THE TALENTED ACTRESS ON HER CINEMATIC JOURNEY, TURNING POINT, COMEDY AND LATEST PROJECT
by ASJAD NAZIR
She may have only been in the film industry for five years, but Kriti Sanon has carved herself a place in the hearts and minds of Bollywood fans with a series of winning turns.
Her most recent release Luka Chuppi clocked up big numbers at the box office and won rapidly-rising star Kriti more well-deserved praise. The in-demand actress now has three further high-profile film releases this year, which will only add to her fast-growing star power and global fan base.
Eastern Eye caught up with Kriti to talk about her time in the movie industry, hopes for the future and inspirations.
Was acting something that was part of your master plan?
No. To be honest, I didn’t know I could act. I was into dancing and I’m good at it, but acting was not something I had tried out. Sometimes I feel destiny has its own way of leading you to your dreams and making you realise what you want to do. That is pretty much how it happened for me. When I was in my second year of college, I started modelling as a hobby and did some TV commercials. I realised I liked being in front of the camera and could act. That is how I dreamed of becoming an actress and moved to Mumbai.
You have been getting better with each film. How do you look back on the past five years in the industry?
Thank you for the compliment, Asjad. And that is precisely how I wanted to go ahead because I feel it is important for me to keep growing and improve. That is the only way of sustaining yourself. I have not received any formal training or been a part of the theatre or anything that could help me find that pace for acting. So it has all been spontaneous and instinctive. I have tried to perform my best.
How much has working with good actors and crew helped?
When you are on film sets you learn a lot of things from people around you. If you are really passionate about something, you have the urge to learn and understand everything about it, you will work on yourself and will try to perform your part best in the film. You want to improve with each movie. That is how I approach every scene. I have figured it out with time and each film.
Has finding the right roles and not being typecast been the biggest challenges?
It is a challenge because you can get typecast or stuck in one genre. But I feel it is a great time to be in this industry because a lot of substantial and meaty parts are being written for women. There are many good scripts nowadays where girls aren’t just singing, dancing or have insignificant roles. Actresses are demanding interesting and substantial parts, which can help them get a platform to experiment and showcase their talent. I am also hungry for good roles and want to play diverse characters.
How much of a turning point was your wonderful performance in Bareilly Ki Barfi?
I feel it is one of the major milestones in my career. People look at me as this glamorous and urban girl because I’m born and brought up in Delhi, and I broke their perception with my character of a small town girl in Bareilly Ki Barfi. I feel fortunate that director Ashwini Iyer Tiwari, writer Nitesh Tiwari and the producers saw the actor in me, over the characters that I had played before. That is what you need, that someone to believe in the actor in you. I feel that hair, makeup and costumes can transform you into anybody. You can look like whichever character you are playing, but the question is, are you able to play the part?
Bareilly Ki Barfi got an amazing response…
Bareilly Ki Barfi is a very special film for me. When the film came out I was overwhelmed with the response. I was so glad I was appreciated for my performance, including from those who felt I was not the right cast. It was important for me because I was stepping into a new world and I did a character I had not done before. It provided me with a lot of new opportunities. That made way for Luka Chuppi and Arjun Patiala.
You are super busy, but did you get a chance to enjoy the success of Luka Chuppi?
(Smiles). Of course I did. We organised a party to celebrate our success. I enjoy the appreciation I receive from social media and when some fans bump into me at the airport or other places. When they start telling me how much they loved a film – those moments are really precious. That appreciation just puts a smile on your face and is all you need. For me, enjoying success also means just being happy on set.
You play rebellious girls really well, but are you like that in real life?
I don’t think that I can call myself a rebellious girl. But I think that I am a strong-headed person who has firm opinions. I voice my viewpoints very often. For example, if I don’t find something is right, I speak out. I’m also someone who questions everything and just doesn’t go by the rules.
Where does that inner power come from?
I have got that from my mother because she is also the kind of person who would question things. There were times when she was treated in a particular way or asked to do certain things, which may be her brother was not asked to do. So she would question that and say, ‘why would you do that, just because I am a girl?’ So, I think that awareness of putting your foot down and not following things blindly comes to me from my mother. This trait attracts me to certain strong-headed characters that I have played on screen.
