Sadiq Khan announces £3.5m+ towards free holiday meals for low-income Londoners
London’s largest food redistribution charity, The Felix Project, has been awarded £2.4m as part of an emergency funding package of over £3.5m announced by Khan
The Mayor of London Sadiq Khan today (29) announced emergency funding of over £3.5m to provide 10m free meals to low-income Londoners during school holidays and weekends, expanding the work of the Mayor’s Fund for London and The Felix Project to reach hundreds of thousands of struggling families and children with nutritious meals over the next year.
This new funding follows the mayor’s recent announcement of £130m emergency funding for free school meals for primary school children in London due to the high cost of living, a press release stated.
London's largest food redistribution charity, The Felix Project, has been awarded £2.4m as part of an emergency funding package of over £3.5m announced by Khan.
The funding will help The Felix Project expand its work and deliver free nutritious meals to struggling families and children in need.
The Mayor's Fund for London, an independent charity that champions opportunities for young Londoners, will also benefit from the funding. The mayor is its patron and the charity will use the money to support thousands of 4–25-year-olds with access to food, wellbeing, education, and employment experiences.
According to recent Greater London Authority (GLA) polling, half of Londoners are struggling financially, and Khan has repeatedly urged the government to address the rising cost of living and the issue of children going hungry during school holidays.
This funding will support charities, schools, and grassroots organisations in delivering holiday food and activity programmes throughout London for children and parents of all ages who are most in need.
The Mayor's Fund offers free, nutritious meals to low-income families and young people through over 340 community partners and 80 hubs, where food is provided alongside various school holiday activities.
On the other hand, the Felix Project collects surplus food from multiple suppliers and distributes it to almost 1,000 charitable organisations and schools that support the needy.
An additional amount of £425,000 is being granted to The Felix Project to enhance its capabilities and facilitate food delivery on Saturdays, in addition to weekdays, throughout the entire year.
This expansion will enable around 100 new charitable organisations on their waiting list to receive food supplies, and support The Felix Project in delivering an extra 20 tonnes of food every weekend.
As a result, approximately 2.5-3m meals can be produced over the next year. The funding is expected to assist the charities in reaching the most vulnerable individuals in London.
However, the Mayor emphasises that the Government should also come forward with funding to ensure that even more children across the country can access free school meals during the holidays.
According to Khan, low-income individuals in London are being disproportionately impacted by the rising cost of living, and it is distressing that numerous people are struggling to afford food.
He said, “I have repeatedly called on the Government to do more to help those in need and support families during the school holidays, but they have not provided the assistance that is urgently needed. That’s why I’m stepping in today with a major new emergency funding package that will provide around 10m free holiday meals to hundreds of thousands of Londoners most in need.”
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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