Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
A MAN suspected of stabbing Bollywood actor Saif Ali Khan has been detained at Durg railway station in Chhattisgarh. Police caught 31-year-old Aakash Kailash Kannojia travelling without a ticket on the Mumbai-Howrah Express, following a tip-off from Mumbai Police.
Railway Protection Force officers spotted Kannojia in a general compartment after receiving his photo and train details from Mumbai investigators. According to reports, a Mumbai Police team is heading to Durg to confirm if he is the man who attacked Khan at his Bandra home on Thursday (16) morning.
The suspect matches CCTV footage that shows an intruder wearing a red scarf and carrying a backpack in Khan's building. The same man was later spotted at Bandra and Dadar railway stations in Mumbai.
Khan, 54, suffered six stab wounds in the attack, including serious injuries to his neck and spine. He was rushed to Lilavati Hospital by autorickshaw, where doctors performed a five-hour emergency operation to remove a 2.5-inch broken knife blade from his spine. The actor received 20 stitches for wounds that included two deep cuts to his neck and hand.
His wife, actress Kareena Kapoor Khan, witnessed the attack and told police she saw the intruder stab her husband repeatedly before fleeing without taking any valuables.
She later sought refuge at her sister's house, saying she was terrified after the incident.
Hospital chief Dr Niraj Uttamani praised Khan's courage, noting that the actor walked into the hospital despite his severe injuries.
By Friday (17), Khan had improved enough to move from intensive care to a private room, with doctors expecting him to return home by Monday (20).
Maharashtra state home minister Yogesh Kadam said the attack appeared to be an attempted robbery, ruling out any underworld connections. More than 30 police teams were involved in tracking down the suspect.
Earlier, police had questioned and cleared a carpenter who had worked at Khan's flat two days before the attack. Khan lives in an upscale Bandra apartment with his wife and their two sons.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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