Comedy is the most challenging genre, but you are natural at it; what is the secret?
I don’t think I am natural at comedy, but I am surely trying to get better. I enjoy watching comedy movies and that is why I like being a part of them. It is definitely tough to make people laugh. I think comedy, for me, is all about reaction at the right time. I think comedy has its own rhythm and beat. Timing in comedy is very important and I understand it a little better now. But I still think there is a lot I have to learn.
You are currently working on Housefull 4 with some great comedy talent…
Working with actors like Akshay Kumar and Riteish Deshmukh in Housefull 4, I feel like it is so difficult to do comedy. The way they pull it off with ease, I do feel like a baby on set, (laughs). There is a lot to learn from them, which I am trying to do. But I do enjoy the genre and think it is very important when you are on a comedy film set to have the right energy and be happy while shooting. When you feel low and carry that energy into the scene, I don’t think it is possible to give your best. This is very tricky because every day may not be a good day for you. There are times when you’re going through personal issues, may have had a fight with someone, be unwell or god knows what else.
How do you cope with that?
When you are on set and in front of the camera, you have to be happy, otherwise, it shows in your acting. I think that switching off from the person you are and becoming the character you are playing, is probably one of the toughest parts, but you have to manage.
What can we expect from your next film Arjun Patiala?
Arjun Patiala is a different kind of comedy. It’s a spoofy comedy, which I don’t think has been done much in the industry before. It has been done a lot in the west, for example, parody movies like Deadpool and Scary Movie. Arjun Patiala is a fresh take on comedy. We are making fun of how a buddy cop film is like while making the same buddy cop movie. So I think, it is a film that is really gonna crack you up.
Tell us more...
Arjun Patiala is different in terms of the flavour of comedy. I feel this film will connect with the kids very well because the way things are being shown in it. I can’t explain why and how, but there is a lot for the kids to enjoy.
Today, what inspires you?
Other people’s work inspires me. When I see amazing films and the variety of content on digital platforms with great performances, it really inspires me to get better at what I am doing. It makes you feel like there is a lot more to do. When I see the love we actors get from so many people who don’t know you personally, it motivates you. It feels great that as an actor you can also inspire someone by giving a message through your work. These are some of the things that make me want to do better and more than what I am doing.
There’s no question who ruled the night at the 2025 BET Awards. Kendrick Lamar walked away with five trophies, including Album of the Year for GNX and Video of the Year for Not Like Us. The ceremony, held at the Peacock Theatre in Los Angeles, paid tribute to Black excellence in music, acting, and sports, and Kendrick made sure his voice and message were front and centre.
Kendrick Lamar accepts Best Album for GNX at the BET Awards in Los AngelesGetty Images
Lamar, Doechii, and a moment that mattered
The GNX rapper also won Best Male Hip-Hop Artist and shared the Video Director of the Year award with Dave Free. Accepting his award, Lamar reflected on his long-standing relationship with BET, saying, “They’ve always kept the culture at the core and put me in the middle of it.”
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Rising rapper Doechii also made headlines, not just for winning Best Female Hip-Hop Artist but for calling out former US President Donald Trump. In a fiery speech, she criticised the use of military force to break up protests in LA following ICE raids in Latino communities. “Every time we stand up for our rights, the military is sent in. What kind of leadership is that?” she asked the crowd.
A night of icons and throwbacks
The night wasn’t just about current stars. The BET Ultimate Icon Award honoured Mariah Carey, Snoop Dogg, Jamie Foxx, and gospel star Kirk Franklin for their decades of influence in music, entertainment, and community action. Stevie Wonder presented Foxx’s award as he opened up about his recovery from a 2023 stroke. “When I saw the ‘In Memoriam’ segment, I thought that could’ve been me,” he said.
Mariah Carey celebrates her Ultimate Icon Award with a rare live performanceGetty Images
Mariah Carey, presented her award by Busta Rhymes, lit up the stage with a brief but heartfelt speech. “If you're going to win one of these, it might as well be the Ultimate Icon,” she joked, hinting at the ups and downs of her legendary career.
With Lamar and SZA heading back on tour and voices like Doechii’s rising louder, the 2025 BET Awards proved it is a stage for change.
