The makers of Fawad Khan and Sanam Saeed's upcoming series Barzakh raised the curtain on the official poster of the series ahead of its global premiere at the Series Mania festival in France. A Zindagi Original, the Pakistani show is directed by Asim Abbasi of Churails and produced by Shailja Kejriwal.
The series will see Fawad, one of the most popular actors in the sub-continent, in the role of a single parent battling guilt and loss. Sanam plays the central female character who is mysterious as well as compassionate in the show which blends together magical realism and supernatural fantasy within a family reunion setting and deals with themes of love, loss, and reconciliation.
Barzakh, which translates as 'obstacle' or 'purgatory', will be screened as part of the International Panorama line-up, a 12-title competitive section, and is also nominated in several categories such as Best Series, Best Director, Best Actress, Best Actor as well as the Student Jury award and the Audience award.
"Coinciding with our Series Mania premiere, our poster that we now reveal to the world offers an early glimpse into what can be expected from the series - abstract beauty and ambiguity that reflects the complexities in navigating human relationships in a post-modern world," Khan said in a statement.
Saeed, who earlier worked with Khan in the popular Pakistani drama Zindagi Gulzar Hai, said it feels surreal to attend the Series Mania festival.
"Barzakh is a story that I connected with from the minute I heard it and in Asim Abbasi’s hands, it’s been crafted into a moving, beautiful series that will renew our faith in love and life. It’s what led me to not only take on the challenging role but also made me look at life in a different light. It is very different from what we have seen on screen and all the actors have performed extremely different diverse roles," she added.
According to Abbasi, Barzakh explores the themes of love and memory.
"We wanted a visual that represented love in its eternal manifestation, but, which like memory, also had a fleeting, ephemeral quality about – like time slipping by and evaporating around us, leaving behind a distant, but vivid, memory of the moment it all began," he said.
Producer Kejriwal said Barzakh is the first ever Indo-Pak cross-border series to premiere on a global stage.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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