Ricky Kej on his album Divine Tides competing at the Grammy Awards 2023: ‘I wasn’t anticipating it at all’
Other musicians competing at the Grammy Awards 2023 include Anita Brevik, Christina Aguilera, Jane Ira Bloom, Nidarosdomens Jenteko & Trondheimsolistene, and The Chainsmokers.
Ricky Kej, who has several feature films, albums, and over two thousand commercials to his credit, is on cloud nine these days as he has been nominated for his album Divine Tides in the Best Immersive Audio Album category for the 2023 Grammy Awards. The 41-year-old musician already has one Grammy Award under his belt. He won it in 2015 for his album Winds of Samsara.
Sharing his excitement over getting nominated for the prestigious award one more time, Kej says, “I was not anticipating it at all. I got a call last night (15th November) around 12 when the announcement was made. I started getting a lot of calls from Los Angeles when I realised that I have been nominated for a Grammy.”
The music composer reveals that preparations have already begun for his trip to the US for the award ceremony scheduled to take place in February 2023. “After I got to know that I have been nominated, the first thing that I did was get up and call Stewart Copeland (his collaborator and founder and drummer of the rock band The Police). Then I immediately booked my hotel. I have been going to the Grammys for the last eight years, and the one thing I have learned from that experience is that hotels in LA run out during those days,” he adds.
Other musicians that Kej and Copeland are competing against at the Grammy Awards 2023 include Anita Brevik, Christina Aguilera, Jane Ira Bloom, Nidarosdomens Jenteko & Trondheimsolistene, and The Chainsmokers.
Kej goes on to add, “From the ground up, we had envisioned this album as an immersive album, with music which transports people to different places, and evokes positive emotions. To be recognised with this particular category is quite amazing. And the other nominees in this category are Christina Aguilera and The Chainsmokers, who are one of the biggest acts in the world. It is pretty amazing to be nominated alongside them. We are competing against mainstream artists. Ours is a completely Indian album, with completely Indian music. The soul of the album is North Indian and South Indian with classical influences. It does feel quite amazing that an Indian album is actually competing with mainstream Western music.”
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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