Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Rashmika Mandanna to star opposite Allu Arjun in Atlee’s big-budget sci-fi project AA22xA6.
The film already features Deepika Padukone, Janhvi Kapoor, and Mrunal Thakur.
Rashmika has completed a look test and body scan in Los Angeles.
Film to release in multiple languages by late 2026 or early 2027.
Rashmika Mandanna is officially part of director Atlee’s highly ambitious sci-fi feature, tentatively titled AA22xA6. With Allu Arjun headlining the project, the casting of Rashmika not only reunites the Pushpa duo but also strengthens what is being called one of the biggest star ensembles in Indian cinema today. The Sun Pictures production already boasts names like Deepika Padukone, Janhvi Kapoor, and Mrunal Thakur, and now Rashmika’s addition has significantly heightened the buzz.
Director Atlee and Allu Arjun brainstorm futuristic concepts with top Hollywood VFX studios in LA Youtube Screengrab
Rashmika Mandanna signs on for her boldest role yet
According to insiders from the production team, Rashmika was approached by Atlee earlier this year and has since completed her look test and digital body scan in Los Angeles. Her role is described as one of the most challenging and distinctive of her career. The film's makers are reportedly working on extensive pre-production tailored to her character, hinting at an unconventional arc that moves far away from her previous on-screen avatars.
This marks Rashmika’s second collaboration with Allu Arjun after the massive success of the Pushpa franchise. However, sources close to the film insist that their dynamic in AA22xA6 will offer audiences something completely new.
Allu Arjun and Rashmika Mandanna attend a promotional event of their upcoming Indian film 'Pushpa 2: The Rule' Getty Images
AA22xA6 to explore dual universes and advanced VFX
The project is being mounted on a scale rarely seen in Indian filmmaking. Atlee, who last directed Jawan with Shah Rukh Khan, is said to be drawing inspiration from global visual spectacles like Avatar, crafting a narrative that unfolds across two distinct universes.
Backed by Sun Pictures, the film leans heavily on visual storytelling, with AI-driven VFX and futuristic world-building at its core. The director has reportedly insisted on running post-production in parallel with the shooting schedule to give actors real-time feedback on scenes involving heavy CGI.
Atlee\u2019s and Allu Arjun's\u00a0next promises a grand visual universe with cutting-edge VFX Instagram/filmybaapofficial
Star-studded cast, global ambitions
What sets AA22xA6 apart is its ensemble. Deepika Padukone was the first female lead to be confirmed, followed by industry buzz around Janhvi Kapoor and Mrunal Thakur. Rashmika’s entry adds further star power, and there’s talk of a fifth female lead also being finalised soon.
Sun Pictures plans to release the film globally in multiple languages, with a theatrical launch expected either by late 2026 or early 2027. The film is currently in production, and the makers are expected to drop a visually striking teaser later this year to kick off their promotional campaign.
Director Atlee guides Deepika through motion capture choreography Youtube Screengrab/Sun TV
What this means for Rashmika and Allu Arjun
Both Rashmika and Allu Arjun are riding high after the record-breaking success of Pushpa 2: The Rule. While Allu is already a pan-India name, Rashmika’s popularity has been steadily rising across Hindi and South Indian markets. This film gives them a fresh canvas to explore a new on-screen equation and further expand their reach among global audiences.
As anticipation builds for AA22xA6, all eyes will be on how Atlee brings together this megastar cast for what could potentially be a landmark moment in Indian science fiction cinema.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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