Gayathri Kallukaran is a Junior Journalist with Eastern Eye. She has a Master’s degree in Journalism and Mass Communication from St. Paul’s College, Bengaluru, and brings over five years of experience in content creation, including two years in digital journalism. She covers stories across culture, lifestyle, travel, health, and technology, with a creative yet fact-driven approach to reporting. Known for her sensitivity towards human interest narratives, Gayathri’s storytelling often aims to inform, inspire, and empower. Her journey began as a layout designer and reporter for her college’s daily newsletter, where she also contributed short films and editorial features. Since then, she has worked with platforms like FWD Media, Pepper Content, and Petrons.com, where several of her interviews and features have gained spotlight recognition. Fluent in English, Malayalam, Tamil, and Hindi, she writes in English and Malayalam, continuing to explore inclusive, people-focused storytelling in the digital space.
Crowd control concerns led to the early closure of one of the main stages at the Parklife festival on its final day, prompting the cancellation of two anticipated DJ performances. The Matinee stage at Manchester’s Heaton Park was closed on Sunday evening, 15 June, after organisers acted on safety advice from their event team.
Attendees were instructed to leave the area as the show was paused. Later in the evening, festival organisers confirmed that the stage would remain shut for the rest of the night.
Josh Baker and Chris Stussy unable to perform
Local DJ Josh Baker and Danish artist Chris Stussy were both scheduled to perform at the Matinee stage. Baker, who was due to play from 6.30pm to 8pm, shared a message on Instagram, saying: “Unfortunately, I will not be performing at Parklife due to reasons outside of my control. I deeply apologise. I can't really put into words what today was going to mean for me.”
Chris Stussy had been due to headline the stage with a three-hour set from 8pm to 11pm. He also addressed the cancellation on Instagram, saying he was “really gutted” and emphasised that “safety comes first,” noting the stage was shut due to overcrowding.
Festival issues official statement
An in-app message from the Parklife festival initially alerted attendees that the Matinee stage show had been paused, with further updates to follow. A full statement later explained the rationale behind the decision.
Festival organisers confirmed that the stage would remain shut for the rest of the night.Manchester News
“As a result of crowd movement at the Matinee Stage and on the advice of our safety team to remove the risk of any potential incidents, Parklife made the decision to close the stage for the remainder of the final day of the festival,” said a spokesperson.
Safety prioritised over rescheduling
Organisers added that it was not feasible to move the affected performances to another venue within the festival grounds. “Unfortunately it has been impossible to relocate Josh Baker’s and Chris Stussy’s performances to a new stage,” the statement said. “The safety of our festival attendees is always our utmost priority.”
Despite the disruption at the Matinee stage, the rest of the Parklife festival continued as scheduled, and no injuries were reported in connection with the incident.
New Elizabeth Taylor Chocolate Martini debuts at Tryst Puerto Vallarta.
£0.80 ($1) from each sale goes to The Elizabeth Taylor AIDS Foundation (ETAF).
Inspired by a drink created by Elizabeth Taylor and Rock Hudson during the filming of Giant in 1955.
Part of a wider Tryst Hospitality initiative across multiple venues to honour Taylor’s legacy in the fight against HIV/AIDS.
Tryst Hospitality has introduced The Elizabeth Taylor Chocolate Martini at select venues, including Tryst Puerto Vallarta, with proceeds supporting The Elizabeth Taylor AIDS Foundation’s (ETAF) mission to achieve an AIDS-free world. This indulgent cocktail, inspired by a drink Elizabeth Taylor and Rock Hudson created in 1955 while filming Giant, is the latest step in Tryst’s long-standing partnership with ETAF, continuing Taylor’s enduring advocacy for HIV/AIDS awareness and fundraising.
A cocktail with Hollywood history
The Elizabeth Taylor Chocolate Martini blends Tito’s Vodka, Kahlua, and chocolate syrup, shaken over ice and served straight up. Its creation pays homage to Taylor’s iconic Hollywood career and her friendship with Rock Hudson, forged during the making of Giant.
Partnership with The Elizabeth Taylor AIDS Foundation
In collaboration with ETAF, £0.80 ($1) from each martini sold will go towards the charity’s global mission. The Abbey Food & Bar in West Hollywood — a venue Taylor herself visited — has been central to Tryst Hospitality’s relationship with ETAF, hosting events such as The Abbey’s World AIDS Day Tree Lighting.
Expansion across venues
Tryst Hospitality will now extend this fundraising initiative to:
The Abbey and The Chapel at The Abbey (West Hollywood)
The Tryst Puerto Vallarta
The Tryst Fire Island (opening 2026)
The Tryst San Juan (under renovation)
Circo San Juan (opening Autumn 2025)
The Blue Whale and Pavilion (Fire Island Pines)
Each venue will make a guaranteed annual donation to ETAF, regardless of cocktail sales, with matching contributions from featured spirit brands encouraged.