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Harris Dickinson debuts as Rhode’s first male model in new Glazing Mist campaign
Rhode, Hailey Bieber’s rapidly growing skincare label, has chosen Babygirl actor Harris Dickinson as the face of its new product, the Glazing Mist. Known for his understated performances and growing fashion presence, Dickinson is the first male model to front a campaign for the brand. The new mist, priced at £24 (₹2,520), goes live on 24 June exclusively at rhodeskin.com.
A surprising choice that feels just right
The campaign, shot in stark black-and-white, features close-up visuals of Dickinson misting his face with the Glazing Mist, designed to refresh skin and deliver a natural glow. With ingredients like ectoin, ceramides, and magnolia extract, the formula offers both hydration and barrier support. It has also earned a stamp of approval from the National Eczema Association.
Hailey Bieber explained her choice simply: she watched Babygirl, loved Dickinson’s performance, and sensed he could bring the kind of quiet edge she wanted. “I didn’t want it to feel too ‘on-the-nose’ with the film,” she said. “It had to be chic and sporty.” The internet, however, couldn’t resist the connection to Dickinson’s now-infamous milk scene in the film, and fans were quick to point out how the dewy mist echoed that very vibe.
Rhode expands, without changing its DNA
Since its 2022 launch, Rhode has stood out for sleek, limited product drops and a focused digital presence. Its recent £790 million (₹82,950 crore) acquisition by e.l.f. Beauty has only amplified interest in where the brand goes next. While introducing a male face might suggest a shift, Bieber was clear: this isn’t about launching a men’s line but widening the brand’s appeal. “I want everyone to see themselves in Rhode,” she said.
Dickinson’s inclusion reflects a subtle repositioning. Best known for roles in Beach Rats, Triangle of Sadness, and now Babygirl, he has also been a regular in fashion, working with Dior and Loewe.
With this campaign, Rhode continues to evolve clearly, without losing the minimalist identity that made it stand out in the first place.
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HBO’s Harry Potter reboot slammed for casting Italian actress as Indian character Parvati Patil
HBO’s upcoming Harry Potter reboot is already under fire, this time for casting Italian actress Alessia Leoni as Parvati Patil, a character rooted in Indian culture. The announcement has triggered widespread backlash from fans who accuse the makers of side-lining authentic South Asian representation in favour of what many see as surface-level diversity.
Parvati, originally portrayed by Shefali Chowdhury in the films, is one of the few explicitly Indian characters in the Harry Potter universe. The decision to cast someone with no clear Indian heritage has led to heated discussions across platforms like Reddit and X, with fans calling out what they perceive as performative inclusivity.
Fans question why Indian talent was overlooked again
Many online comments have shared similar frustrations: that casting a brown-skinned actor is not the same as casting someone of Indian origin. “They just picked someone who looks brown and called it a day,” one Redditor commented. Another added, “Parvati is not just a name, it’s a direct reference to Hindu culture. It deserved more thought.”
This is not the first controversy to hit the reboot. Earlier announcements like casting Paapa Essiedu as Snape and Arabella Stanton as Hermione also drew criticism from those who felt the series was playing fast and loose with established character identities. Supporters of accurate representation argue that while the intent may be diversity, the execution often feels tokenistic.
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Adding fuel to the fire is the casting history of the original films, where British-Bangladeshi actors Shefali Chowdhury and Afshan Azad played the Patil twins after being discovered through grassroots-level auditions. That sense of grounded authenticity, fans argue, is missing in the current reboot.
HBO's broader casting choices also under scrutiny
Alongside Leoni, HBO announced several other cast members: Katherine Parkinson as Molly Weasley, Lox Pratt as Draco Malfoy, Johnny Flynn as Lucius Malfoy, Leo Earley as Seamus Finnigan, Sienna Moosah as Lavender Brown, Bel Powley and Daniel Rigby as the Dursleys, and Bertie Carvel as Cornelius Fudge.
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The series, hoped to be a faithful adaptation of J.K. Rowling’s books, is scheduled to premiere in 2026. But with these early casting calls, many longtime fans feel HBO is missing the mark on cultural nuance—and all this before a single spell has been cast on screen.
