Satyajit Ray was a "renaissance man” and it will be a great honour to receive a lifetime achievement award named after the Pather Panchali filmmaker, Hollywood star Michael Douglas said on Monday.
Douglas will be felicitated with the Satyajit Ray Lifetime Achievement Award during the concluding ceremony of the International Film Festival of India here.
The actor, accompanied by his actor-wife Catherine Zeta-Jones, walked the red carpet at the festival on Monday.
"Thank you all for being here since it is an honour for Catherine and I and our son. Our family loves India. This is our fourth visit, the first three times it was in North and now we have the pleasure, the joy and the honour of being here in Goa in the South, very grateful to IFFI to get this wonderful honour,” he said.
The 79-year-old actor said he had read the history of Satyajit Ray back in college in the 1960s while taking a film class. He became aware of some of the filmmaker's work as well during that time.
“I think, he (Ray) sort of created, not the beginning of the Indian films but the idea of multiple jobs. He did so many things as an author, musician and editor as well as a director. So it's a tremendous honour to receive this award and see the other people that have received it before,” the actor said.
Douglas said that when he heard about the award, he and his family were very happy. “They were happy for me... One day all of a sudden, it's a career life achievement,” he said.
The actor said as an American actor it was a joy to be in India and have a familiarity with people.
The eldest son of actor Kirk Douglas, the actor has won multiple awards including two Oscars, five Golden Globe trophies as well as Cecil B DeMille award.
He is most famous for his roles in films such as Wall Street, Fatal Attraction, The War of the Roses, Basic Instinct, The American President and Wonder Boys.
Douglas on Monday said it took a long time for him to move out of the shadow of his father, veteran actor late Kirk Douglas.
"In the beginning of his career, he was playing a young man and they didn't really work until his, maybe a sixth or seventh movie called Champion. In 1950, he was nominated for an Academy Award. He played a nasty fighter and then that dark side, that nasty side of him, sort of changed his whole direction and perspective of working," the actor said recalling his father's career trajectory.
Similarly, for him, Douglas said he was playing softer kind of roles.
The actor said his father was always very supportive of him.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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