (7) the extradition request could be resubmitted.
The Guptas are accused of using their connections with Jacob Zuma, president of South Africa from 2009 to 2018, to win contracts, influence cabinet appointments and siphon off state funds. Zuma and the Guptas have denied all wrongdoing.
The UAE said the extradition request did not meet the "strict standards for legal documentation" contained in an extradition treaty ratified with South Africa in April 2021, which South African President Cyril Ramaphosa's government had hoped would lead to the return of the Guptas to face charges.
The two extradition requests for fraud and corruption were not accompanied by a copy of a current arrest warrant order as required, the UAE justice minister said in a statement carried by state news agency WAM.
"The UAE judiciary underscored that South African authorities are able to resubmit the extradition request with new and additional documentation," the statement said.
South Africa's justice minister Ronald Lamola said the country would "promptly appeal" the decision, which he said "flies in the face of assurances given by the UAE authorities".
Lamola said South Africa received diplomatic communication from the UAE on Thursday (6) that a UAE court had made the decision on February 13.
The court had ruled that the UAE had jurisdiction to prosecute the Guptas for money-laundering offences alleged to have been committed in the UAE and South Africa, Lamola said.
The UAE's statement did not include this detail.
South Africa's main opposition Democratic Alliance party said the failed extradition bid was a "national embarrassment" and called for the justice ministry and National Prosecuting Authority to appear before Parliament's portfolio committee on justice over the development.
The Indian-born brothers left South Africa after Zuma was unseated in 2018. A judicial inquiry established the same year to examine allegations of graft during Zuma's years in power has recommended criminal charges against the Guptas.
The UAE has in the past couple of years signed a raft of extradition treaties as it worked to overcome an image as a hotspot for illicit money. It says it has approved 30 requests this year.
Global financial crime watchdog the Financial Action Task Force (FATF) in March 2022 included the UAE, the region's commercial and trade hub, on a list of jurisdictions subject to increased monitoring, known as its 'grey' list.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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