The Dark Knight: Christopher Nolan is one of my favourite directors and writers of all time; so, of course, three of his films would make my top 10. This is an obvious classic, but the way the plot is played out with the Joker (brilliantly taken on my favourite actor Heath Ledger), Batman and Two-Face/Harvey Dent is dynamic. Nolan’s approach to creating Gotham as real as possible with darker energy makes it all the more intriguing to watch. Fun fact: I watched this film five times in the theatre.
Interstellar: Anything that has to do with time and space, I am for it. Nolan does an excellent job bringing in our desire as humans to search outside of ourselves for ‘home’. From time, dimensions, black holes and so many tears, thanks to Matthew McConaughey’s Oscar-worthy scene, this film hits all the points.
Inception: Of course, yet another Nolan film and it stars Leonardo DiCaprio, who is also one of my favourite actors. With an all-star cast, spectacular plot twists and digging into the subconscious mind, it is a film that you would have to watch over and over again, only to experience it as if it was the first time.
Edward Scissorhands: Filmmaker Tim Burton is another one of my all-time favourites and he creates a fantastical world that eerily feels all too familiar. With Edward being “othered” and equally “exotified”, anyone that’s ever felt like an outsider can heavily relate to this endearing film.
Split: James McAvoy’s ground-breaking performance to not play just one, but nine characters was, nonetheless, outstanding. M Night Shyamalan tapped into the human psyche and really showed us that we as humans are capable of being anyone we wanted to be, if we really took control over our minds.
Get Out: Every single detail, from music to the writing, cinematography, acting, race politics and historical references to the absolutely terrifying iconic running scene, makes Get Out the ultimate must-see film.
Us: Even though this film just came out, Jordan Peele gave us another classic psychological thriller playing on doppelgangers. Again, being known for his Easter Eggs, so many beautiful references are made in this film, which makes any viewer want to go in their own rabbit hole of research and dissecting each scene. And again, Lupita equals Oscar, for sure.
Pulp Fiction: Quentin Tarantino. That’s it. There isn’t anything more that needs to be said.
13 Going on 30: I have a real soft spot for romantic comedies and they are my go-to films to watch. Anything with role reversing is fun to watch. And, of course, nothing is cuter than watching Mark Ruffalo and Jennifer Garner’s chemistry on screen together. Plus, this movie literally made me want to work in media.
Inside Out: One of my favourite animated films really gives a sense of what a young person’s mind feels like when they are dealing with depression. It truly is an incredible film for anyone at any age to watch and feel empathy for those who are struggling with their mental health.
Kiran Rai AKA Kay Ray is an actor, filmmaker and Influencer. She hosts the talk show Cha Da Cup on Rukus Avenue Radio on Tuesdays at 5pm PST, Wednesdays at 1pm GMT and 5:30pm IST.
www.rukusavenueradio.com and Instagram & Twitter: @Kay__Ray
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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