LIVERPOOL-BASED rapper Farhood fled his home country of Iran after facing persecution due to political activism. Now an emerging talent in the UK, he appeared at M.I.A’s Meltdown at Southbank Centre and shared 10 music releases that have inspired him.
Parchin by Safir: The Tehran-based Iranian rapper works with a talented producer called Dehghan. Parchin is his most recent track with strong lyrics about the movement of Iranian rappers. The way he describes his life gives me insight into his story and my own.
Refugee by Nadia Tehran: The music video being filmed by her father in Iran makes this track really poignant for me. Not only does she offer a massive “f*ck you” to western respectability and politics of immigration, but also manages to undermine the stereotypes of Iran.
Before Lovers by Dialect: Liverpool-based artist Dialect, aka Andrew Hunt, recently released his new album Loose Blooms. The whole album is great but Before Lovers is my favourite track and it is often on repeat.
Touch Absence by Lanark Artefax: My friend Ling introduced me to Lanark’s music and I can’t describe how much I like his music and videos. He’s a Scottish producer who will play live for the first time at Unsound Festival and I’m looking forward to being there.
SE16 by Flohio: This tracked released by London rapper Flohio over a year ago with God Colony is a banger. I had the chance to play live with her and have to say she has a strong character.
Bikeshvar by Tardast: Bikeshvar means stateless and the Iranian MC based in Birmingham released this album after moving to the UK. The album was produced by his friend in Tehran and carries strong lyrics about how a teenager feels about migration. You’ll love him if you understand Farsi.
Bebim by Sevdaliza: This Iranian-Dutch singer released her first track in Farsi after Trump’s Muslim ban and every time I listen to it I get lost in her world.
O Superman by Laurie Anderson: I will never forget the night my housemate Ben played this in the living room. I took it to my room and listened in my own personal space. The story behind the track is powerful.
Nights by Frank Ocean: I feel very proud to say Blond is one of the best albums I have ever heard. I love the atmosphere in Nights and how everything changes in the track is beautiful and amazing. There is something about this beautiful track,that I can’t explain.
Eshtebahe Khoob by Bahram: There is a lot to say about Bahram and how important he is to my generation in Iran because he has been in prison there because of his art and had to leave the country. Eshtebahe Khoob is very important for me. This album was the greatest help at a time I was battling depression.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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