“There are no bad students, only bad teachers,” says Naina Mathur (Rani Mukerji) in Hichki and we quite agree with her. Teachers play a very important part in our lives. It is said that after parents it’s the teachers who are responsible for the development of a child’s personality. We often forget our teachers, but time and again Bollywood has reminded us of the importance of a teacher in our lives.
Today, let’s look at the list of Bollywood films that were a perfect tribute to teachers…
Black
A Teacher is not someone who just teaches us in school, but also someone who teaches us how to live life. In Sanjay Leela Bhansali’s Black, Amitabh Bachchan played a teacher to Rani Mukerji’s character who is blind, deaf and mute in the film. The movie beautifully showcased how Big B’s character trains a blind, deaf and mute girl who one day she becomes a graduate.
Taare Zameen Par
We all had a teacher who knew are strengths and weaknesses. While of course getting good marks was important, that teacher always pushed us to do what we were good at. Ram Shankar Nikumbh (Aamir Khan) from Taare Zameen Par reminded us of that teacher. He very well understood the strength of Ishaan (Darsheel Safary) and explained to his parents that their kid suffers from dyslexia.
Chalk N Duster
Many of you might have not seen this movie, but Chalk N Duster is a perfect tribute to our teachers. It showcased the harsh reality of money-minded education system and Shabana Azmi and Juhi Chawla gave fantastic performances in it. After watching this movie, we are sure each and everyone will call their teachers.
Hichki
A teacher suffering from Tourette Syndrome, well something that is quite difficult to digest. But as Rani aka Naina ma’am says, ‘Tourette is in my speech, not in my intellect.’ Well, Hichki was not just about a girl overcoming her weaknesses but it also showcased a beautiful relationship that a teacher shares with her students.
Super 30
Last in the list, we have Super 30 which is based on the life of Anand Kumar. He is truly an inspirational figure and watching his story on the big screen was an amazing experience. Hrithik portrayed the role of Anand Kumar to T in the film.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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