Remains found in Slough park identified as Asian man
By Nick ClarkJul 26, 2024
The man whose remains were found in Herschel Park, Slough was a homeless person who had been known to sleep rough there, the LDRS has learned.
Karandeep Singh’s remains were discovered in the park on 7 July this year – more than two years after he was reported missing.
Homelessness charity Slough Outreach told the LDRS they knew Singh and that he had slept in Herschel Park before going missing. Charity founder Shin Dhother said: “I knew him really well. He was sleeping in Herschel Park.
“He lost his job and his construction workers’ licence. He was really, really upset about it and was just drinking himself to death. He was put up in a B&B during Covid but then he lost it.”
Slough Borough Council has confirmed Singh was known to its rough sleeping team when officers first found him sleeping rough in Herschel Park in February 2021 after he moved from Birmingham.
The spokesperson also confirmed Slough Borough Council had provided him B&B accommodation during the coronavirus lockdown, but lost contact with him after June 2021.
The spokesperson said: “He started coming to Slough in January 2021 staying with a friend while looking for a job, who could not accommodate him any longer because it was a one-bedroom property.
“On 19 February 2021, he was placed in accommodation in a B&B by the team under the Covid response, which was available for him until 30 June 2021, when Covid restrictions had been lifted.
“During his stay in accommodation, he did not engage with any of the available services. Since the end of June 2021, there has been no further contact and he had not been seen or found sleeping rough in Slough.”
Singh’s remains were discovered close to where homeless people have been camping in a wooded area of the park. Dhother says the people living there were the ones who found Singh’s remains – but had not been living there when he went missing.
Slough Borough Council says it drafts support plans for all cases of rough sleepers. This can include support with employment, immigration, drug and alcohol use, GP services, and severe weather accommodation.
It confirmed it had offered support to five people found camping near where Singh’s remains were discovered, but that it would also ‘seek their removal from the park’.
The spokesperson said: “The Rough Sleeping Team has been working very hard to support those sleeping rough in Herschel Park, offering accommodation to those eligible within the borough of Slough. There have not been any accommodation offers outside of the borough.”
Thames Valley Police has been contacted for comment.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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