LEADING rice company Tilda will revisit a successful fundraising campaign to help new and expectant mothers in Bangladesh fight malnutrition, it was announced this week.
To coincide with Mother’s Day on Sunday (31), Tilda will donate funding from every purchase of the specially marked ‘Helping Mums Together’ packets of rice.
According to statistics from the UN World Food Programme (UNWFP), a quarter of Bangladesh’s population (160 million people) are affected by a lack of food security. Acute hunger affects approximately 11 million people.
Now in its fifth year, the collaboration between UNWFP and Tilda helps expectant mothers to-be suffering from acute malnutrition in Bangladesh.
In 2017, Tilda’s ‘Mums helping Mums’ campaign meant that UNWFP were able to purchase Supercereal Plus and could supply it for those in need.
Supercereal, a porridge product containing wheat, soya, vitamins and minerals, can be given to young children, and pregnant and nursing women.
Many women and children have benefitted from the campaign including Hamida, 20, a refugee from Myanmar. She fled Myanmar with her husband when she was heavily pregnant and sought refuge in Bangladesh.
Her son, Ziabur Rahman, was born three days after they arrived in the country. Subsequent to receiving help from the UNWFP nutrition programme, Hamida would struggle to get the nutrients she needed to be able to breastfeed her son.
However, now that she receives Supercereal food herself, she is able to breastfeed him, ensuring he receives the nutrition he needs.
Another mother, Nur Safa, has revealed how the nutrition programme has benefited her family. The 27-year-old refugee lives in a camp in Bangladesh with her husband and their five children. Since her children have started receiving the Supercereal, she said they are now growing properly and are not sick any more.
She also receives nutrition education when she goes to collect the food, which she credits for helping her take better care of her children.
The relaunched movement is now joined by Ruby Bhogal, finalist in the 2018 Great British Bake Off.
Bhogal has helped create a special Mother’s Day dish using Tilda Pure Basmati rice.
Inspired by her own mother, Bhogal’s recipe is designed to celebrate the special bond between parent and child by cooking and sharing the recipe with family and friends.
Bhogal said: “I’ve been lucky enough to grow up as part of a close family where food is a core part of what we share. As part of that, it can be easy to take the basics for granted, and to lose sight of a world where a lack of basic nutrition in expectant mothers is a very real issue”.
This year, the organisations aim to hit a target of 1.8 million nutrition-boosting meals being donated.
“Mother’s Day is a day of celebration, but on any day which brings families together over good food, knowing that the event can help those less fortunate makes it even more
special,” Anna Beheshti, brand lead at Tilda, said.
“Every specially marked pack of Tilda rice sold will directly benefit mothers and children by
delivering the right specialist food supplements to those regions in Bangladesh in most need."
To date, over four million nutrition-boosting meals have been delivered to people in need.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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