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Rashford mural vandalism 'not of racial nature', says police

Rashford mural vandalism 'not of racial nature', says police

POLICE said vandalism that was sprayed on a mural of Marcus Rashford in Withington where he grew up, is "not believed to be of a racial nature".

The mural work in his hometown was defaced following England's defeat to Italy in Euro 2020 final, where the striker missed a penalty.


The BBC reports that the officers are "keeping an open mind" about the possible motive. However, after the vandalism, the defaced mural was covered in positive messages and later restored by street artist Akse.

Officers from Greater Manchester Police said no arrests have been made and they were examining CCTV footage from the area and forensic evidence from the spray used.

"While the content of the vandalism is not believed to be of a racial nature, officers are keeping an open mind as to the motive behind defacing the artwork," a police spokesperson was quoted as saying.

Hundreds gathered on the side of the Coffee House Cafe on Copson Street where the artwork is painted and left heartfelt notes.

Ed Wellard, who commissioned the mural, said the notes would be "retained, recorded and if possible displayed".

The artwork was defaced with several swear words shortly after Rashford missed a penalty in the Euro 2020 final, along with Jadon Sancho and Bukayo Saka.

All three players were targeted with racist abuse on social media following the match.

Rashford said he was "lost for words" when hundreds also gathered for an anti-racism demonstration at the mural on Tuesday (13) evening.

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‘Maybe Happy Ending’ wins six Tony Awards as Korean musical makes Broadway history

South Korea just scored a historic milestone at the Tony Awards, with the musical Maybe Happy Ending bagging six trophies, including Best Musical and Best Lead Actor. The show, centred on two ageing helper robots living on the edge of Seoul, left the awards night buzzing. Korean entertainment, long a force in film, television, and music, is now making serious inroads into Western theatre too.


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Maybe Happy Ending wasn’t always destined for the bright lights of Broadway. It first opened in a small Seoul theatre in 2016, a result of a local arts foundation’s programme. Co-created by South Korean lyricist Hue Park and American composer Will Aronson, the story explores loneliness, connection, and memory through the eyes of obsolete robots. Written in both Korean and English, the piece has been reimagined several times since its debut.

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While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.


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With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.

The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.


As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.

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