My first break on television: I was working with a leading IT company and decided overnight to quit my career. It was a tough decision as I hadn’t done theatre or had any professional acting training. I just believed in myself and worked hard. When nothing seemed to be working out, I was about to go back to IT, but then, I got the most important call of my career. Yash Patnaik and Mamta Patnaik introduced me in a fantastic TV series called Jamunia on NDTV Imagine. I still remember jumping with joy when I got the news. I went to all the nearby temples to thank god and then threw a pizza party for my friends. It was something I can never forget.
My first autograph: While shooting for my show in Chhattisgarh, in east India we, sometimes, used to go for dinner at the highway food stalls. One night, when the entire cast of our show was chilling at a food stall and celebrating the launch of our show, a local police officer came to me and asked if I was the same guy on TV, and I told him yes. He was very excited and introduced me to his other colleagues and asked for my autograph. I signed a tissue and gave it to him. I was so happy and felt like it was the first reward for me as an actor.
My first award: In 2012, I started the journey of my first negative role on Indian TV as Rajkumar the terrorist in Diya Aur Baati Hum on Star Plus. The entire track got very popular and our show got the best ratings. In 2014, our show was awarded as the best show on television. Generally, antagonists are not given a chance to represent a TV show in award ceremonies, but my producer Shashi Mittal not only personally invited me but also gave me the honour of receiving the award too. I felt blessed to be part of such a wonderful show.
Buying my own house in Mumbai: It’s a dream for every actor to buy their own house and I bought mine in 2015. When I first entered my house, I realised how magnificent it is to know that every single brick, every single corner of this house is mine.
My first pet: I have a Saint Bernard dog named Baloo. I named him after Baloo the bear from The Jungle Book. It was a birthday gift for my fiancé but, I started loving him more than her. Baloo has a different kind of bonding with me. He sits next to me for hours and it seems like he understands what I am saying to him. He’s the best thing we could ever get.
My first job: I started working when I was completing my 10+2. I got my first job in my hometown Meerut, and worked as a sales executive for HDFC life insurance. It wasn’t easy, but getting a good job at such an early age was magical for me.
My parents’ 25th anniversary: I love to surprise my loved ones. I planned a surprise visit on my parent’s 25th anniversary. They had no clue that I was coming from Mumbai overnight to celebrate their anniversary with them. They were really happy. We went on a road trip to Rishikesh and it turned out to be a memorable time for us.
My marriage: On October 31, 2017, I got married to the love of my life, Priya. It was a dream come true for both of us as we planned to do a destination wedding and I had Goa in mind. We did a two-day ceremony in Goa with all our close friends and relatives.
Completing two years of my first comedy show: I did my first comedy show Nadaniyaan on Big Magic channel. People loved the show and it was the most popular show on the channel. I can’t forget the day when our channel head Tarun Katial gave me the honour to re-launch the channel logo.
When my mom first saw me shooting: My mom was an artist and used to play the sitar in her college days. She won the national level competition also, but, after marriage, she chose to quit her career to focus on her family. She wanted one of us to become an artist, so when she came for the first time on my set and saw me shooting she was smiling, but had tears in her eyes, and so did I.
Gaurav Sharma is a Mumbai-based actor and star of numerous acclaimed TV serials
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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