Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Rajkummar Rao confirms he will play Sourav Ganguly in the cricketer’s biopic.
Says he is “nervous” but excited to take on the role of the former India captain.
Ganguly has personally backed the casting, calling Rao “the right person” for the role.
Film to begin shooting in January 2026, with a planned December 2026 release.
Rajkummar Rao is set to portray Sourav Ganguly in the highly awaited biopic on the former Indian cricket captain. The actor confirmed the casting in a recent interview, officially putting to rest months of speculation.
“Now that Dada has already said it, let me also make it official, yes, I am playing him,” Rao shared. Admitting he feels “nervous” about doing justice to such a towering personality, he added, “It’s a huge responsibility, but it’s going to be a lot of fun.”
Rajkummar Rao and Sourav Ganguly pictured side by side as biopic casting is confirmedGetty Images
Rajkummar Rao on taking up the challenge of playing Ganguly
Rao, who recently starred in Mr. & Mrs. Mahi, is no stranger to biographical roles, having played figures like Shahid Azmi and Srikanth Bolla. Yet, stepping into the shoes of Sourav Ganguly, one of India’s most influential captains, is a different kind of pressure altogether.
The Stree actor shared that he has been learning Bengali over time, thanks to his wife Patralekhaa, and is confident about mastering the accent for the film. “Getting the nuances right is important when you're playing a living legend,” he said.
Rao prepares for the role of a lifetime as cricket legend Ganguly Getty Images
Sourav Ganguly backs Rao’s casting; filming begins in 2026
Sourav Ganguly, who led India from 2000 to 2005 and scored over 18,000 international runs, had already hinted at Rao’s involvement earlier this year. Speaking to PTI, he said, “Rajkummar has been locked for the film. I don’t think anyone else can play me better than him.”
Sourav Ganguly of India pictured during the 1999/2000 tour of AustraliaGetty Images
Directed by Vikramaditya Motwane and produced by Luv Films, the untitled biopic will begin shooting in January 2026, with a theatrical release planned for December that year. Ganguly is reportedly involved in the script and creative development as well.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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