Swimming pool safety tips that parents can't afford to ignore
13 people have drowned in rivers and lakes from the time the heatwave started on July 8th.
By Kimberly RodriguesJul 30, 2022
In the UK, drowning ranks third in accidental deaths in children under the age of 5, states Water Babies, the world's biggest, most professional baby and toddler swimming programme in the UK.
Also, each year in the UK, people die from the dangers of swimming, especially during summertime and when the temperatures rise, reports The Sun.
According to the Royal Society for the Prevention of Accidents (RoSPA) 30 children under the age of 10 have reportedly drowned in holiday swimming pools abroad, over the last six years.
Therefore, since children can even drown in less than one inch of water, experts have warned that it is extremely important for parents and caregivers to be extra vigilant at home, while on vacation, around the pool or when near a lake or while visiting the ocean.
From the time when the heatwave started in the UK, on July 8, 13 people have reportedly drowned in rivers and lakes, reports The Sun.
First aiders warn that in order to protect your child from danger, you should be mindful when dressing them for the pool. Parents taking their babies swimming on holiday this summer have also been urged to use one simple trick to be able to spot their baby easily, in case of any crisis situation.
Posting to Tiny Hearts Education, former paramedic and CEO Nikki Jurcutz is reported to have said, "Always put your little one in bright or contrasting colours that would be easy to find in an emergency.
"It only takes 20 seconds to drown, little tips like this could save a life," she told The Sun.
Her post was accompanied by a short video clip showing 2 different baby grow garments (a white one and a dark-coloured one). The message was clear – the white garment was harder to detect (against the tiles of the pool) while the dark one was easy to spot if the unthinkable were to occur.
Speaking about the video Nikki added: "I wanted to demonstrate why the colour of your little one's swimwear is so important, look how easily this could be missed - go for bright or contrasting colours."
This means you should also avoid blue swimwear as the tiles of many pools are this shade.
Babies and toddlers are most at risk when it comes to drowning, say experts at RoSPA.
According to them, this is because parents don’t notice when their toddlers wander off and fall into a pool that may be unsupervised.
RoSPA is quoted as saying, “Drowning children don't cry out for help and wave to be rescued - they disappear under the surface – often unseen and unheard.”
Therefore, parents are advised to always check the safety arrangements. "Adults need to be vigilant whenever a child is in or near a pool," said the experts.
A safety checklist includes the following:
A lifeguard and safety barriers around the pool area
Teaching your child never to swim alone – before going on any trip
Being cautious about booking holiday homes/villas that don’t have safety fencing
Choosing pools that are fenced with locking gates
Ensuring you actively supervise your child near water
Checking the surrounding area for any slippery surfaces
Knowing where the deep end of the pool is and also checking for any cracked tiles
Being aware that float jackets and floatation devices cannot be relied upon, and not leaving your child unsupervised near a pool or any water body
Keeping a close and watchful eye on your child even if there is a lifeguard around
The Sun reports that taking a child's first aid course and learning resuscitation is a great way to make sure you can respond in an emergency.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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