ChatGPT has experienced a significant outage, with OpenAI confirming widespread service disruptions affecting users. The chatbot, known for generating human-like responses and assisting with various queries, has grown rapidly since its launch in November 2022, becoming a widely used AI tool with approximately 500 million users globally.
The issue was first investigated at 7:36 am on Tuesday, with OpenAI later acknowledging the problem on its website at 11:30 am, stating: "Some users are experiencing elevated error rates and latency across the listed services. We are continuing to investigate this issue."
OpenAI addresses technical failure
Two hours after its initial statement, OpenAI reported that the root cause of the outage had been identified and that work was underway to implement a fix.
During the disruption, users encountered various error messages, including "Hmmm... something seems to have gone wrong," while others saw notifications stating "A network error occurred. Please check your connection and try again."
Many users also complained of longer response times, making interactions with the chatbot frustrating.
A growing AI powerhouse
OpenAI, currently valued at $300 billion, is among the world’s most valuable private companies. The firm reported in February 2025 that it had more than 400 million weekly active users, including 10 million paying subscribers on ChatGPT Plus.
Recently, OpenAI launched GPT-4o, an AI image-generation feature, which became available to free-tier users.
AI’s increasing role in society
The rise of AI has sparked ongoing debates about its impact on society. While some argue that it enhances efficiency by reducing time-consuming tasks, others worry that it could replace jobs and profit from human creativity.
There has also been concern over AI use in education, with reports of students using platforms like ChatGPT to assist with school and university work, raising academic integrity issues.
Preparing for an AI-driven future
On Tuesday, Prime Minister Sir Keir Starmer announced new educational initiatives aimed at equipping secondary school students with AI-related skills to help them secure jobs in the evolving digital economy.
According to research by the Department for Science, Innovation and Technology (DSIT), AI is projected to play a role in the jobs of around 10 million workers by 2035.
OpenAI continues to monitor the situation as it works on restoring ChatGPT's services for its global user base.
The tense deliberations in Harvey Weinstein’s New York sex crimes retrial have descended into open conflict. Jurors are reportedly attacking each other, pressuring hold-outs, and improperly considering the disgraced movie mogul’s notorious past, information explicitly banned from their discussions. This internal strife forced the jury foreperson to urgently alert the judge on Monday morning about a “situation which isn’t very good”, casting serious doubt on their ability to reach a fair verdict.
Infighting and forbidden arguments taint deliberations
According to a court transcript, the foreperson painted a grim picture for Judge Curtis Farber. Jurors are “not on the same page”, with some actively “attacking” others in a bid to change minds. Crucially, they are “pushing people” by bringing up Weinstein’s public history, details not presented as evidence during this specific trial.
As per reports, Jurors are in a heated debate during Weinstein retrial deliberationsGetty Images
This is similar to the earlier “playground stuff” reported last week, where one young juror felt unfairly “shunned” and questioned the fairness of the process, though the judge kept him on the panel. The jury itself signalled deep divisions, requesting a reread of “reasonable doubt” rules and guidance on “avoiding a hung jury”.
Mistrial denied, but jury reminded “Stick to the evidence”
Weinstein’s lawyers, citing a “tainted” and “runaway jury”, immediately seized on the turmoil to demand a mistrial. Defence attorney Arthur Aidala argued jurors were “ganging up” and considering “things that were not brought into this trial”. Prosecutors countered that some past context was legally permissible. Judge Farber denied the mistrial but took swift action. He hauled the entire jury back in, sternly instructing them that deliberations must focus only on evidence presented during the retrial concerning the three specific charges, including rape and criminal sex acts involving three women. He reiterated they must disregard anything else they knew about Weinstein.
Weinstein jury divided by heated disputes over forbidden pastGetty Images
The jury ended Monday claiming they were “making progress”, even asking for coffee to fuel further talks and requesting to revisit some testimony. However, the damage from the infighting and forbidden discussions lingers.
Weinstein, 73, already serving a long sentence for a separate California rape conviction, awaits this jury’s verdict on charges stemming from allegations by a former production assistant, an aspiring actress, and a model. This retrial, ordered after his landmark 2020 New York conviction was overturned, remains a critical, though now deeply troubled, chapter in the #MeToo saga he set to fire.