7 rising south Indian stars who are shaping the future of cinema
Divyabharathi, Meenakshi Chaudhary and Naslen K Gafoor
By George AFeb 14, 2025
SOUTH Indian cinema has many exciting talents who will shine even brighter in the future. Here are some of the standout stars to watch.
Meenakshi Chaudhary: The rising star in Tollywood is gaining attention. Her role in Lucky Bhaskar marked a turning point, earning praise from critics and audiences. This delightful performance brought her to the attention of top directors and opened doors to bigger roles. She also received recognition for her work in Sankranthiki Vasthunnam. Up next, she stars alongside Naveen Polishetty in Anaganaga Oka Raju.
Mamitha Baiju: Anyone who has watched Super Sharanya will remember her as Sona Thomas. She gained even more recognition with Premalu, where she delivered an endearing performance and earned a dedicated fan base. Her upcoming projects include major Kollywood films like Jana Nayagan with Thalapathy Vijay, further cementing her status as an actress to watch. Given her trajectory, she is well on her way to becoming a leading name in south Indian cinema.
Naslen K Gafoor: The actor began his journey with Thanneer Mathan Dinangal, making an instant impact. He followed it up with notable roles in Kuruthi, Home, and Super Sharanya. His career took a leap in 2024 with Premalu, directed by Girish AD, and he also appeared in I Am Kathalan. His upcoming film, Alappuzha Gymkhana, will see him in a sports drama. With a growing body of work, he is shaping up to be a key talent in Malayalam cinema.
Harish Kalyan: After making his debut in 2010, he has risen through the ranks with powerful and relatable performances. His breakthrough came with Poriyaalan, where he played an ambitious civil engineer caught in a real estate scam, proving his ability to handle complex roles. He continued to showcase his range in Pyaar Prema Kaadhal, Ispade Rajavum Idhaya Raniyum, and DharalaPrabhu,each adding to his versatility. In Parking, he explored the nuances of male ego with intensity, while Lubber Panthu highlighted his ease in a rural setting. With each role, he brings a quiet charm that makes his performances stand out.
Manikandan: The talented actor gained recognition as Rajakannu in Jai Bhim. While this role introduced him to the industry, his performances in Good Night and Lover connected more with audiences. These films depicted everyday struggles in a relatable way – Good Night focused on Mohan’s snoring problem, affecting his personal life, while Lover explored Arun’s troubled past and its impact on relationships. Manikandan consistently chooses roles that reflect ordinary people and their challenges. He returned to familiar ground as Naveen in Kudumbasthan and continues his success streak with three consecutive hits, proving he is an actor audiences can rely on.
Ashok Selvan: He made his mark with an acclaimed performance in Soodhu Kavvum (2013), playing an unemployed graduate. Since then, he has chosen roles that prioritise depth over mass appeal. He has taken on varied characters in Thegidi, Oh MyKadavule, and Sila Nerangalil Sila Manidhargal. His role as a cop in Por Thozhil stood out, and the film became one of the year’s best. Selvan is part of a new wave of Tamil actors moving beyond traditional hero roles, taking on characters that challenge both him and the audience.
Divyabharathi: She made an award-winning lead debut in Bachelor (2021) alongside GV Prakash Kumar. Despite her undeniable talent and screen presence, she has not been as active in signing films. Whether due to a lack of strong opportunities or her own decision to be selective, it feels like the industry has yet to fully utilise her potential. With the right roles, she could easily make a bigger mark. She is currently set to star in Kingston, a big-budget fantasy film directed by Kamal Prakash, alongside GV Prakash Kumar. This project could be a major opportunity to further showcase her versatility.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.