FOOD writer and author of Brick Lane Cookbook Dina Begum shares her top tips for people learning to cook and explains how you can master basic skills to gain confidence in the kitchen.
Familiarise yourself with the kitchen: The first step to learning anything is to see what you have to work with. It may seem obvious, but learn how your oven, grill or stove works and what the settings mean. If you’re cooking something in the oven, for instance, you need to ensure that you pre-heat the oven to the correct temperature. This is important, especially when baking.
Buy basic crockery and utensils: If you don’t already have them, then a good place to start would be to buy a set of different saucepans, a frying pan, mixing bowls, chopping board, whisk, measuring jug, weighing scales and measuring spoons.
Get inspired: Read and browse cookbooks and watch food programmes for inspiration. Get comfortable with enjoying the process of cooking and not being afraid of the kitchen. Cooking should be a fun experience, so don’t worry about being perfect – just start.
Build a spice and herb starter collection: Essentials include the following: salt, black pepper, mixed herbs, whole cinnamon sticks, cardamom pods, bay leaves and cloves. Ground spices should include turmeric, cumin, coriander, chilli powder, garam masala and paprika. Also include pantry essentials such as rice, lentils, pasta, noodles, beans, oil and ghee.
Master basic recipes first: Start with making an omelette, learn how to cook plain rice and a simple dal or vegetable dish, which are all filling and don’t require advanced skills. Once you perfect these, you can add different fillings and flavours. For example, learning how to make pulao rice or a curry, as well as meat and fish dishes.
Get feedback: Test your cooking skills out on family and friends to practise recipes and see what they think. This will help grow your confidence as a cook. Making something that people enjoy is encouraging. Even if comments aren’t all positive, don’t let this put you off. Ask for constructive criticism and make notes for next time. Remember, practice makes one perfect.
Learn by doing: Practical experience gained by cooking with someone or watching how they cook is invaluable. Cook with a family member, attend cookery classes or watch YouTube tutorials. Classes can be at local community colleges/centres or at cookery schools.
Plan cooking time: Read recipes thoroughly and make shopping lists ahead of time so that you have all the ingredients available. As a beginner, it may be confusing and stressful if you have a wrong ingredient or something missing when you’re about to cook.
Plan properly: Prep ingredients to make the actual cooking easier. If you’re making lunch, peel, chop and refrigerate fruit and vegetables the night before. Just place them in an airtight container. For dinners, prep in the morning. If you’re baking a cake, which needs toppings and icing, bake it the night before and finish decorating just before serving.
Invest in a set of good knives: You’d be surprised at how much this helps when cooking. A blunt knife can mean that you’re using twice as much effort to cut things and can cause accidents. Make sure to ask a more experienced cook on how to use your knives safely, or watch a video tutorial.
Brick Lane Cookbook by Dina Begum is available at Waterstones, Foyles and on Amazon. Visit: Instagram & Twitter: @dinasfoodstory and www.dinabegum.co.uk
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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