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Padmaavat: Here's how the Sanjay Leela Bhansali film became a controversy magnet

The controversies surrounding Sanjay Leela Bhansali film Padmavati, which has now been renamed Padmaavat, refuse to die down.

On Thursday, the Supreme Court of India lifted the ban imposed by six states -- Himachal Pradesh, Madhya Pradesh, Rajasthan and Uttarakhand, Haryana and Gujarat -- on the movie. But these states are reportedly looking at other options to prevent screening of the movie, which  stars Deepika Padukone, Ranveer Singh and Shahid Kapoor in lead roles.


Here's a look at the hurdles the film has had to go through since it commenced production:

December 2016: Bhansali had to stop shooting for his magnum opus shortly after production began after a worker died on the sets of the film.

January 2017: Bhansali was assaulted by members of Karni Sena who accused the director of distorting history and painting Rajputs in bad light.

March 2017: While shooting in Kolhapur, his film set was vandalised.

October 2017: Surat-based artist Karan K’s rangoli featuring Padukone as Padmavati was destroyed by goons.

November 2017: Karni Sena started demanding a ban on the film alleging the film distorted history.

The cause of their ire was a supposed romantic dream sequence between Hindu queen Rani Padmini and Muslim king Alauddin Khilji. Bhansali has since clarified that such a scene does not exist in his movie.

Speaking to ANI, Karni Sena member Mahipal Singh Makrana said: “Rajput Karni Sena is fighting to protect the image of women being portrayed in the films. We never raise a hand on women but if need be, we will do to Deepika what Lakshman did to Shurpanakha for violating the rules and culture of India.”

January 2018: The makers changed the name of the movie to Padmavat and then Padmaavat.

Padmavat will now release worldwide on January 25, the same day PadMan, Akshay Kumar’s film on menstrual hygiene, is set to release.

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How Southeast Asian storytelling became one of Netflix’s fastest-growing global pillars

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  • Netflix says global viewing of Southeast Asian titles rose almost 50% between 2023 and 2024.
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  • Local jobs, training and tourism are increasing as productions expand across the region.

Last year, something shifted in what the world watched. Global viewership of Southeast Asian content on Netflix grew by nearly 50%, and this isn't just a corporate milestone; it’s a signal. Stories from Jakarta, Bangkok, and Manila are no longer regional curiosities. They are now part of the global mainstream.

The numbers tell a clear story. Over 100 Southeast Asian titles have now entered Netflix’s Global Top 10 lists. More than 40 of those broke through in 2024 alone. This surge is part of a bigger boom in the region’s own backyard. The total premium video-on-demand market in Southeast Asia saw viewership hit 440 billion minutes in 2024, with revenues up 14% to £1.44 billion (₹15,300 crore). Netflix commands over half of that viewership and 42% of the revenue. They have a clear lead, but the entire market is rising.

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