Chance encounter: I will never forget attending a Shankar Ehsaan Loy concert in 2012. I always remember this as it was the first time I was trying to forward my demo CD and while attempting to do so I bumped into a management company, who had organised that particular event. They listened to my CD and signed me on straight away. This is where my musical career began.
First performance: My debut live performance at the age of 13 will forever remain memorable. It was the first time I was singing publicly at a private event and will never forget the song I sang, which was Awaaz Do Humko from the Bollywood movie, Dushman.
Shreya inspiration: I always remember watching singing competitions on TV when I was young. Sa Re Ga Ma was a special one for me because I saw Shreya Ghoshal and became a huge fan of hers. Watching her emerge into this established playback singer we see today is definitely an inspiration for me.
Recording debut: My first recording experience was with Rishi Rich for my debut single Tere Bin (I Just Want). It will always be something I will never forget because I was going in blind eyed with no knowledge of the music world. I was not sure what was expected of me, but it turned out to be a chilled and great experience. Also having been a fan of Rishi’s work since school, it was surreal to meet and work with him.
Marvellousmela: Performing at my first UK Mela in 2016 in Birmingham was epic, singing in front of a crowd of tens of thousands of people. The feeling of adrenaline, excitement and the audience reaction to my performance was too good. My performance was captured and shared by the BBC.
Award win: Receiving the Best Female Singer at The UK Bhangra Awards 2016 was a milestone for me at such an early stage of my career. I felt blessed, honoured and humbled.
Arijit experience: The Arijit Singh concert, which took place in Wembley Arena a couple years back, was personally for me the best live show I had ever been to. He performed with a live orchestra and I remember singing along with him for three hours. It would be a dream to sing with him one day. Never say never.
Watching Devdas: Seeing the 2002 version of the movie was memorable because I totally fell in love with the song SilsilaYehChahatKa sung by Shreya Ghoshal. I went on to perform my version of this song at gigs, events and festivals. It was one of my favourite songs to perform when I was younger.
Rooftop success: A big step ahead in my career was when my song Rooftop went viral. I was receiving messages and videos from fans everyday. The song was also trending on YouTube India and hit a million views in a week. It was nice to see so much love for this song from listeners.
My latest single: Visiting Mumbai for the first time and recording my recently release single Be My Lover with Zee Music company was special. (If you haven’t seen it yet, go check it out). This was a single I didn’t plan to record, but it just happened after I met with a very talented producer in Mumbai named Ramji Gulati. Within a couple of days we arranged to record this song. A melody I had saved on my phone a while back came to life. It was fun shooting the music video in Thailand too.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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