Honouring a legacy
“This cocktail is more than just a toast, it’s a tribute,” said Tristan Schukraft, Founder of Tryst Hospitality. “Elizabeth Taylor talked about AIDS publicly before anyone else would… This is our way of honouring her legacy and continuing the fight to end HIV in America.”
Cathy Brown, Executive Director of ETAF, added: “Elizabeth believed in using every platform to raise awareness and funds for the fight against HIV. This initiative brings her spirit into spaces where community thrives.”
The Elizabeth Taylor Chocolate Martini is now available at participating venues. For more information about ETAF’s work, visitwww.etaf.org.
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The Shree Kutch Satsang Swaminarayan Temple (SKSST) – East London will mark its annual Patotsav – Manthan Mahotsav with a special evening of devotional activities, cultural events, and community spirit on Friday (15).
Members of the Shree Swaminarayan Gadi Parivar UK (SSGP-UK) have confirmed they will attend to show their support and join in the festivities. The programme will begin at 5:30 pm at Swaminarayan Sports World, Blake Hall Road, Wanstead, London E11 2QW. Attendees will be treated to a communal dinner before the India Independence Day celebrations commence at 7:00 pm.
Organisers say the evening will combine traditional religious observances with patriotic pride, offering an opportunity for devotees and the wider community to come together in a spirit of unity and joy. The event is open to all, and guests are encouraged to bring friends and family to share in the celebrations.
Free on-site parking will be available, making it easier for visitors from across London to attend. The organisers look forward to welcoming everyone to what promises to be a memorable and uplifting occasion.
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Seles first began noticing symptoms around five years ago
Nine-time Grand Slam winner Monica Seles diagnosed with myasthenia gravis three years ago
The 51-year-old revealed her condition ahead of this month’s US Open to raise awareness
Disease causes muscle weakness and has no known cure
Former world number one Monica Seles has revealed she was diagnosed with myasthenia gravis, a rare neuromuscular autoimmune disease, three years ago. The 51-year-old, who won nine Grand Slam singles titles, went public ahead of the US Open to raise awareness of the condition, which causes muscle weakness and can affect multiple parts of the body.
Symptoms and diagnosis
Seles first began noticing symptoms around five years ago when she experienced double vision and struggled with coordination. “I would be playing [tennis] with some kids or family members, and I would miss a ball. I was like, ‘Yeah, I see two balls,’” she told the Associated Press. These symptoms eventually led to her diagnosis, which took time for her to come to terms with.
Living with the condition
The former tennis star described the impact of the disease on her daily life as “significant” and said it was initially difficult to discuss openly. Myasthenia gravis currently has no cure, but treatments can help manage its effects. By sharing her experience, Seles hopes to use her platform to educate others.
Career highlights
Seles rose to prominence as a teenager, winning her first Grand Slam at the 1990 French Open aged 16 and claiming eight majors by 19. Her career was interrupted in 1993 when she was stabbed by a spectator during a match in Hamburg. She returned to the sport and won one more Grand Slam before retiring in 2003, having spent 178 weeks as world number one and capturing 53 career titles.
NexGen knee implant linked to high failure rates was used in over 10,000 UK operations.
Concerns flagged as early as 2014; withdrawn from UK market in 2022.
Hundreds of patients required corrective surgery, with costs running into millions.
Manufacturer Zimmer Biomet says patient safety is its “top priority” but will not cover revision costs up front.
Implant used despite early warnings
A knee replacement implant used in thousands of NHS operations was known to have a concerning failure rate eight years before it was withdrawn, a BBC File on 4 Investigates report has found.
The NexGen implant, made by US manufacturer Zimmer Biomet, was fitted in more than 10,000 patients between 2012 and 2022. Concerns were first raised by the National Joint Registry (NJR) in 2014, though insufficient data at the time made it difficult to draw firm conclusions.
The model in question included a modified “stemmed option tibial component” or “tibial tray”, lacking a layer of plastic found in earlier versions. It was marketed as a cheaper alternative for the NHS.
Patients left in pain and needing further surgery
Patients have reported severe complications after their implants slipped out of place, damaging bone and causing lasting mobility issues.
Debbie Booker, from Southampton, experienced severe pain a year after her 2016 surgery, eventually requiring a second knee replacement. She says the failed implant left her addicted to strong painkillers and caused long-term health problems, including the need for a hip replacement.
Another patient, “Diana”, had her implant fitted in 2021. When it slipped and began wearing away her shin bone, her consultant told her she was “standing on a broken leg”.
