In what may go down as one of the most shocking moments in the history of Academy Awards, popular Hollywood star Will Smith stormed onto the stage and punched and swore at presenter Chris Rock, who made a joke about his wife Jada Pinkett.
The incident from the star-studded event went viral in absolutely no time, with some people wondering if the entire episode was scripted or genuine.
Rock had cracked a joke comparing Jada Pinkett’s tightly cropped hair to Demi Moore’s appearance in the 1997 film G.I. Jane and suggesting she appear in a sequel. He said this because Pinkett is currently rocking a bald hairstyle due to alopecia. She publicly revealed her diagnosis in 2018.
The joke did not go down well with Smith who strode up to the stage and smacked Rock across the face before walking back to his seat alongside Jada and shouting profanities.
"Keep my wife’s name out of your f*****g mouth,” Smith shouted, forcing the producers to bleep out several seconds of audio from the televised broadcast in the United States. However, other international broadcasts revealed what was said live.
In his emotional speech soon after winning Best Actor for King Richard (2021), a tearful Will Smith apologised to the Academy, saying, “I want to apologize to the Academy. I want to apologize to all my fellow nominees. This is a beautiful moment and I am not crying for winning an award. It is not about winning an award for me. It is about being able to shine a light on all of the people.”
He added, “Art imitates life. I look like the crazy father, just like they said about Richard Williams. Love will make you do crazy things.”
As per reports, the Los Angeles Police Department spoke with Rock soon after the incident. Rock, however, chose not to file a report with the LAPD, meaning Smith will not be charged with or arrested for assault.
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Later, the Academy of Motion Picture Arts and Sciences released a statement regarding the incident, saying “The Academy does not condone violence of any form. Tonight, we are delighted to celebrate our 94th Academy Awards winners, who deserve this moment of recognition from their peers and movie lovers around the world.”
Keep visiting this space over and again for more updates and reveals from the world of entertainment.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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