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Netflix adds three new Indian originals to its repertoire

Right after unveiling the first look posters of its first Indian original, Sacred Games, streaming media giant Netflix has announced three new Indian original series. The first in the list is Leila, an adaptation of Prayaag Akbar’s novel of the same name. The second series, Ghoul, is based on Arabic folklore and Crocodile, the third series, is an adult murder mystery thriller from Binky Mendez.

This brings the total number of Netflix's Indian originals up to seven, which include Sacred Games, Selection Day, Again, and Bard of Blood.


“We are proud to continue to invest in original content in India. These three series, from the scary to the supernatural, represent the tremendous diversity that Indian storytelling holds for a global audience," Erik Barmack, vice president of international original series at Netflix, said in a statement.

"We are thrilled to work with some of the world's most talented writers and producers to bring these stories to life for India and the world,” he added.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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