Surgeons raised repeated concerns
Irish knee surgeon Prof Eric Masterson reported a surge in corrective surgeries after switching to the NexGen implant in 2012. He says his concerns were dismissed by Zimmer Biomet representatives, a view echoed by NHS surgeons.
UK knee specialist Prof Leila Biant said she and colleagues raised warnings as early as 2017, but the company was slow to engage in evaluating affected patients.
Recall and high revision costs
By 2022, NJR data suggested patients with the NexGen implant were almost twice as likely to require corrective surgery compared with the average knee replacement. Zimmer Biomet recalled unused units from the UK market that year.
Studies have estimated failure rates for the tibial tray component between 6% and 19%. Hundreds of patients have undergone revision surgery, with more expected.
Each corrective procedure costs between £10,000 and £30,000, according to Southampton University’s Prof David Barrett, meaning the total bill is likely to run into millions. Zimmer Biomet has told sales staff it will not cover diagnostic, follow-up, or revision costs up front.
Official responses
Zimmer Biomet says it is “committed to the highest standards of patient safety, quality, and transparency” and acts in line with regulations when new data becomes available.
NHS England has confirmed it is “currently reviewing the case involving Zimmer Biomet NexGen knee implants”.
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A growing number of young people are turning away from smartphones
Gen Z is increasingly choosing simpler mobile devices over smartphones to reduce distractions and protect privacy.
The movement is part of a wider ‘retrotech’ revival, including analogue tools like film cameras and paper planners.
Concerns about digital fatigue, constant notifications, and the attention economy are driving the trend.
Many adopt hybrid solutions, pairing basic phones with secondary devices for essential modern functions.
A growing number of young people are turning away from smartphones in favour of simpler devices, such as flip phones and basic handsets, in an effort to reclaim focus, reduce digital distractions, and safeguard privacy. This ‘dumbphone’ revival is gaining traction globally, with the UK seeing its own share of adopters as part of a broader shift towards digital minimalism.
The attention economy backlash
Members of Gen Z, who have grown up with constant connectivity, are increasingly questioning the value of being online around the clock. UK research shows that 69% of people aged 16–21 report feeling worse about themselves after using social media, while nearly half would prefer life without the internet. Similar trends have been observed globally, with surveys showing a decline in average daily social media use among younger users since 2021.
Digital fatigue is often linked to the so-called attention economy – a system in which platforms compete for user time through targeted algorithms and constant notifications. This environment, many argue, fosters anxiety and distraction rather than connection.
Retrotech and Y2K nostalgia
What began as a nostalgic nod to early 2000s devices has evolved into a deliberate lifestyle choice. Flip phones, candy-bar handsets, and minimalist e-ink mobiles are being embraced not only for their retro style but also for their limited functionality. Popular on platforms like TikTok, the trend highlights a desire to break free from the constant prompts and content streams of modern smartphones.
Sales figures reflect the interest. In 2023, global sales of basic phones rose noticeably, with some manufacturers reporting double-digit growth. This resurgence has been accompanied by online communities swapping tips on living without app-driven devices.
The analogue revival
The move away from smartphones often extends into other areas of life. Film cameras, paper notebooks, physical alarm clocks, and stand-alone music players are making a comeback among younger consumers. Many see these tools as a way to regain control over their time, reduce dependence on digital services, and enjoy a more tactile, intentional lifestyle.
In addition to reducing distractions, analogue tools avoid the data collection practices of connected devices. This has made them attractive to those concerned about surveillance and the storage of personal information in the cloud.
Privacy concerns and data control
The shift is also rooted in growing concerns over privacy. In the UK, almost half of adults believe it is impossible to keep personal data safe online. Some young people are responding by choosing devices that operate offline or use open-source software with greater user control.
By moving to basic phones, users reduce the amount of personal information they share with tech companies, while also avoiding the targeted advertising that has become a defining feature of the smartphone era.
Balancing simplicity and modern needs
Completely abandoning a smartphone can be challenging. Navigation apps, mobile banking, and instant messaging are deeply integrated into daily life, making a total switch difficult. Many adopters compromise by using a basic phone for calls and texts, alongside a tablet or minimal-use smartphone for essential online tasks.
Others opt for modified smartphones with restricted features, disabling social media and other time-consuming apps while keeping practical tools like maps or email.
A small but telling shift
While smartphones still dominate the global market, the rise of dumbphones and analogue habits signals a notable cultural shift. For many in Gen Z, the move is less about rejecting technology entirely and more about reshaping it to fit their values.
By consciously stepping back from constant connectivity, they are challenging assumptions about what it means to be “always on” – and demonstrating that, for some, less really is more.